OverLord – 02

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Without being too direct about it, this second outing confirms that OverLord means to ask the question, “If a game were about to end and you were the last one logged in, would the NPCs make you their god?” It also answers that question with a fairly unequivocal “yes”, although those two floor guardians not present and the army at the end of the episode may be cause for concern.

But not that much concern, as the people he does have on his side pledge to gladly “perish as his shield” if need be. Their skills are apparent and their loyalty appears unswerving. Momonga is someone different to each of them—beautiful, strong, kind, merciful—the recurring theme is that of ebullient praise in every possible aspect of ol’ Skullface, which seems to trigger his insecurities: what did he do to deserve all this?

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Well, it would seem he deserves it because he was the last human player left. If you’re an NPC of the game, the human players are supreme beings, and without them, you don’t exist. So it’s a big deal that he stayed, even if he didn’t even mean to be the last one there.

It would seem that in his careless state near the time he believed the Yggdrasil servers would shut down, Momonga’s seemingly innocuous decision to make Albedo fall in love with him caused an unintended imbalance in the dynamic of his “court” of guardians. To whit: a character he didn’t modify already has romantic feelings for him, making Albedo a threat.

The two smitten ladies bicker at length until deciding Momonga should have at least two wives—the two of them—making it just a matter of who’s the first wife. The other guardians seem to rally around Demiurge’s idea of Momonga producing an heir, so that the NPCs would have someone to follow should he leave or die.

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Meanwhile, after issuing general orders to conceal the suddenly exposed Tomb of Nazarick, Momonga continues to test the limits (or lack thereof) of his powers and survey what has apparently become his kingdom by default. Looking at the bright starry sky and glowing full moon, he is filled with a desire to possess everything his beady red eyes see, a goal his guardians can certainly set their watches to.

Keeping this ridiculous-looking character grounded is the fact that beneath his scary and imposing facade, there’s a guy inside with no friends or family in the real world, and his frequent little jumps of fear and surprise really humanize him. Hino Satoshi’s multifaceted performance really makes up for the lack of facial expressions. Plus Momonga tends to slump, decreasing his sinister aura somewhat.

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To that end, Momonga starts to make it easier for his guardians to move around, issuing Ainz Ooal Gown teleportation rings like the one he wears. He may have made a slight slip-up in awarding the first one to Mare (who is a boy btw), because for a moment Albedo seems slighted; but she seems appeased when she gets hers.

Meanwhile, as the work to hide Nazarick continues, a stern-looking general orders the destruction of another village. Are these more NPCs given sentience like Momonga’s guardians, only not loyal to him? It looks like the honeymoon may be over, but the true threat level of these guys, if any, remains to be seen. Maybe they’ll be pushovers, or swear fealty in the fact of Ainz Ooal Gown’s awesome power.

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Author: braverade

Hannah Brave is a staff writer for RABUJOI.

2 thoughts on “OverLord – 02”

  1. Both Overlord’s anime and LN go at a pretty leisurely pace. That being said it’s still quiet interesting. The various interactions that the NPCs have with Momon are fun to watch, each of them have their own wacky settings instilled onto them by their creators.

    In the LN, the setting is overall pretty dark. There are moments of humor though like when Albedo does her thing.

    1. I’ve heard the anime’s really streamlined the source LNs a lot. The LN tended to get bogged down in lengthy, verbose explanations of worldbuilding and magic (similar to Mahouka’s super-detailed discussions of magitech). Tons of internal monologue too.

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