Durarara!!x2 Ketsu – 05 (29)

dr2351

I misread Kasane’s intent last week: she didn’t come to Shinra’s intending to make a deal. Instead, she’s only implementing the next step in her comprehensive Celty research. She takes control of Shinra with a long kiss, plucks him out of his wheelchair and jumps out the window into the night.

Celty goes berserk, transforming into a big black ball of rage and gives chase just as Kasane intended. We see a lot of emotions going through the darkness of Celty’s mind, but the one that stands out the most is Shinra, Shinra, Shinra. And so her body moves instinctively to retrieve him.

dr2352

As Varona stands by a car with Celty’s head inside, Kasane leads Berserk Celty through the skies of Ikebukuro, periodically firing blades to slow her down. Meanwhile, Chikage accompanies Masaomi to his Yellow Scarves hideout after saving him from Izumii earlier in the day, putting their fight on hold for now.

Masaomi, for his part, is shocked to hear Izumii is fighting on Mikado’s behalf as a member of the Dollars, while Chikage wonders what version of the Dollars he’s encountered truly represents them.

dr3253

Kasane eventually meets up with Varona, who is this week’s narrator, and unlike everyone else running around this week has a lot of time to think about things. She admits she felt the euphoria that comes from gaining power when she stole the head; but it didn’t last long, and she realizes that it’s because her cover was blown instantly, and by Shizuo, no less.

Varona remains a deeply wounded and scarred young woman, but Ikebukuro and Shizuo have definitely had a profound – and I believe positive – effect on how she looks at the world and her role and values in it. She isn’t denying her feelings, only trying to figure out what they are and why she has them, and it all comes back to Shizuo and the peaceful daily life she enjoyed. She concludes it’s too late to go back now; that life is gone. But is it?

As chance would have it, after teaching some punk kids a lesson, Shizuo ends up with another bike on his shoulder when he encounters Celty’s horse. In the funniest and coolest scene of this entire Ketsu arc, the horse goes through various forms of transportation for Shizuo to ride it until settling on the bike, which he mounts and is then propelled at very un-bike-like speed.

While I’m unsure how interconnected Celty and her horse are, or whether they’re one and the same, it did seem like the horse was acting more reasonably than the mindless black ball of rage being messed with by Kasane. Whatever the case, it’s a given that the horse and Shizuo are on a direct course to the car with both Shinra and her head in it, which just so happens to be driven by his former adoptive protege.

9_brav2

Advertisements

Dagashi Kashi – 05

dk51

“Don’t get high on your own supply.” It’s a useful saying for both drug and candy dealers, apparently, because You started doing so with his bottle ramune, and has ended up consistently eating all his inventory, causing Kokonotsu to assume they don’t have it in stock.

Hotaru and You using peer pressure on Koko was pretty funny, along with the way the two kinda feed off each other’s chaotic energy, even leaving the store together in the middle of the night, promising to come back “clean.”

dk52

This is one of the rare cases where I’ve had a candy vaguely similar to one in the show: those little wax soda bottles that contain sugary liquid you bite the tops (or bottoms) off. I don’t remember them being that addictive, however.

Anyway, all mention of You’s addiction disappears in the next bit, which starts later that night, as Koko walks in on You recording a truly terrible dagashi review of Baby-Star Ramen, a “by-product” dagashi born from the desire not to waste anything.

Koko gives a far more impassioned presentaion, unaware You is recording him in a video that gets a lot more hits than he ever did, as well as impressing Saya (who only has one brief appearance this week).

dk53

Next up, Yatta! Men, another ramen-based snack that comes in little tiny cups with peel-off lids. When Koko and Tou lament their lack of spending money, Hotaru suggests they attempt to win said funds by trying their luck at Yatta! Men.

It’s here where we discover that, like Aqua in KonoSuba, Hotaru has dreadful luck, and seems incapable of selecting a winning cup, even as she collects enough ramen for Tou to make a bowl and slurp it up. No doubt some of that ramen contains Hotaru’s tears of defeat and frustration.

dk54

Finally, Hotaru tries to rally back with more gambling; not a great strategy considering her luck thus far. She chooses a candy called “Watch Out for the Sour Grape!”. She entered into the game believing she could tell which of the three candies in each package was the super sour one from the sunglasses of one grape on the packaging (which Tou’s sunglasses reminded her of).

However, she’s thinking of the old packaging; there’s no such “hints” on he new design, and even if it was the old design, it was just a rumor and not true. In any case, Hotaru loses again, and is unable to mask her sour-face.

And there you have it: another serviceable tour of Japanese confectionery stocked with, shall we say, sporadic laughs. But five episodes in, despite the diversity of the candy and resultant hijinx, Hotaru and You’s shtick is beginning to lose its luster.

6_ses

Shouwa Genroku Rakugo Shinjuu – 05

sg51

As we return to Yakumo’s saga, which is already suffused with a constant underlying melancholy borne from the knowledge these events have long since passed, a young Yakumo is desperate to be good at whatever it is he’s doing, be it rakugo or a more straightforward play.

To that end, he’s far more concerned with practicing than women, who a drunk Sukeroku brings home one night. It’s just the latest iteration of something Sukeroku has done since he and Yakumo first met as boys: trying to get him to loosen up.

Sukeroku believes you have to be “a little stupid” in order to survive in rakugo, something Yakumo is not only virtually incapable of being, but would be betraying who he is if he tried. The audience will always know if his heart isn’t in it. We’ve seen how bad that can go!

sg52

Speaking of his heart, it’s in a state of turmoil over the prospect of not being “cut out” for rakugo, turning an intimate little make-out session with Miyokichi into a pity party. For her part, Miyo loves Yakumo’s rakugo, which should tell him it’s worth pursuing.

Yakumo remains depressed, but puts his head on Miyo’s shoulder when she offers it. It’s notable that things don’t ever seem to go anywhere sexually between the two, something Miyo herself might’ve confirmed by telling her senpai essentially “it’s not like that;” in other words, platonic.

sg53

Nevertheless, it’s a strong, warm friendship, and Miyo is excited for the lovely, elegant Yakumo to be portraying a man disguised as a woman for the play, and offers her services as makeup artist gratis. She does good work; the transformation is striking.

Sukeroku laughs his ass off when he first sees Yakumo’s somehow even foxier fox face, when he sees how terribly nervous his bro is (to the point of threatening to flee), he tells him to steel himself, knowing full well with his looks and talent he’ll have the audience eating out of his hand.

sg54

Sukeroku turns out to be exactly right, which shocks Yakumo. When he starts feeling the rapt audience following his every move, his confidence builds more and more. His progression from initially jittery suits his role as meek ‘wife’ to the more boisterous Sukeroku’s ‘husband’, and makes it that much more of a shock when the time comes for him to reveal he’s a guy. His change in voice, posture, and level of dress; it’s all pretty much perfect.

sg55

He leaves the stage to enthusiastic applause, a very different man than the one he walked onto it as. He was depressed, but now he’s seen with his own eyes and by his own efforts that there is hope after all, not only in theater but in rakugo as well. His performance showed everyone out there what he’s capable of, and the elegant “racy stuff” he can do so well; as effortlessly as Sukeroku pull of his unwashed galoot bit.

Finally, to once again remind us we’re only looking into the past, of two people who were still so close but whom we know will one day be separated once more and for good, the theater manager takes some candid black-and-white photographs of the two brothers, preserving the joy and victory of that night for posterity.

9_ses