Ushio to Tora – 17

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The temple elders are visited by a beautiful ghost, Jiemei (voiced by Hanazawa Kana) who reports that Ushio’s body has been overthrown by the Beast Spear, making him a true beast. The only way to save him involves his dad, the Kouhamei Sect, the comb that his mother gave him…and none other than all of the girls he’s saved on the way to Asahikawa.

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One by one, to my increasing delight, Jiemei pays a visit to those girls: Yuu, Saya, Reiko, Mayuko, and Asako. And when they hear their Ushio is in trouble, they don’t ask about the danger, or why a green ghost goddess is talking to them: they drop what they’re doing and GO. I should have known this was coming: after spending most of last season saving these girls, the time would come when they’d be able to return the favor.

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And let me just say, it’s a delight to anyone who’s been following the show closely and enjoying it to behold this episode assembling the “Dream Team.” Ushio is in rough shape, and it wouldn’t be as satisfying if some new priest or shaman or youkai stepped in to save him with some kind of miracle spell or ritual.

Ushio’s soul is under siege, and these girls who touched that soul are the best chance to break that siege. Naturally, Haniwa, Jun, Satoru, and Nagare are also on board. And let’s not forget Tora, who wants to restore Ushio to his human state so he can eat him…and because, c’mon, the big lug loves the guy.

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To save Ushio, the girls have to comb his hair with the heirloom comb, but the comb is on his person. Enter Izuna, the fleet green jackal-weasel-fox thingy who fights through Beast-Ushio’s black tendrils and snatches the comb up. Easy part over. As Ushio’s dad and the sect members prepare for an approaching Ushio (followed closely by a massive horde of hiyou), the girls introduce themselves.

The sudden melding of these girls’ personalities and histories with Ushio is exceedingly fun to watch, especially how Mayuko tries to kid around with Asako’s feelings, only for it to get more serious when Yuu reacts to Asako’s usual defense mechanism of running down Ushio and claiming not to care about him. Yuu calls her the hell out, causing Asako to cry and admit the truth: she’d have come running earlier had she known what was going on.

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Once Ushio arrives, Reiko is the first to volunteer to go at him with the comb. He tries to shove her aside, but she successfully gets the comb in his hair, tearing off a big lock. But once she’s done, Ushio is racing straight at the other girls. Saya trips trying to run, but Asako puts her body between her and Ushio. When the injured Asako thanks God no one else got hurt, Yuu realizes she was harsh on Ushio’s childhood friend. She’s the real deal.

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Hinowa manages to trap Ushio in a magic barrier, something Saya is able to punch through due to her status as a white-haired woman. Like Reiko, Ushio saved Saya from a life of despair and servitude, so she’s no less committed to freeing Ushio from his demonic prison.

She gets a lock off too, but Hinowa’s barrier breaks, leaving the next girl, Mayuko, exposed to Ushio’s wrath. That’s when ZZZZAP, Tora unleashes a lightning storm that half-destroys the bridge, saving his “future food” Mayuko along with Saya. Everything happens bang-bang-bang in this episode, and even when it doesn’t, the scenes are full of great character interaction.

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Like Asako and Yuu, Hinowa and Jun quickly get over their mutual animosity when the latter saves the former by helping her maintain the barrier on Ushio. While they’re not part of the group of girls who must comb Ushio’s hair, there’s no doubt Ushio saved Jun from a life of despair by saving her bro, while Hinowa can’t help but respect him, considering how many others are willing to put their lives on the line for him.

Yuu’s up next (Asako will probably be the last, for dramatic purposes and all), and she too is steeled by witnessing the love and devotion of the others. They may have been saved in different ways, but they were all saved by the same goofy, hard-headed, kind, selfless guy. And they’re going to get him back.

