Durarara!!x2 Ketsu – 08 (32)

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While I acknowledge it contained some progress and a couple of Durarara!! firsts, this episode had a disappointingly incremental feel about it. Sure, virtually all Durarara!! episodes are incremental, but the better ones do a better job keeping me entertained and distracted enough to overlook the fact there is a dizzying number of players involved. It’s starting to get a little out of hand.

But let me get back to one of those firsts: Celty finally has her head back. In true Dullahan fashion, she doesn’t simply reattach it to her neck, but carry it in her arm. Her horse turns back into a horse, and she regains her original armor, but considering she has no idea who Izaya is when she sees him, it would seem her memories of Ikebukuro to date have been erased.

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If that’s true, that would be a real bummer, but in the meantime Izaya has a fight to the death with Shizuo to take care of, so Celty kinda just…slinks away from the episode. Back at Shinra’s, Kodata shows his face for the first time since the hit-and-run, and wants Erika and everyone else to stay indoors. Tom Tanaka, pissed that neither Shizuo or Varona showed up for their rounds, has some late night Russian sushi, unaware the streets outside are growing more dangerous for him by the minute.

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Nasujima, now some big-shot rogue Saika host, has turned dozens if not hundreds of citizens into Saika zombies, with which he intends to capture Tanaka and use him as a bargaining chip in his dealings with Shizuo. Shijima is with them to, though I’m not sure why.

Back at the construction site, Izaya briefly recalls what Shinra said to him about the benefits of getting along with Shizuo (he’s a tiger who will one day be an urban legend) rather than remaining adversaries (someone will get hurt or killed). Back in the present, Shizuo and Izaya are only circling each other. A big fight seems imminent, but it’s still just sputtering so far.

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Chikage decides the best way to get Masaomi and Mikado to meet is with the chat room and a little bit of theater. He interrupts Namie’s ranting to demand Mikado call Masaomi’s phone…or else. When Mikado calls, Chikage answers, and sets up a meeting to hand over his “hostage.” Mikado agrees, and sets a location very near and dear to him vis-a-vis the Dollars.

That other Durarara!! first? Mikado actually has a gun, given to him by Izumii when they met. I have no idea what he intends to do with it, but it’s clear he doesn’t have the slightest idea how to use it properly; though at the end of the day, point-and-shoot will suffice. Call it another step deeper down the dark inscrutable abyss for Mikado, albeit an incremental one.

Once guns start being shot, the results can quickly become something one can’t simply, as Tom puts it, “let slide.” When bullets fly, impasses and stalemates start to become irreversible conclusions. I’ll hope Mikado takes after the re-booted Celty, and keeps his head.

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Shouwa Genroku Rakugo Shinjuu – 08

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As we return to Kikuhiko’s tale, he’s just finishing up his tour with Master Yakumo, having steamed up many an audience in Kyoto with his seductively funny rakugo. Talk of making him a shin’uchi is no longer presumptuous; as even his own master was too enthralled both with his performance and the reaction of the crowd to notice the mistakes he made.

Kiku is rapidly progressing on the steam locomotive to greatness, but there are sacrifices that need to be made on the way – both those imposed upon him, and those he imposes on himself.

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Back in Tokyo, Miyokichi sits in the back of another full house as Sukeroku performs and effortlessly drawing huge laughs. But she’s not laughing; she’s there to catch a glimpse of the man she loves who’s currently giving her the cold shoulder.

Her presence didn’t go unnoticed by Sukeroku (she was the only one there who wasn’t “ancient”), and he proposes a commiseration session: she gets to vent to him about a subject he’s very well versed in – Kiku-san – in exchange for buying him a drinkypoo.

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Their ensuing conversation, a thing of beauty, offers many insights into Miyokichi’s character and the nature of her love of Kiku. She doesn’t even like rakugo; she prefers movies. Hearing his voice is the only reason she goes to the theater. She endures the stodgy, old-fashioned practice she wouldn’t otherwise give the time of day…for Kiku. She also endures his constant brush-offs, including this most recent unannounced trip of his.

Miyo can endure this because she’s strong. She had to be. Abandoned by a man when in Manchuria, she had to sell her body to survive, until Master Yakumo brought her home. But because she’s become so tough, neither the good Master nor Sukeroku are her type. She doesn’t go for nice guys, she likes cold guys, and Kiku has certainly been that to her.

Miyo doesn’t want the moon; she just wants to be able to stand beside the man she loves and support him as a woman. But she suspects, and Sukeroku can’t convince her otherwise, that Kiku intends to break up with her. When she takes her leave on that somber note, Sukeroku, ever the nice guy, can’t help but draw her into a hug.

