GANGSTA. – 03

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GANGSTA’s first two episodes were anchored by big confrontations with Bad Guys, or at least people who are darker grey than our lead guys Worick and Nic, but this week is more of a Day-in-the-Life-in-Ergastulum affair as we shadow Ally as she helps out with deliveries of Dr. Theo’s drugs throughout the town. In the process, she learns a lot more about the town she apparently didn’t know too well before, and much more about her two employers; almost more than she probably wanted to know.

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But before that, we get a glimpse into Woricks (likely periodic) dreams in which he relives the night he met Nic: when Nic came to murder his family and stab his eye out back when he was thirteen. This puts their relationship in an entirely new light, introducing the possibility that Worick could be long-suffering Stockholm victim who simply went with the flow of where events took him.

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Worick shoos Ally out along with Nic because he has a lady caller; apparently one of his many jobs is gigolo, and apparently a well-regarded one as his client seems pretty well-off and discriminating (she also drives an old Jag…or is that an Alfa?)

It makes sense that he wouldn’t want to upset clients by having another woman around his pad…but perhaps he also didn’t want to make a federal case out of his other job to Ally, and would rather she figure it out organically from clues and the words of others.

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He eventually joins up with Nic and Ally. The latter gets to witness a variety of Ergastulum happenings, like a mobster trying to win Nic back into the fold (saying he can bring Worick along too) while disposing of bodies. They also visit a brothel where Worick once worked (and likely learned his trade after his kidnapping by Nic), where the madame treats him with some degree of maternal tenderness.

Dr. Theo’s drugs are for a very ill woman who doesn’t seem to be getting better; someone Nic seems close to. Ally agreed to work for the Handymen; now that the curtain is being pulled back a bit, there are still some doors that close in front of her she dare not push back open.

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And that gets to the advice of the old shop woman who knows what brand of cigs Worick sent Ally out to buy for him. She tells Ally not to linger around these two chaps too long. Heck, even Worick warns her not to stay in Ergastulum too long, or she’ll be stuck there just like everyone else.

For a second, it looks like Ally takes the woman’s advice, but she doesn’t go far; just to the alley where she and Worick first met. There, she asks Worick if he ever thinks about the “why”…whether it’s why Nic killed his family and kidnapped him, or why he’s a gigolo, or a host of other whys. But all Worick can say is “good question.”

Does this life make him happy? Is he weak, or passive, or complacent? Who knows. But Ally could probably answer Worick if he asked: “Why stay?” Because where else is there to go? The way Ergastulum is presented to us, there may as well be an empty void beyond its walls. Something is better than nothing, and the knowable and inscrutable are less frightening than the unknown.

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Ore Monogatari!! – 15

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I’m not sure I’ve heard the parable about the bear who danced with the girl, but because Rinko likes big things the way Takanashi likes small things, in her version the girl who dances with the bear comes to like said bear. And so it comes to pass, when Takeo takes an athletically ungifted classmate everyone else is miffed about being in the upcoming Swedish relay under his wing. So just as the door seemed to be closed (for the time being) on Ai, it opens on one Saijou Mariya, she of short statue but ample bust.

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Saijou feels like she’s in the way and, like most people, assumes Takeo is mean, scary, and easily upset, when none of the above are the case. Gradually, as she spends more time with Takeo simply being Takeo, you can see the increased affection growing in her eyes, in the many gorgeous close-ups of her normally reserved for Rinko (and to a lesser extent, Ai). Ironically, it’s running from Takeo out of a misplaced sense of fear that motivates Mariya to run her fastest…along with his constant support.

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When the day of the relay arrives, he tells her, quite simply, just run as fast as she can and pass him the baton. Well, once everyone else passes her, she trips and drops that baton, but remembering his directives, she gets back up, keeps running, and passes that sucker off. Then Takeo does his thing and they win by a landslide. Then the kicker: he congratulates her, then asks her if she’s okay from her spill, and BOOM, without even trying, “not popular with girls” Takeo has finished unlocked Mariya’s heart.

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Let me say one thing: I like Mariya, even though she’s Rinko’s new rival. I like her a lot. She’s cute, she’s kind, and in some ways, she’s a lot more normal than the often eccentric Rinko. Not that eccentric is bad; