This week we finally meet Kusanagi’s little sister, and she’s Akira. with Chaika’s voice. Things start to look very wrong right from the get-go, as Takeru has to swear half his life away just to get to a fake glass partition to see her (it’s actually a large video screen).
Kiseki looks stunted, tired, and is wearing what looks like a straightjacket in the antiseptic but very dark facility. Indeed, what could have been a lame “little sister is in love with her brother” episode takes a dark turn indeed, making last week’s beach episode (which I did get around to watching) well-timed.
It wouldn’t be an Akira tribute without a Kaneda Slide, which Ootori has the honor of doing during a nighttime motorcycle chase with some low-level artifact-smuggling baddies. It’s good to see the platoon, no longer beset by personal matters among its members, working at full strength again, and doing a more than competent job.
Still, the one guy who hasn’t faced major personal conflict yet is Takeru, and that changes this week with the intro of his Sis, who Ootori isn’t even aware he’s seen yet but suggest he does, as she notices he looks unrested and troubled.
And anyone would be that if their cute little sister had as much mana as Kiseki, along with “Overflow Syndrome”, a condition that demands she be locked away and killed over and over so that her cells don’t envelop the entire world. I’m not sure I care for Sougetsu’s cavalier demeanor while describing the situation, but then again perhaps someone such as him charged with protecting the world needs to maintain a certain sense of humor to avoid being consumed, if not by Kiseki, than by despair.
His methods don’t seem to be working particularly well, however, because the next time Kiseki resurrects, she goes berserk and breaks out of the supermax facility. Takeru encounters her in a dark alley, where she absoluely slaughtered (off-camera) another perp he was chasing while on another mission with the 35th.
Faced with his sister out in the open, and knowing the threat she presents, Takeru’s first reaction is to keep Ootori and the others back, even drawing his sword on them to make certain they come no closer. But Ootori assures him that while she knows he’s suffering, they’re not his enemy. They take Kiseki to a safe house together.
There, Suginami tells the others what Kiseki is, and they decide what do do with her: give her back to the Inquisition. But not before she gets to go on a date with her brother. Now, this was just a shameless opportunity to exploit Kiseki’s adorable character design by having the girls dress her up in various outfits (thankfully the one they settle on is decent). But there’s also a profound sadness to it, especially what happens later, because this is the first and only time she’s gotten to interact with anyone other than Takeru in anything resembling a normal human way.
And while out with her brother, Kiseki repeats the request he didn’t hear the last time, because his time was up and he was ordered to leave her. “—- me,” she said, but I can’t read anime lips so good, so I didn’t know the rest, and even suspected the show would get cute again and be “kiss me.” But she asks him to kill her. To release her from her wretched cycle of dead, rebirth, and the appalling solitary confinement and restraint in between, and to release the world from the existential threat she presents.
It seems like an equatable arrangement for all, except for one problem: Kiseki is Takeru’s little sister. He loves her, and he’s never once considered killing her, no matter how dangerous or miserable she was. I predict he’ll react to her request with disgust…even if part of him knows there may be no other way.