Kagewani: Shou – 03

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A man and a woman foolishly use Bing to find an off-the-map hot spring and the woman is kidnapped by a cult of mask wearing crazies who sacrifice virgins to a monster living under neath the hot springs.

Fortunately, a mysterious man with a tuning fork distracts everyone long enough for the original man to save the girl and get away. The monster then eats the cultists. Later a cab driver says the place has been closed for years and the website is all 404

dun dun duuuunnnn. Roll credits…

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Kagewani 3’s pocket sized twilight zone continues to ‘work’ as long as you don’t think to hard about any of the details. The monster and the cult were freaky and, until tuning-fork-sama shows up, I had no expectation for the lovely couple to make it out alive. (given episode 1 & 2’s mountain of corpses)

Unfortunately, Tuning-Fork-sama is a pure let down as a random save the day factor. The plot also doesn’t make a whole lot of sense, since sacrifice-cyan’s companion was known by, but completely ignored by, the cult. Why? I guess someone needed some way to get down to the cult’s ceremony and save the day.

So does atmosphere trump lazy story telling? Does a unique visual style make up for monster of the week throw away plots and/or a completely unengaging master plot about prisoner 44?

Barley and probably less and less the more episodes I review.

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Ushio to Tora – 29

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With the East and West youkai still not remembering Ushio (but admitting he and Tora are probably their best hope), Mayuko gone off to relieve Ushio’s mom, and Asako healing in the hospital, Ushio and Tora…don’t have much to do this week. Instead, they learn a couple of new nuggets of information and run into an old acquaintance. A pretty quiet, often lumbering episode.

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That old acquaintances is Hyou, who we haven’t seen in who-knows-how-long. He doesn’t get much of a chance to explain why he’s at Ushio’s house when another unexpected visitor arrives: Guren, the black Tora working for Hakumen.

Hyou gives Ushio and Tora the scoop about Guren, whose name used to be Sokuei when he was a human thief who loved to kill, found the Beast Spear in the mountains, used it to make money, and eventually let it corrupt him and consume his soul (Ushio got close to a similar fate, but his friends saved him).

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Anywho, Guren continues to do what he wants, which in this case is doing the bidding of Hakumen. However, Ushio doesn’t fight Guren, and he tells Tora not to either. That’s because Guren also happened to be the sonofabitch who killed Hyou’s family.

That gives Hyou a better claim to fighting him, and he does…but I’ll be honest, it’s not the most thrilling or consequential fight. It doesn’t help that it doesn’t even end decisively, with Hyou managing to survive and leaving a knife in Guren’s body to track him later.

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The other big news is that Tora himself was once an ordinary human whose soul was corrupted by the spear, which is news to Ushio. A lot of other Tora-like monsters showed up for Hyou and Guren’s duel, but they didn’t do any more than Ushio and Tora, which was watch.

Anyway, Ushio patches Hyou up as best he can and lets him help himself to the house sake, which is apparently the best thing to drink after a big battle, win or lose, in order to “wash the hate out.” Hyou is also confident that not only will he defeat Hyou eventually (not caring what happens to him) but that Ushio and Tora will eventually defeat Hakumen.

That may be because Hakumen is fueled by the fear of its enemies, and Ushio and Tora are too busy bickering with each other to have much fear. Still, they’d better not come at Hakumen with anything resembling fear, or they’ll likely be toast.

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Kuromukuro – 02

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A brief glimpse is all we need to learn why Kennosuke called Yukina ‘princess.’ Yet for his stalwart protection of the lookalike from robotic monsters, he is thrown in a cell, where he dreams of a time that has long since passed.

Meanwhile, Yukina, who pushed the red button that released him from his long slumber, is told to “stay put” by her mother, at least until they has a better picture of what’s going on.

Yukina does not stay put.

Her mom leaves her phone behind—again—allowing her to escape about the same time Ouma does. It seems that fate was meant to bring these two together.

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Kennosuke has been moving so fast, it isn’t until he and Yukina have a moment to breathe that he realizes…she isn’t the princess. He voices he’s upset in a most amusingly old-fashioned manner, but when his cockpit-cube arrives and transforms into a ‘steed’ at his command, he still puts Yukina in the copilot seat. She’s not the real deal, but could she be a descendant? A reincarnation?

Yukina blasts past Mika and other shelterers as the steed takes her and Kennosuke to his “Black Relic”, the centuries-old equivalent (and likely template) for the UN’s GAUS suits (which don’t appear this week).

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Once outside in the world, Kennosuke is, not unreasonably, very confused and disoriented. The mountains are familiar, but what’s with the lake? “A wonder of human ingenuity,” says Yukina. “Deceptive drivel!” says Kennosuke.

Similarly, the buildings of the city they approach appear to him like giant tombstones, which they will actually become if the yellow scourge, which Ken calls an Oni or “Demon”, is allowed to stomp around unchallenged.

I dig Ken’s archaic way of speaking, as well as his almost complete unpreparedness for being in the modern world (despite, you know, piloting the giant mecha) Yukina, for her part, remembers her father’s tales of demons coming to devour everyone, suspects that’s now what’s going on, and perceptively declares this situation “the pits!”

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Fortunately, Ken was right to put Yukina in the copilot’s seat, because not only does she understand the relic’s interface, she serves as an invaluable second set of senses in their battle with said demon. The JSDF and ASDF’s conventional military forces are completely worthless against the beast, so it’s Ken and Yukina or nothing.

The battle itself is heartening, not just because it brings a ferocious energy that was somewhat lacking last week, but again shows Ken still a lot to learn about modern urban combat. He’s understandably rusty, but thanks to Yukina, he stays alive and his relic is undamaged, while they score a hit on the yellow demon and force it to retreat, ascending up to an infernal mothership lurking in orbit.

In hindsight, these first two episodes work far better as a double episode than separately, with the true climax not arriving until the city battle this week, which puts Yukina and Ken on more equal footing as co-pilots. This may seem like ‘the pits’ to Yukina now, but it’s also a definite path forward.

Where before she was simply drifting about, unsure of how to become the successor to her mom she assumed everyone around her expected her to be, now she has the means to become something else entirely; something just as important, if not more so.

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