Durarara!!x2 Ten – 12 (24, Fin)

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The conclusion of the second of three cours of Durarara!!x2  is marked by two major plotlines: Mikado’s Dollars vs. Masaomi’s Yellow Scarves, and the whole Yadogiri Jinnai business. In both cases, there’s a lot to be hashed out in the third and final cour next January.

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Ten, like Shou, ends with Mikado and Masaomi very far away; or as the former puts it, the threads of their bonds are so tangled up that perhaps it’s best just to burn those threads and start over. Celty thinks Mikado has gone mad, and is even more upset when he insists he isn’t. She also laments that for all her centuries of experience, she’s unable to stop two young friends from going to war and possibly destroying one another, simply because neither is willing to budge, and Anri isolated from both of them.

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Ten, like Shou, also ends with Izaya outmaneuvered by Jinnai (who isn’t an individual so much as a network of old-man decoys led orchestrated in the shadows by Kujiragi Kasane, who has the red eyes of Saika. That I was not expecting, but it does mean we may see more of both Anri and Haruna (who also carry Saika within them in some form or another). It also establishes the latest “monster” threat for the final cour, running parallel to the “human” threat of Mikado and Masaomi’s war.

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I also daresay Celty is as confused as I was by suddenly coming home to find so many disperate characters assembled in her and Shinra’s apartment. There’s Shinra’s parents, Namie, Egor, Seiji, Mika, Togusa, and Walker. Their gathering isn’t explained any further than the fact no one assembled was able to resist being brought together.

How will this seemingly random collection of people make their mark on the third cour? I have no idea, but like every season of Durarara!! it’s going to be a very full plate.

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GANGSTA. – 12 (Fin)

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“It’s no use. Any of it.”

It’s a dark, nihilistic and very open-ended finale for GANGSTA., and although I wasn’t expecting many happy endings, then endings we did get were ambiguous, and I felt that too much was left on the table. Maybe that was the intention.

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One ending left open perhaps by design, was the Marco/Connie crisis. Connie’s grief-stricken grandmother whacks Marco with her cane, cursing him for taking yet more of her family. Nic stops her, at later drapes a coat over her in the rain, and all she wants at this point is to seem some thing, any sign of what happened to Connie, even if it’s just a head or an eye. But all we get a heartbreaking flash from Marco’s POV of her smiling in bed, a perfect moment that may never come again.

Marco, once a member of the Destroyers who are wreaking havoc on Ergastulum, laments he no longer has the strength to protect what’s important to him, or even save his girl. So what does Loretta do? Strips down, puts on her work clothes and shoulder holster, and steps up to the plate. Marco has given a lot to the Christiano family, and she’s going to see that he’s repaid for that leal service. Marco sees the ghost of her father behind her as she speaks with his voice.

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As Nic backs up Christiano at Bastard, leaving Ally behind at the office, Worick prepares for a last stand with Miles to buy time for Daniel Monroe. When the Destroyer Striker arrives, no normal or Twilight or steel door can stand against him.

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Worick and Miles set up an elaborate trap, but both are seriously wounded, and though Worick manages to get a sedative into Striker, Striker tosses him out the window. It’s an exciting fight, but there’s never the feeling Worick or anyone else has the slightest chance. Hauntingly, Nina suddenly wakes up as soon as Worick’s bloodied body hits the ground, sensing he’s done for.

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Delico continues to trudge through the rainy streets with Heather searching for his sister Erica, and he finally looks up helplessly at her flying over the rooftops with Mikhail. Worick lies bleeding out, remembering being told he can try as hard as he wants to keep up with Twilights, but they’ll always be different from him, and out of his reach. Nic flies through the rainy sky and delivers the nihilistic line up top.

Is he right? Are Loretta, Marco, Connie, along with Nic and Worick, all simply doomed? Is all we got, and all we’ll ever get as viewers, is a brief, twleve-episode look-in to this accursed world populated with wounded souls, beasts, and lost causes? Or is Nic wrong, and the fact none of the above characters end up dead for sure offer hope that things can turn around in a future GANGSTA. sequel?  This episode gave no indication of a continuation, so we’ll just have to wait and see. But in the meantime, our look-in has concluded.

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GOD EATER – 09

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In the final episode before a Fall hiatus (the final four episodes will air in the Winter), GOD EATER comes to something of a logical crossroads to pause at, while looking back at one of the least-used main characters in Soma Schicksal, who up until this week we’d only gathered bits and pieces about. As it did with Alisa previously, the character is improved and made more understandable when the show looks back upon his history and how it shaped the dour, taciturn God Eater.

