Shounen Maid – 02

smaid21

Wherein Chihiro takes on an eager student and resolves to make better eggs

Like Tanaka-kunShounen Maid introduces a new female addition to the cast in the person of Ootori Miyako, who is arranged by her father to marry Madoka when she turns sixteen. The arrives at Madoka’s home having reached another impasse with her father, and we quickly learn she actually prefers Keiichirou.

smaid22

Miyako wants to prove to Keiichirou that she can be a dependable woman and future wife, and after learning Chihiro’s story, decides he’s the best person suited to teach her, being pretty hard-working, dependable, and independent himself.

Predictably, things don’t go so well on the housework front, and though she has fine cooking skills, she makes a mess in the process. Her depression washes away at first sight of Keiichirou, but soon returns, only for her to be cheered up again when Chihiro tells her what his mom told him: compromise is fine, but don’t betray yourself by doing anything against your heart.

It’s not about being selfish; it’s about making your own choices in life, something everyone should be able to do in this day and age.

smaid23

When Miyako’s father shows up to find his daughter and Chihiro a bit too close to Madoka for comfort, he drags her back home, but she returns again soon to continute her training with Chihiro. Overall Miyako is a pleasant addition to the cast, as someone both inspired and encouraged by Chihiro’s unique life story so far.

smaid24

While generally feel-good in nature, this show is tinged with the grief of the premature loss of his mother, who was by all accounts a strong-willed but kindhearted woman who never looked down at her son or sugar-coated things. Sure, she put too much sugar in her tamagoyaki back when she made them for her brother Madoka back in the day, but by the time Chihiro came around, Chiyo was an omelette expert.

As part of a bento, tamagoyaki becomes a dish Chihiro decides he’ll practice and perfect, after trying to determine what, Madoka’s favorite food is. Even when he screws up the omelette on his first try, Madoka is reminded of his sister doing the same thing.

IMO there’s few foods better than nostalgia-evoking foods, for even if they remind us of someone who has passed, that’s simply proof a part of that someone is still alive in us. So having lost the one in charge of folded omelettes, he’ll strive to become a worthy substitute.

16rating_7

Tanaka-kun wa Itsumo Kedaruge – 02

tanaka21

I thought messing with the golden goose that is the Tanaka/Ohta dynamic so soon by adding a tiny, annoying-looking girl would upset the serene magic of the opening episode, but I worried needlessly: Miyano isn’t annoying, she’s adorable, whether it’s while trying hard in vain to become just like Tanaka, or becoming even more Tanaka than Tanaka by accident.

tanaka22

Miyano may be tiny, but she has more energy (and can put away more donuts) than Tanaka and Ohta combined…and that’s the problem. When he reluctantly takes her on for a day as his apprentice (believing it the best way to be rid of her quickly), Tanaka corrects her not to “do her best” but to just do whatever.

Whether its observing and mimicking Tanaka’s listless face, or attempting to hide her emotions, or getting upset over how little Tanaka enjoys strawberry milk, or preparing an exhaustive research paper on listlessness, Miyano just can’t fight her natural instinct to do her best and work as hard as possible.

tanaka23

When Tanaka tells her this probably isn’t going to work out, Miyano is disheartened and morose, but it’s not his intent to hurt her, just to express his opinion that he, Ohta, and whoever this boy she likes prefer it when Miyano is just being herself, not trying to be him.

As long as she keeps being her, she’ll be fine. As for Tanaka, he wants to take the train to the main temple to complain about praying and paying for a peaceful day…and ending up with Miyano.

tanaka24

If Tanaka was truly annoyed or put out by the addition of Miyano to his life, further complicating what was to his mind already too complicated a life (he’d prefer being able to tend to all primitive human needs in one room…like a prison cell!), he has a funny way of showing it the next day.

