Shounen Maid seems like a high-concept excuse to, well, put a boy in a maid costume…for some reason, and so I wasn’t optimistic about this show from the start.
But when the titular future boy maid Komiya Chihiro attempts to burn the letter his recently deceased mother wrote him because it’s too vague, I knew we were dealing with something with a lot more wit and nuance than I initially suspected.
There’s also something great about introducing his uncle and new ward Takatori Madoka by showing him cowering in fear from a little puppy who got away from its owner.
Chihiro may be in elementary school, but he’s had to grow up much faster than most of his peers, both with a busy mother who was always away, leaving him to do the housework, and then dying, leaving him alone in the world…or so he thought.
In reality, Chihiro’s mother Chiyo chose exile from her very wealthy family in order to have and raise Chihiro—to live the life she wanted, not one chosen for her. Learning this makes Chi feel partially responsible for his mom’s death, which is ridiculous, but he is just a little kid, and this is a lot to take in.
I also liked how big and grand and imposing Madoka’s mansion is portrayed when Chihiro first arrives. His exposure to this kind of gaudy lifestyle is completely alien to him, but imbued in his personality is a desire not to accrue debts from anyone, even his uncle.
But more than big and imposing, Madoka’s manor is a pigsty of the highest order, something Chihiro learns by accident when hiding in the kitchen, then noticing the appalling mess. Detail-oriented, fastidious youth with a solid work ethic that he is, Chihiro pulls up his sleeves and cleans like there’s no tomorrow.
All the while, it’s clear he’s not just cleaning because he can’t tolerate messes (though that’s part of it); he’s also staying busy in order to not be a burden to anyone, as well as to take his mind off the fact he’s homesick for a home that no longer exists.
Inspired by his hard work, his Uncle Madoka makes him a frilly uniform, of a design informed by Madoka’s work as a costume designer. There’s clear contrast between Madoka’s carefree attitude and Chihiro’s serious-beyond-his-years, “Those who don’t work don’t eat” philosophy; both guys are products of their upbringing.
But when Chihiro is too exhausted to clean anymore, Madoka and his assistant Shinozaki Keiichirou take over, cleaning a room meant to be his. He makes them clean it over again when it’s not done to his satisfaction, but he appreciates the gesture and is glad, if a little overwhelmed by suddenly having a room and a (HUGE) bed all his own. This big, unfamiliar house is gradually becoming his home.
He also sees Madoka working hard on his costumes; often so hard he neglects food and sleep, so Chihiro fixes him a snack in the night. Sure, sometimes Madoka’s “hard work” is composed of indulgent little side projects like a cat mascot suit for Chihiro, but the arrangement that has been struck is beneficial to both parties. Madoka gets a maid (and occasional model), and Chihiro gets a home and a job to avoid feeling indebted.