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Noragami Aragoto – 04

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Well, looks like Kugaha took Kurama too…Damn! That makes things trickier for Yato. Oh yeah, and Yato seems to believe, quite understandably so, that Hiyori was kidnapped under Bishamon’s orders, rather than Kugaha acting alone. Let’s just say Yato gets a little hot-blooded the moment he knows Hiyori is in enemy hands. He’s going to get her back; nothing else matters. When Yukine hears what’s happened, he’s quick to join.

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It’s a race against time, as Hiyori can only survive so long outside of her body. But she and Kurama are stuck, so it’s as good a time as any to explain the beef between Bishamon and Yato. Turns out, as we more or less knew, Bishamon’s entire cadre of regalias were wiped out by Yato, and Kurama was the only survivor. But Kurama also lets us know how a God can be resurrected after being destroyed, which is what Kugaha’s aim seems to be.

Kugaha wants Yato to kill Bishamon for him so a new Bishamon will be born: one he’ll be the exemplar for (rather than Kurama) and will likely be able to mold into more compliance than the current, “spoiled” Bishamon, whom Kugaha also believes is too “soft-hearted” to carry the mantle of God of War. And he may not even be wrong.

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Thanks to Tenjin, Yato and Yukine are able to travel to the realm of Bishamon’s mansion (in exchange for being kept out of it, plus one other thing Yato understands without him saying), and the fight begins. Because Kugaha is basically using Aiha’s corrupted body to weaken Bishamon, the lack of a steady exemplar like Kurama means her power flies out of control easier, which results in tougher attacks but at a risk to herself and her regalias.

Trapped in a dungeon and unable to intervene even if “Veena” heard him, Kurama laments the fact that it was he who got his fellow regalias wiped out by Yato. That’s right: Yato wasn’t only a rabid monster killing indiscriminately (though he was certainly in Nora’s thrall at the time): he was a rabid monster killing indiscriminately because he was asked to, by a young Kurama who didn’t know what else to do.

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When Bishamon’s body became riddled with corruption, and the regalia culprit wouldn’t come forward, discord was sown among them all, and all it took was one spark from someone who’s lost their temper to start fighting amongst themselves. Kurama couldn’t bear to watch Bishamon be destroyed in the chaos, so he exercised the nuclear option: hire a calamity god, Yato, to cut out the rot, to save Bishamon.

In the present, Yato seems to sense Bishamon is corrupted again, but Bishamon insists none of her regalias are betraying her this time—words that make Aiha tear up, because she and Kugaha are betraying her. In the past, Kurama’s quick, decisive action saved Bishamon, but I don’t think Bishamon wanted to be saved that way, even though things had gone to far to save her regalias.

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The collective pain of their fighting and deaths would have probably destroyed her, but better she die than watch them die. It’s the reason she takes on every lost soul she can, even if they’re not useful. She blames Yato, but she blames herself just as much for what happened.

Now, things are on the verge of going past the point of no return, and everything is going according to Kugaha’s plans, with Yato and Bishamon fixed on one another and their colorful pasts, unable to see the forest for the trees. Vastly outnumbered, Yato gets separated from Yukine, is encased in a tripartite barrier, and Bishamon’s killing blow for him is caught by Yukine, shattering him into pieces.

This was a brutally intense episode culminating in an equally intense cliffhanger. I can’t quite believe Yukine is dead, since that would surely be curtains for the unarmed Yato, but who knows? It’s a very unfortunate situation. Kugaha has truly made a mess of things, and it’s going to be interesting to see if and how it’s cleaned up.

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Weekly ED: Sakurako-san no Ashimoto ni wa Shitai ga Umatteiru

Happy Friday! Why not chill out with the ending theme to Beautiful Bones, a soothing, ethereal little number called “Uchiyoserareta Boukyaku no Zankyou ni” (打ち寄せられた忘却の残響に, no help from Google Translate: “The reverberation of heave are forgetting”) by TECHNOBOYS PULCRAFT GREEN-FUND, which is a wonderfully ridiculous name for a band any way you slice it.