Rather than Miyano the student following Tanaka the master, the opposite transpires, as Tanaka and Ohta notice Miyano seems to have mastered listlessness, and even surpasses Tanaka, blowing a hole in his book and writing a whole new one on woozy, detached fugue state of listlessness.

tanaka25

That seems plausible on some level—both guys suspect she culd be feeling this way because the boy she liked rejected her—but the real reason she’s this way is ever more inventive and crazy: Miyano simply got to thinking about mascots on TV, how they’ve gotten smaller, who or what’s inside them, whether they intend to take over the world, and whether she’s the only one who can stop them.

All that stressing made it hard for her to get good sleep, hence her listless state. When she suddenly snaps out of her ‘stress cycle’ (realizing it’s probably just small people like her inside), she’s back to her old energetic self.

But when Ohta and Tanaka tell her how they thought she’d reached listless Nirvana, she doesn’t know what they’re talking about. She was so busy worrying about imminent mascot hegemony, she never noticed how listless she was acting! So what does she do? Well, try to think of something else to stress out about so she can return to that state. This girl’s a riot, and I hope to see more of her.

16rating_8

Kiznaiver – 02

kiz21

As the Kiznaivers’ teachers deal with the guilt of allowing their precious students to be appropriated in such an extreme manner, Sonozaki assigns the Kiznaivers themselves their very first mission: self-introductions. And she’s not talking about giving your name, class, and blood type.

She wants the deepest, darkest secret each of them carry within them, for if they’re really going to be All for One and One for All, they need to grasp the essence of who one another are, as well, perhaps, to experience the catharsis of finally releasing that which has never been released in their lives.

kiz22

And no, they don’t get a choice in the matter. Dishonesty and incomplete answers result in penalties in the form of the continued shocking of Agata, who is still in the control room with Sonozaki.

When she sics a pair of attack dogs at “Mad Dog” Tenga, Tenga accidentally goes first when, in a fit of panic he confesses to being a cynophobe. The next trial involves demolishing the facility they currently occupy.

Meanwhile, Agata doubts he has anything he doesn’t want to say, because he “doesn’t know himself.” Sonozaki releases him, with what is sure to be a catch.

kiz23

When a countdown nears zero for the next confession after Tenga’s, it’s Niko’s turn to reveal her secret, or at least what she thinksis her secret: she’s a Phony Eccentric; she only dresses and moves and talks weird because she’s worried with her looks and smarts and wealth could cause more trouble for her and others.

Just as they do with Tenga, the others don’t see the confession as a big deal. In fact, they consider Niko eccentric simply because she thought it necessary to pretent to be eccentric rather than act in a more socially normal way.

Yuta is next, as Niko notices a poster with a smiling fat kid. That fat kid is Yuta, and his dark secret—that he was once round—was something he felt would cripple his school prince status. The thing is, plenty of princes were/are fat. Again, it’s no big deal to the others.

kiz24

That leaves Agata, Chidori, and Maki. Maki runs off rather than be the next one to confess, and ends up in a morgue where a female corpse in a school uniform calls out to her creepily. I must say, Sonozaki and the organization she works for really put a lot of effort into this house-of-horrors, considering it’s only necessary for this one mission.

The other Kizzies head to the roof, where Agata is hanging precariously in a gondola and will plummet to his death until the self-intros are complete. He attempts to give one by confessing he doesn’t care or feel anything about anyone, probably because he doesn’t care about himself.

kiz25

This doesn’t get a ding-ding, but it does prompt Chidori to climb over to Agata and begin a rant about how cool and cheerful he used to be, and how he used to take care of her and be there for her.

This culminates in a confession that she loved that Kacchon and wants him back more than anything; a confession we all knew was coming a mile away. All of us, that is, except for Agata, who never realized Chidori liked him even as she stayed by his side though all his struggles.

He amends his confession to state that he feels happy about how she felt/feels about him, and feels happy that he feels happy, and since becoming a Kiznaiver made that happen, maybe it’s not so bad, aside from all the danger games.

kiz26

And so there, after falling to their not-deaths onto a big landing cushion, Agata and Chidori and the other three all celebrate their catharses. Of course, there’s one more who needs to reveal her secret: Maki. And it’s what I expected when I saw her in that morgue: she murdered someone.

Now, clearly, being a murderer is, in the grand scheme of things, far worse than having been fat in their earlier years. But the fact everyone put the same weight and importance on their closest secrets, no matter how varied they were, is another important lesson about what it is to be Kiznaivers.

Before, they kept the most difficult things to say inside. Now the facades have fallen, those things have been said. The group was skeptical of being able to open up to virtual strangers, but no matter what else they were or are, they are a lot more than strangers now.

16rating_8

Haifuri – 02

Screen Shot 2016-04-16 at 3.17.34 PM

The gist: wanted for sinking the Sarushima, the crew of the Harekaze must quickly adjust to their new life as falsely accused mutineers. THe girls don’t really grasp the magnitude of this, even after “German exchange-student Battle Ship Admiral Spee” tries to sink them.

Oh, and they cripple the Admiral Spee with a close range live round to the rear and are able to escape, along with an as yet not introduced German girl who tries to join them during the combat.

Also, curry night. Roll Credits!

Screen Shot 2016-04-16 at 3.24.57 PM

I suppose its understandable that the girls wouldn’t get how screwed they are yet. For them, this should be easily explained confusion they can’t even explain and, besides, no one has been killed yet.

Cute touches: the crew’s biggest gripe seems to be the loss of cell phones and social media (to prevent the fleet hunting them down). The captain’s decision to arm live munitions, and the process involving keys was neat too. It also makes sense, since they carried so few dummy munitions for this first outing that they have nothing else to use.

Screen Shot 2016-04-16 at 3.11.45 PM

Meanwhile, we learn more about XO Munetani-chan and her family’s long relationship with Blue Mermaid. Apparently Japan’s fall into the sea stems from the Ruso-Japan war and that city-ships were the only way to save the nation.

I’m not going to think too hard about this but being told the all-girl nature of BM was an attempt to show Japan’s furious ship building (and aquisition of military craft for conversion into the city ship system) was non-military in nature makes a certain amount of genre sense. The fact Munetani’s great grandmother was the first ship’s commander certainly establishes why she’s such a hard ass, and so disappointed by her own performance.

Screen Shot 2016-04-16 at 3.26.28 PM

You may enjoy it: Haifuri is anachronistic, giant cast, cute girl, coming of age, WW2 naval combat at it’s finest. The cute girls aren’t claw your eyes out cute, the cast isn’t so important that not remembering what they all do doesn’t impact understanding what is going on, and the naval combat is decent. It’s well delivered.

I love the idea of an exchange student battle ship too

You may want to skip it: if a safe political mystery hidden under a safe cute girl ‘high school on a warship’ blanket isn’t really your thing. Honestly, it’s hard to say how much the military genre and political mystery lower or elevate it from any other high school SOL?

It’s got my attention and I’m curious where it’s going. So I’m gonna recommend it for now.

16rating_8

Gakusen Toshi Asterisk – 15

aw151

Ever since learning Haruka may still be alive, Ayato has been distracted. Julis thinks he’s afraid his sister abandoned him, but she’s big enough to admit this time she isn’t the person best-suited to bringing him out of his mini-funk.

That person is Saya, who knows her mission and swoops in like the adept climber she’s always been, as when she watched Ayato and Haruka spar from a tree branch years ago. I’ll admit, I half-forgot these two go back so far, but it’s nice to see Saya get to be nice and cozy with Ayato for a change.

aw152

In one of the more sustained flashbacks involving Haruka, we see a big sister clearly concerned with the potential of her little brother, whose approach could either be ‘you’ll never beat me so please don’t try’ or ‘you won’t beat me until you not only become stronger, but employ the aid of strong friends.’

Ayato tries both in the flashback, but fails both times. But at least, with Saya on his side (asking a favor of her with “favor cards” they often exchanged to help each other out) Haruka had to fight more seriously than when she was sparring with Ayato alone.

And Saya of the present finishes their little get-together by saying, with a melancholy smile, that as much as she may not like it, sometimes she won’t be the one best-suited to fight beside him either.

aw153

The message is clear, and it’s kind of a repeat of what we already know (hence the mere 7): you can be the strongest, but you’ll still never be as strong as if you have someone fighting beside you. That’s why fighters have partners in the Phoenix Festa, and why the fights are often more interesting than one-on-one matches.

The match with the Li Twins doesn’t disappoint in terms of sheer frustration. Having thoroughly researched their opponents, the twins coolly reach deep into their bag of tricks, employing illusory smoke, shadow clones, invisibility, and explosive talismans to make life a living hell for Ayato and Julis and, more importantly, drag the battle out until Ayato’s dreaded 5-minute limit arrives.

aw154

The match follows a pretty well-worn pattern of moves, counter-moves, and one-upsmanship. The Li twins grow more and more sadistic and evil-grinny as the match intensifies (Shenhua’s finger caress being particularly creepy), and while they acknowledge the pluck of their opponents, they have full confidence they will emerge victorious, with a wealth of tricks left to use if they ever get into trouble.

aw155

Indeed, Ayato uses what seems to be his last ounce of strength to slice the medallion of who he believes to be the real Shenyun, but turns out to only be another shadow clone; Shenyun, like Shenhua, has in reality spent most of the match concealing himself.

But Ayato isn’t alone here, and before he gets blasted to smithereens, Julis flies in and rescues him. As they regroup, she asks him to rely on her, repeating the words he said to her back when they were first starting out: “Well then, who’s going to protect you?”

The line does a lot more than Julis expected, as Ayato seems somewhat restored in vigor, as if he suddenly sees something he didn’t se before; perhaps something involving his sister’s seal on him. Maybe the seal can come undone once he accepts the strength within him is to be used not alone, but in concert with another. Like Julis!

16rating_7

Ace Attorney – 03

acea31

I enjoyed David E. Kelley’s legal “dramedy” Boston Legal, despite that fact it could often go off the rails of what was reasonable legal procedure, (particularly courtroom conduct) because it was goofy and funny. Ace Attorney is also goofy and funny, but I find myself unable to constantly overlook its cavalier attitude toward the sacred institution of the law.

Mayoi’s trial is a damned free-for-all from the start, when Mitsurugi Reiji calls a witness in the middle of his opening statement, before Naruhodo even gets a chance to say his part. The witness is Det. Itonokogiri, whose testimony is so full of holes a mouse could mistake it for cheese.

acea32

Oh, and the cheese is laid on thick here, when after Naruhodo rather easily exposes the good detective’s inconsistencies, Mitsurugi changes “died instantly” to “died pretty much instantly.” That said, he also makes the mistake of calling another unreliable witness to the stand.

This witness is apparently meant to titillate the men in the courtroom and little else, while Mitsurugi is concerned only with theories he can prove with facts in the courtroom, regardless of whether those theories point the finger at the entirely wrong person, i.e. Mayoi. It’s all rigged!

Wen Naruhodo breaks the pink bombshell (her transition sex kitten to fist-pounding harridan is hilariously abrupt) and Mitsurugi calls for an adjournment so he can go over all the evidence Naruhodo keeps pulling out of his pockets (real professional, that!) things get even more ridiculous, when Naruhodo tracks down the witness’s boss.

acea33

Konaka Masaru is a grotesque joke of a character, with his flamboyant wardrobe, goofy office, and constant use of Bad English in his speech. This guy also happens to be the kingpin of a massive empire of blackmail at every level of society with the front of an IT company.

He also has the motive to be Chihiro’s true killer, since she’d been investigating him for years. And with one phone call, Konaka gets Haruhodo arrested as the new prime suspect in her murder. Hwhaa?

