When Mana’s father is swallowed up by a Kuu-sama, a former (current?) member of VAPE catches it on his cameraphone, forwarding it to Suzuki, who sends it out into the digital continuum, where it catches fire. I like how the means with which Gelsadra and Tsubasa united and consolidated the majority of society are the same means that prove their undoing. As with everything else, enhanced technology effects change much faster than more primative methods, but the door swings both ways.
When the nation sees Mana’s father getting eaten, followed by a response by Gel-san that inadvertently sounds cold and uncaring, and a warning for those who don’t want to become one to get in line, Tsubasa is beside herself, unsure of what to do, leading her to sit with her grandpa and listen. I found Yuru-jii’s monologue to be a fine, stirring, cogent, unblinking look on Japanese history and society.
He’s seen this “atmosphere” before, and he was caught up in it, as was everyone around him, including his little brother: in WWII. “We lost ourselves, and fought against people we didn’t hate”, all out what was essentially a national inferiority complex. The atmosphere that led to war and the slaughter of millions just kinda snuck up on everyone, until it had become irreversible.
That atmopshere created an empire that would fight to the last man when faced with certain defeat. It took the first and only use of nuclear weapons against an enemy in human history to dissipate that atmosphere. Gatchaman’s sobering critique of the national psyche in the darkest years of Japan’s history stands in stark contrast to the glorification of the military in shows like KanColle and GATE, and I for one am glad shows like this are around to balance the discourse.
The difference here is, the mood, and atmosphere, or kuuki, has been given physical form by Gelsadra, with the best of intentions, but ignorant to the world, its people, and their inherent desire to break from the crowd. He neutralized their wills, but he did not break them. And so, when word comes down the Kuu-sama are killers and Gel brought them about and is doing nothing to stop them, those very Kuu-sama reflect the changing mood, one of hatred and desire to bring Gel-san down.
I like how it’s Hajime who first comes to Gel’s aid against the amassing hordes of Kuu-sama. They may have physical form, but they can be disspated, or “popped” with the power of the Gatchamen. Gel-san also reassesses what he wants, from something as massive and ultimately impossible as uniting all of mankind as one, to something far simpler and more personal: wanting to see his dear friend Tsubasa.
So he exhales, releasing all of the mood bubbles in his belly and reverting to the form he took when he first landed…which is good news.
Meanwhile, the Gatchamen muster and start taking out the Kuu-samas, lending a nice action angle to the episode. Rui breaks out of his funk thanks to X, into whom he inadvertently, but fortunately, programmed a sort of “Backup Will”, a fail-safe to rouse him from indolence should he get swept up in the fluffy bliss of belonging. X reminds him that he came up with her, and Crowds, and every other amazing accomplishment, when he was alone, not in the fetal position in the lap of a physical manifestation of the nation’s mood!
Just as Gel-san exhaled to release the atmosphere, so too does Tsubasa, taking her grandpa’s advice to do some heavy breathing before setting off and joining Hajime and the other Gatchamen. She races to the city by transforming into an awesome hoverbike-thingy. Thanks to the events of this week, the apes are quickly evolving and thinking for themselves, but the residual caustic atmosphere must be purged in order to move forward. Everyone has to take a deeep breath.
P.S. Yup, I accidentally totally skipped Episode 9. I’ll be watching that soon and writing a review later. Sorry about that!