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It’s while she’s struggling to get out of that hug that Kiku appears, suddenly back as quietly as he left. His exchange with Miyo is brief and probably the coldest yet, but there’s a reason for it; Kiku indeed intends to break up with her, and doesn’t want to be cruel by being kind beforehand.

Kiku can admit to Sukeroku that he loves Miyo, but the Master has told him he needs to find a “proper woman” to settle down with a family. Disobeying would mean expulsion from Yurakutei, and in this case, with his rakugo future so bright and his identity and place in that world so clear…Miyokichi is second fiddle to all that.

In fact, Kiku would rather simply be alone than be with anyone, a sentiment that quickly evolves into an agreement for Sukeroku to move out of his apartment. Kiku relays to Sukeroku all of the flaws their master mentioned that are making it hard to promote him, but Sukeroku is in this business because he loves rakugo, and he has bigger plans than the Yurakutei orthodoxy could ever accommodate.

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His position is legitimized by the simple fact they’re in a packed jazz hall filled with Japanese in Western clothes, listening to American music. The times they are a changin’. He acknowledges that a part of rakugo must always endure, but that’s Kiku’s duty. Sukeroku intends to be the part of rakugo that evolves by changing to suit whatever the people want, which is never fixed.

Kiku is a traditionalist; Sukeroku the innovator. But they are alike in two important ways: they both love rakugo and they both respect each other’s place in that world. At the same time, Sukeroku didn’t want to end up like his previous “master”, the one from which he took the name Sukeroku, who ended up dying penniless.

That night, Master Yakumo celebrates with Matsuda his hard-won success in getting both Kikuhiko and Sukeroku promoted to shin’uchi, he takes the Yurakutei family record from the alter to let the past generations share in the celebration, even as he laments he wasn’t quite able to achieve what his forebears did.

Unaware of his promotion, Sukeroku roams the streets, gently kicked out of Kiku’s place, backlit by the bright lights and the winds of change. Kikuhiko, also unaware, but now alone in his apartment like he wanted, pauses his practicing to inspect the old fan Sukeroku gave him. They’ve started on very different paths for the same love of rakugo. It was an amicable parting, but that doesn’t make it any less sad!

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Dagashi Kashi – 07

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This week DK does a festival episode, only in this case, Kokonotsu and You are there bright and early before any customers arrive. Koko’s confusion as to why his dad is setting up a monjayaki pancake griddle for a candy stall is quickly cleared up by Hotaru, perched high in a nearby tree (a tidy reference to the Alice in Wonderland-themed ED).

We also get to see an annual tradition that’s very familiar to Koko: the okonomiyaki seller Tamai squaring off with his dad over selling pancakes. When You subtly threatens that she’d lose all the snacks people love using as toppings for her product, she quickly backs down, and the two make up. It’s all there, from anger to tears, and there’s comfort in knowing it will probably go exactly the same way next year.

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Turns out it’s Hotaru’s first ever festival, but with only 200 yen on her person, she has to find a way to procure more cash. Fortunately, she’s practiced precision candy die cutting for fun, and when she spots a stall, she immediately picks out the shape that will net her the biggest cash payout.

Kokonotsu and Tou are skeptical: even if Hotaru manages to do a good job, the die cutting stall guys are notoriously nitpicky and cheap. But to their surprise and mine, she’s actually really good at something (for once!), and earns the full 5000 yen (nearly $44). Furthermore, she Koko notices she looks really cute when she’s concentrating.

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Speaking of cute, in the second half of the episode Saya finally makes her appearance at the festival, resplendent in a yukata she spent a long time getting into. She wants to hang out with Koko, but Koko’s working his dad’s stall, and doesn’t realize how much she wants to be alone for him, so it’s up to his dad to notice Saya’s cues and send Koko off with her.

Koko does at least compliment Saya’s yukata – though only after she compliments his clothes. How it happened doesn’t matter; Saya is over the moon by being told she looks good, making the trouble of putting on the yukata totally worth it.

With that milestone achieved, the two simply have fun visiting the stalls, chowing down and playing games. It’s as near as makes no difference a date, even if again, Koko doesn’t realize the significance of spending time with Saya and only Saya.

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When Koko spots the goldfish scooping station, Koko does happen to notice a moment of hesitation in Saya, but she bids him proceed with scooping. Saya is remembering another time when Koko obsessed over the goldfish, all too confident he knew exactly how to scoop one, but ending up spending all his money with no result. The vender took pity on lil’ Koko and gave him a consolation fish, which he promptly gave to lil’ Saya.

So it happens this time. Just as Saya is done fondly reminiscing, Koko is broke again, and has a new consolation fish for her. The first fish he gave her is the giant one still floating (in a bowl way too small for it) in her family’s cafe. Regardless of whether he remembers, Koko again demonstrates his generosity and almost reflexive tendency to make Saya smile every chance he gets, which is enough for now.

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