Durarara!!x2 Ketsu – 11 (35)

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Her fate on hold for now, Celty is literally above the fray this week, as Erika gets in touch with Kasane, informing her of what Nasujima is up to, Shizuo and Izaya continue their fight in the streets, biker gangs from all over the region who have joined the Dollars amass, and Akabayashi considers Awakusu’s role in all this, if any.

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Now that Masaomi is on that roof, there’s no more reason for Mikado to hold any secrets, and he points his handgun at his best friend, while revealing his ultimate plan: to turn the Dollars into such a nasty group with so many enemies, it will end up collapsed, with nothing left but another urban legend.

The reason? The Dollars, which he founded to escape his ordinary life, have become, well ordinary again. At the end of the day, Mikado shares the same “creative destruction” philosophy as many other villains in anime: he’ll destroy the world as it is, and him with it, hoping it will give way to a better one.

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He’s well on the way to doing just that if someone doesn’t stop him, but here’s the thing: he doesn’t want to be stopped; not by Masaomi, or Anri, or anyone else. Mikado has backed himself into a corner, but it’s exactly where he wants to be when all the pieces he’s set up start lashing out.

Meanwhile, the story of Kasane falling for (!) Shinra seems like something that belongs in a much quieter episode. I appreciate that Kasane realizes Shinra’s feelings for Celty are real, and that she figures if she won’t be loved by anyone, she’ll love him, but as far as Shinra’s concerned Kasane is just a glorified obstacle on his journey to find and reunite with his one true love. The connection with Mikado’s situation is that Celty may have the power to stop him. The problem is, it may be too late.

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Masaomi, knowing how Mikado would be holding his gun by the book, slaps it away and starts trying despertely to beat some sense into him, but Mikado has gone well and truly cuckoo (he’s even aware Izaya is using him, but doesn’t mind).

When he shoots Masaomi in the thigh with a hand-mounted micro-gun, he retreats even further back into that corner, now believing if he could shoot Masaomi, he could shoot Anri. Rather than end up in that scenario, he turns the little gun on himself. He doesn’t see any other way to stop himself from doing worse things and causing more trouble for more people.

And considering he shot at both the police and Awakusu, he may not be wrong. I just wish he was, and that Masaomi and Anri and whoever else could tell him there’s still a way out of that corner; he can come back from the precipice; that no amount of trouble he causes will hurt his friends as much as killing himself will.

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GOD EATER – 12

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One thing you can always be certain of in GOD EATER: things will not work out the way people hope. The best-laid plans, be they made with good or bad intentions, inevitably turn to ash in this harsh world. Heck, the show itself couldn’t even air its last four episodes in the season it meant to.

The only thing that’s really worked out so far is that Lenka’s family was successful in keeping him alive and instilling in him a desire to survive and become strong so he can protect everyone still alive (which unfortunately does not include that family).

But he does have something of a new family in his unit, and when its “father” Lindow is in a tough spot, Lenka is there, and thanks to Licca, so is his rad new god arc, which cuts through the Aragami like butter, be it slashing or blasting.

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But Operation Asteroid remains a big mess, as one of the luring devices has been sabotaged by an inside hacking source Tsubaki learns is Alisa’s personal doctor. So when Alisa arrives along with Sakuya, Soma, and that other guy, it’s nice to see the gang reunited, but I knew the happy feeling wouldn’t last becase A) Alisa is a ticking time bomb and B) the Pita Aragami isn’t going to be defeated this week.

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Sure enough, the evil doc says a few trigger words into Alisa’s earbud, and she starts firing wildly. However, she doesn’t hurt anyone, and when Sakuya tries to slap her out of whatever is going on with her, the earbud falls out, and the doc’s plan is foiled.

Alisa reverts to her useless crying state, but Lenka manages to talk her out of it, trying his hand at field psychiatry. The results are favorable, as Alisa snaps out of her funk and returns to usefulness, but it’s a little dubious that Lenka’s words about toughness and inner strength could cause such an abrupt change in the behavior of such a scarred and unstable mind.

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Once everyone is freed from the berserk trees, Lenka leads everyone to the dam town to take out the luring device and protect the people there, which Sakuya didn’t know existed until now. Lindow will stay behind and duel the Pita, but predictably, it goes pear-shaped in a hurry, as this particular Aragami possesses a keen intellect and ability to counter any tactics the wounded Lindow throws at him.

After the obligatory flashback to a younger Johannes attempting (but obviously failing) to commit suicide, overcome as he is by the loss of the mother of his child. The child remains as a painful reminder of what he cost, but Dr. Sakaki suggests that he wasn’t able to kill himself for a reason: that he was meant to stay on this world and try to save it before Aragami consume everything and reset the world.

The results of that plan are still pending, but Lindow wasn’t able to delay Pita long, and the last we see of him, his bloody arc arm is hanging out of Pita’s mouth. I honestly don’t know how they’re going to take this guy out, which should make the final episode interesting.

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She and Her Cat: Everything Flows – 03

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Daru had a rough youth, about which he remembers only bits and pieces: he was a stray along with his mom and three siblings, but after a bird attacked, he was suddenly all alone.

And while the girl may have Daru now, Daru is getting old. Looming over this episode is the fact that one day he won’t be around, and the girl really will be alone in her apartment for two, which she’s seriously let go due to being so exhausted after work.

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But more than that, Daru can only offer his particular cat breed of unconditional love and wordless support. But it doesn’t change the fact that the girl was always conflicted about moving out and leaving her mother alone, and now that Tomoka moved out to get married, she feels even more alone and lost.

She has no career, only part-time jobs; no romantic aspirations as she draws closer to the age people marry; and her cat is too old to even jump on the bed to comfort her as she stews in her depression, pleading for help, but with no one who can hear her.

Sure, it could be worse—her sociopathic crown prince brother hasn’t locked her in the palace dungeon—but she’s not doing so hot, and Daru seems like naught but a band-aid on a gaping wound.

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