A brief glimpse is all we need to learn why Kennosuke called Yukina ‘princess.’ Yet for his stalwart protection of the lookalike from robotic monsters, he is thrown in a cell, where he dreams of a time that has long since passed.
Meanwhile, Yukina, who pushed the red button that released him from his long slumber, is told to “stay put” by her mother, at least until they has a better picture of what’s going on.
Yukina does not stay put.
Her mom leaves her phone behind—again—allowing her to escape about the same time Ouma does. It seems that fate was meant to bring these two together.
Kennosuke has been moving so fast, it isn’t until he and Yukina have a moment to breathe that he realizes…she isn’t the princess. He voices he’s upset in a most amusingly old-fashioned manner, but when his cockpit-cube arrives and transforms into a ‘steed’ at his command, he still puts Yukina in the copilot seat. She’s not the real deal, but could she be a descendant? A reincarnation?
Yukina blasts past Mika and other shelterers as the steed takes her and Kennosuke to his “Black Relic”, the centuries-old equivalent (and likely template) for the UN’s GAUS suits (which don’t appear this week).
Once outside in the world, Kennosuke is, not unreasonably, very confused and disoriented. The mountains are familiar, but what’s with the lake? “A wonder of human ingenuity,” says Yukina. “Deceptive drivel!” says Kennosuke.
Similarly, the buildings of the city they approach appear to him like giant tombstones, which they will actually become if the yellow scourge, which Ken calls an Oni or “Demon”, is allowed to stomp around unchallenged.
I dig Ken’s archaic way of speaking, as well as his almost complete unpreparedness for being in the modern world (despite, you know, piloting the giant mecha) Yukina, for her part, remembers her father’s tales of demons coming to devour everyone, suspects that’s now what’s going on, and perceptively declares this situation “the pits!”
Fortunately, Ken was right to put Yukina in the copilot’s seat, because not only does she understand the relic’s interface, she serves as an invaluable second set of senses in their battle with said demon. The JSDF and ASDF’s conventional military forces are completely worthless against the beast, so it’s Ken and Yukina or nothing.
The battle itself is heartening, not just because it brings a ferocious energy that was somewhat lacking last week, but again shows Ken still a lot to learn about modern urban combat. He’s understandably rusty, but thanks to Yukina, he stays alive and his relic is undamaged, while they score a hit on the yellow demon and force it to retreat, ascending up to an infernal mothership lurking in orbit.
In hindsight, these first two episodes work far better as a double episode than separately, with the true climax not arriving until the city battle this week, which puts Yukina and Ken on more equal footing as co-pilots. This may seem like ‘the pits’ to Yukina now, but it’s also a definite path forward.
Where before she was simply drifting about, unsure of how to become the successor to her mom she assumed everyone around her expected her to be, now she has the means to become something else entirely; something just as important, if not more so.