Taimadou Gakuen 35 Shiken Shoutai – 12 (Fin)

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With all the emotional groundwork laid, all this episode has to do is flick the domino and watch them cascade, in a finale that levels up its core duo, gets them to overcome their respective “will-blocks”, and makes some interesting connections on the side while tying up loose ends.

Takeru has been stabbed by Haunted, but Ootori doesn’t hesitate to fight him, even deciding to form a contract with Vlad, something she swore she wouldn’t do until it came time to carry out her revenge. Ironically, had she done it for that reason, Vlad assures her he would have eaten her alive.

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Instead, she’s doing this for Takeru, her captain and her friend, and his beloved sister. It’s a nobler cause, and Vlad equips her accordingly. Like Takeru and Haunted, Ootori gets to don her badass relic eater armor, with which she’s able to push Haunted back and retrieve Takeru. The other three arrive in a van to pick them up.

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With Takeru healed but still out cold for some reason, all the girls can do is fight back Kisek’s overflowing demon mass. Takeru, meanwhile, is in his subconscious with Lapis, who wants him to give himself body and soul so that she can best achieve all his desires. With this, Lapis kisses Takeru, the first overtly romantic act undertaken by the relic eater—albeit only in his mind.

With that, Takeru is now in God Hunter Mode. He drains all of Ootori’s energy, then tells her he may not be able to walk beside her anymore, and asks the others to hang back too, as there’s no time to explain. Takeru is preparing for the worst case scenario in which he dies trying to fulfill his wishes regarding Kiseki. And no one will argue that no one else can stand up against the raging Kiseki.

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Turns out his wishes aren’t to kill Kiseki and die with her. For all these years he’s been conflicted between kill and protect, but now what he wants is the latter, no matter what it may cost. And because of his deepened contract with Lapis, he’s able to not only overpower Haunted and get him out of the picture, but convince his sister with his sheer resolve to start questioning herself whether she truly wants to die, and discovers that’s just one of the hundreds of demon voices speaking for her. Ideally, she wants to live too.

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The wavering weakens and eventually dissolves the overflow mass, and Takeru pulls her out of the mess, safe and sound. The road ahead will be tough, but the two have now decided together that they’ll walk it nonetheless instead of taking the “easy way out”, mutual destruction. And they won’t be alone on that road; turns out Takeru and Ootori will be able to walk it together, along with Suginami, Mari, and Usagi.

Speaking of names, Orochi’s last name is Kusanagi, suggesting a relation to Takeru, while the chairman of Valhalla is another, even quirkier Suginami. Finally, that little blue-haired elf girl Suginami saved back at Alchemist turns out to be Kanaria, another Valhalla member. All these connections hint that a sequel is feasible, even if none is promised. Honestly I’d tune in, if only to experience more of its awesome soundtrack.

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Prison School – 06

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You wouldn’t think a day in which Kiyoshi was shanked in the ass by a tree branch and almost peed on by Hana would end up being a good day for him, but that’s the kind of crazy world Prison School is. There’s no situation too inappropriate or absurd that won’t befall its protagonist, and yet he remains resolutely human and moral.

Knowing a rift has formed between Kiyoshi and Shingo, Mari aims to drive a large, voluptuous wedge right through that rift, widening it. That wedge is Meiko, who begins giving Shingo special attention treatment, plying him with sweet treats and panoramic views in order to make him a snitch. Shingo, still pissed about his extended sentence, obliges all too easily.

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What’s weird and kind of endearing about Meiko is that while she’s built like a brick shithouse, the show makes sure to keep ambiguous whether she’s aware of how seductive she is. Her inner thoughts are more interested in making sure she doesn’t say something to upset Mari, who will then sic her crows on her. Regardless of her self-awareness, the sound effects employed whenever she’s doing something are pretty amazing.

With an inmate who will do whatever they want, Mari decides to implement a plan to stir up trouble, after intentionally applying more stress and punishment to the other inmates (or, to Andre’s detriment, less punishment). Her target is Joe, the least stable of the quintet, who loses it when it appears a crow is killing his beloved ants.

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He’s just waking up when he notices Meiko and Shingo talking in the shadows, but Kiyoshi still finds it odd that the entire council is out in force in the schoolyard. Then Joe produces a branch-as-shank and lunges at Mari, and something happens the president did not expect: a man protected her from harm. And in front of half the school watching from the windows. Unfortunately, his good deed is overshadowed by the fact the branch went up his ass, creating a great deal of blood. …And the fact Mari still despises men.