With lawyers going around acting like detectives, detectives acting like judges, and absurd circus trials with no semblance of order, this is a dark, fallen, poorly-animated world, and I feel bad for anyone with pure justice in their heart who has to live in it. Fortunately, I don’t, and so I’m checking out.

16rating_5

Mayoiga – 03

mayo31

Dozens of people of every disposition and background suddenly isolated in a strange place full of mysteries…Mayoiga, I’ve decided, is the Lost of anime. This episode made that decision a lot easier, especially with the group’s need to hastily grope their way through some kind of rudimentary justice system after one of them tries to harm another.

mayo32

One reason “Jack” is looking for a new life is that he was heavily bullied in school, lost it, lashed out, and ended up in juvy. Just because he was released doesn’t mean all his trauma and neuroses are gone; so when Judgeness prods him too far, he lashes out again.

That gets him tied up, and ultimately it’s decided they’ll throw him in a creepy undergound prison for the night, even though some (cough-Lovepon-cough) wants him swiftly executed for his wrongdoing.

Meanwhile, Valkana searches feverishly for Yottsun after Masaki is found, with a story of him leading her along until he went off on his own an vanished. Valkana’s obsession with finding him stems from his absolute need not to be called a scapegoat—after just such a thing happened in his “previous” life as a systems engineer (ah, the flashback…one of Lost’s primary narrative devices).

That obsession makes Valkana very short-fused, and Koharun gets a taste of his wrath when she suggests deep down he’s lonely, otherwise he’d never embark on an adventure involving so many other people. The truth hurts some more than others.

mayo33

In case anyone was in doubt, Maimai kinda likes Mitsumine, despite her standoffish demeanor towards him. When they encounter one another on the bridge, she’s clearly flattered by his desire to keep her safe, even if that desire extends to, say, Masaki.

Lovepon, meanwhile, remains as loopy as ever about doling out swift justice to those who upset the balance or safety of the group. She believes Jack deserves execution, and anyone who stands in her way deserves it to, as she grabs Mitsumine, falls off the bridge, and tries to drown him.

She does not succeed, but while fighting her off, Mitsumine notices the drowned body of Yottsun floating down the stream. Did Masaki kill him when he tried to rape her, or did he just get killed by a bear? The mind races with possibilities based on the scant information we know. And once more, an episode ends with a hook I can’t quite escape from…

…AND YET, were I to keep saying “One more episode”, I may one day turn around and see that I’ve watched the whole thing, and wasn’t worth it. I committed to watching three episodes, and I’ve watched those three. As enticing as the mysteries ahead may be, I think it’s time to move on.

16rating_6

Space Patrol Luluco – 03

spl31a

Alpha Omega Nova and Luluco head to her school, Space Middle School, to root out an organized crime ring involving a “quasi-legal” app called Blackhole being distributed by an individual named “Save-the-World,” who turns out to be Luluco’s blue/green-skinned classmate Midori. Absurdity ensues!

spl32

The fact that Midori was giving Luluco the hard sell—and succeeding—kinda gave away the fact that she was the mastermind Space Patrol was after. But with a gang of roughs at her disposal, Midori won’t go down without a fight!

spl33

Nova’s all too happy to shoot the shit out of Midori, but Luluco wants to resolve things without discharging weapons. Her olive branch is smacked out of her hand when Midori captures Nova and fires him at her. Luluco thus has no choice but to transform into a gun and shoot, capturing Midori, but also destroying part of the school.

spl34

Luluco isn’t sure what to do in the future, but the freed Nova counsels her to “stay wonderful”…which probably means “keep transforming into a gun and shooting perps into submission.” After our lovely credits, Midori convinces the somewhat easily swayed Over Justice to forgive her crimes and recruit her into he Patrol.

Gainax/Trigger fans will probably recognize Midori’s distinctive seiyu as Shintani Mayumi, who also voiced Nonon in Kill la Kill and Haruko in FLCL. With the addition of Midori, Space Patrol Luluco continues to be a super-concentrated, zany, quick-firing, unpredictably delicious lark.

16rating_8