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This new information comes when Lenka of all people is selected to lead one of the five squads that will set up the devices for the Meteorite Project, and Soma is assigned to Lenka’s team. Lenka’s as surprised as anyone else, but Major Amamiya isn’t aware of his life-threatening situation (only Sakaki and Licca know), so she’s sending him in. He accepts the mission and leadership role, but decides to bone up on Soma’s history, and learns that he was the first God Eater.

His mother Aisha died in childbirth, and his development as a weapon against Aragami hit a number of bloody bumps in the road. As such, everyone around him has thought of him as a harbinger of death (or Shinigami); a label he may not like but certainly seems to accept, especially when his nightmares include looks of fear from injured researchers and a look of resentment and disappointment from his dad, now Fenrir’s director. The father and son share just one brief scene in an elevator, and it’s cold as ice, which isn’t that surprising considering Johann lost Aisha the day he gained a son.

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But Lenka learns an important lesson from Major Amamiya before the operation, after he asks her why she retired from being a God Eater. Rather than get the answer he expected—like him, her God Arc was going to eventually kill her—she said she simply lost hope, after watching so many Aragami emerge from the barren ground right after killing others. Rather, she lost hope that she could do anyting about them, so she decided to put her trust in the future; pass the hope onto those who haven’t been beaten down as she has.

Lenka carries those words to the battlefield where they set up the device, and when everyone, including Soma himself, tells him to run, he refuses, instead using the device to lure the Aragami and ordering Soma to aim his deadly attack directly at him. He trusts in his battered arc’s ability to shield him from the attack, and all the Aragami are wiped out.

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Lenka decided to put his trust in Soma, not as a harbinger of death, but a vessel of hope. That’s why his name is Soma in the first place; for the wine of the gods bestowing life energy to man. That hope was placed in Soma by his mother Aisha, who volunteered to sacrifice herself and her baby for the good of mankind, absent time or other viable options. And for the first time, with Lenka, Soma sees that hope, and value, in himself.

Unfortunately, Lenka doesn’t have a lot of time left; but rather than pass his hope onto others, he’s willing to bet that little time he has left is enough to make more than an impact than retiring. So he asks Sasaki and Licca to repair his God Arc, even if it accelerates his demise. Meanwhile, Johann seems miffed that Lindow has kept a secret village a secret, while an increasingly sinister doctor seems to be brainwashing a drugged/hypnotized Alisa not just to fight Aragami again, but Lindow as well.

There should be plenty of action and character drama in the final fourth of the series. We’ll just have to wait a few months to see it pan out.

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Working!!! 3 – 13 (Fin*)

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GODDAMNIT, WORKING!!!. Would it kill you to resolve what has remained a romantic standstill for three seasons?!! Don’t get me wrong; I love Working!!!…but I fucking HATE WORKING!!! sometimes. And as good a start as it gets off on, this episode is unfortunately one of those times. I know, Japanese anime usually tend to focus more on maintaining a status quo than progressing relationships, but Working!!! proved it could buck the trend by finally bringing Yachiyo and Satou together. Is it so much to ask that they do the same with Takanashi and Inami?

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Apparently it is; at least in a 13-episode span. And wouldn’t you know it, it isn’t any particular problem between the two that causes the impasse from continuing. Rather, it’s freaking parents. First, Inami’s estranged father, who crashes Inami’s date with Takanashi when she forgets her wallet, then calls into question Takanashi’s fitness to date his daughter due to his transvestite tendencies (for which his mother can be blamed). Thus, the date goes pear-shaped, returning the two to their status quo of being cordial, even affectionate with one another, but not yet a couple.

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This displeased me. What displeased me even more was that precious minutes of this supposed finale were spent revisiting whether Inami has been cured of her androphobia, or exploring Souma’s scopophobia, or Popura’s atychiphobia. These phobias are all well and good, but the resolution of Yachiyo x Satou gave me hope the same would be done with Inami x Takanashi. Only yet again, Working!!! is dilatory; skittish about resolving its most compelling romantic entanglement, for no other reason than it need to keep going a little bit longer.

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That “little bit longer”, it seems, will come in the form of an hour-long special, in which hopefully the fact that Takanashi flakes out on another get-together with Inami due to the intervention of his mother will be resolved. I certainly hope it does, because frankly, I’m sick of the status quo. I know this is slice-of-life, and it’s a comedy, but I didn’t introduce these serious romantic elements, the show did, and it’s the show’s responsibility to follow through and stop leading me on, damnit!

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