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Joe is thrown in solitary (after being told the crow was only “bathing” in ants as a grooming exercise, not killing them; a neat bit of ornithology mixed into our ecchi comedy!), and Kiyoshi is escorted to the nurse’s office…by Hana. Last week Hana promised she’d pay Kiyoshi back, and after being unable to force him to pee into a jug, she decides to accelerate her plan and pee on him herself. Things get pretty far, with her shedding her leggings and panties, but Chiyo inadvertently, temporarily saves Kiyoshi when she pays a visit to the nurse’s office.

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Unfortunately, that also means Hana and Kiyoshi have to hide from her, under the bed, occupying as little space as possible to avoid detection. As neither Kiyoshi or Hana are wearing underwear, Hana is a girl, and Kiyoshi is a guy, things outside his control start to happen. He’s bailed out again when Hana passes out, either due to the heat or from overexcitement.

In any case, Kiyoshi and Hana continue their very bizarre kinky physical relationship rooted in dominance and tit-for-tat; the precise opposite of the wholesome romance he desires with Chiyo (or, in his own words, “coming on to her just enough that she doesnt’ think he’s a creep”). While that’s going on, Mari’s dad the Chairman has his own close call when Mari visits him in his office…just as he’s opening a latin ass jerk-off device he ordered from Amazon(ess). That latest blunder from her dad kills any goodwill Kiyoshi might have created by saving Mari from Joe.

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But his heroism wasn’t all for naught: he didn’t just save Mari from a shanking; he saved Joe from possible arrest and internment at a real prison, something Joe thanks Kiyoshi for, being the first inmate to break the “shunning line” set by Shingo. At this point, even a weirdo like Joe can tell something not quite kosher is up with Shingo, and Kiyoshi lets him know that whole lunch break situation was similarly odd.

This is good, because it means Kiyoshi’s instincts aren’t entirely blind to the council’s DTO machinations. But he still doesn’t know what’s going on, only that things are off. With Meiko offering Shingo a uniform and two hours of freedom off-campus, Shingo remains in the council’s pocket. Whether he knows it or not, he is the weapon Mari intends to use to get all the guys kicked out—something, by the way, Hana seemed reluctant to agree with at first; I must look out for that, as she has her own agenda.

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Attack on Titan – 24

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So, here we are: Annie is very  out-in-the-open about being the Female Titan, but it doesn’t change her plan: to capture Eren. Why is a question that remains unclear: if she wanted to deprive the humans of a weapon against other Titans, she could just kill him, like she killed Hange’s two test subjects. She’s been very careful to keep Eren alive.

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This episode flashes back to the planning of Annie’s trap, along with an Eren who won’t accept that Annie is the Titan, no matter how much circumstantial evidence Armin and Mikasa come up with to try to convince him. Back in the present, on the run in tunnels they thought would be safe but are actually quite the opposite, Eren finds out just how devastating the inability to give nothing up can be.

With no resolve whatsoever to kill or even harm Annie anymore, he can’t transform into a Titan when he needs to the most, no matter how much he may want to transform, it can only be for a purpose, and his heart just isn’t in it. He must’ve thought back to all those fun pillow fights with Annie back during their cadet days (which we never saw):

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Eren’s problem, then, isn’t that he doesn’t believe Annie is the Female Titan; that much is clear at this point, now that he notices the resemblance both in their appearance and fighting style (along with the fact she transformed right in front of him).

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But while Eren can’t give up on Annie as a human and a friend, Annie can give up everything, which is why she can transform any time she likes and kill with abandon. Even Armin and Mikasa put their lives on the line in a gambit to allow Eren to escape. As Mikasa says, it’s a cruel world. Shit like this goes down, and you can’t worry about what’s right, or you’re dead.

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Mikasa and Armin successfully lure Annie into a trap by Hange, but I knew from the pittance of arresting cables that she wouldn’t be held for long…It might’ve served Hange to fully incapacitate Annie before gloating about catching her then describing what she’s going to do with her (everything she can).

But this isn’t about whether the Scout Regiment can catch Annie, or whether Armin and MIkasa and Jean or Erwin and Levi and Hange can somehow pull something off without Eren in the picture.

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The only thing that’s going to bring Annie down is Eren in Titan form. And to become a Titan, he’s going to have to convince himself to give up on the idea of Annie as a friend to be cherished, but an enemy to be killed without hesitation.

Buried by rubble and with a stick of wood in his chest, Eren thinks back to all of the people lost before his eyes and/or in front of him, starting with his mother being eaten years ago in Shiganshina where it all started. This isn’t time to be worried about his soul, or about not being to walk away having lost nothing. This is about putting everything—even his humanity—on the line, and getting the job done.

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