Rakudai Kishi no Cavalry – 07

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Ayatsuji Ayase is lost. To her, reaching and winning the Seven Stars Battle has become everything. In order to beat Ikki, she must cast away her pride, which she deems useless as it has not garnered any positive results. So in a stunning trick, she throws herself off the roof, forcing Ikki to use Itto Shura to save her. Because their battle is in just ten hours, Ikki won’t be able to use his trump card against her.

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Ikki stumbles home and wakes up in the nurse’s office, where we learn why Ayase’s sudden but inevitable betrayal isn’t totally unjustified or evil, but simply misguided. When Karaudo fought her legendary father, he took his ability to hold a sword and left him bedridden for the last two years, while he took everything the Ayatsujis for everything they were worth.

Alone, broke, and harboring that “worthless pride”, Ayatsuji is no longer a swordswoman so much as a wounded, desperate beast who has been backed into a corner. It doesn’t excuse her actions, but it does make them understandable. But Ikki won’t let her reach the point of no return. He’ll face her in the selection match, Shura or no Shura.

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Ayase is incredibly confident, but there’s the sense that her hardscrabble “evil” armor is as delicate as an eggshell, just waiting to be cracked so a redemption omelette can be made. But her battle with Ikki is nothing short of thrilling and brutal. She certainly has the weapon of a villain, as her Hizume ignoble art is able to recreated every previous sword slash on the field of battle, as well as open small wounds on Ikki wider for maximum blood loss and pain.

And while this Ayase character is extremely different from the one we met last week, that’s just because she hadn’t born her wounded, desperate, relentless side. She makes it clear she harbors no particular ill will toward Ikki, but he’s an obstacle she must cut down.

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The color commentary clashes with the serious tone of the battle, but there’s no levity in the reactions of Alice, Shizuku, or Stella. Stella in particular looks troubled that her lover is getting so torn up, but there’s also the sense she knows something the others don’t; a plan of Ikki’s she hopes goes smoothly. That plan is revealed in the turning point of the battle, when Ayase’s coup-de-grace is barely blocked by Ikki’s “irregular guarding” technique.

Ikki tells Ayase she’s not fighting like the girl he sparred with. She’s ignoring his instructions and even what she already knew. Her mind is so consumed with convincing herself and everyone else that she’s a revenge-seeking dark angel of evil, she can’t actually fight properly. Her conflicted mind is at odds with her pure soul, where the love and pride of her father and his sword school endures.

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Before the battle, Ikki reported Ayase’s foul play, which was enough to disqualify Ayase and hand victory to Ikki without stepping foot in the arena. But Ikki doesn’t want that, because he wants to prove to himself and to Ayase that Ayase isn’t completely lost, and that there’s another way to get what she wants.

He cracks her evil armor by forcing her into submission, using the Fourth Secret Sword, Shinkiro to create an illusion of himself that she cuts, then drains her energy so she can no longer fight. His latest lesson to his pupil is that if those with nothing lose the pride in their swords, their swords will disappear. No sword, no win. She concedes defeat.

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But that’s not the end. She may feel the damage she did to her friendship is too severe to repair, but she clearly doesn’t know Ikki well enough. He offers not only forgiveness to someone who lost her way but was able to come back, but offers to help her get back what she lost, without sacrificing friends or pride.

Free of her evil villain act, when Ayase sees the callouses on Ikki’s hand, she sees her father’s hand reaching out. She asks Ikki for help, and Ikki is glad to offer it. Ideals that don’t produce results aren’t meaningless, as results ill-gained by casting them away will crumble to dust, leaving nothing.

Things might have gone far worse had Ayase not reached out to her swordsman brethren last week, but she did, and it made all the difference in the world.

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Author: sesameacrylic

Zane Kalish is a staff writer for RABUJOI.

2 thoughts on “Rakudai Kishi no Cavalry – 07”

  1. O how delicious “redemption omelette” can be (though now I’m craving more Shokugeki no Souma). Now that this episode is done, I just wanted to say that the theories in last week’s comment section were fairly interesting with the possibility of Ayase being in league with Kurado. As always the battle was done really well, especially the portrayal of Ayase’s noble art.

    1. Yeah I got that one wrong didn’t I? The move to drain Ikki’s trump card was an unexpected move by Ayase but one that didn’t phase our hero one bit because he was able to pull out a couple of deux ex machina moves during the bout to foil Ayase’s unchivalrous desperation. Once again Stella didn’t get much to do apart from feature having a very interesting dream about Ikki. Stella’s supporting role this episode didn’t really matter as Ikki has developed into a very strong central character in his own right, moving beyond (mostly) the dense MC stereotype done to death in many recent shows. Ikki now has another reason to inspire his fight against that no-good Karaudo which is promising to be a battle royal when we finally get to that stage in proceedings.

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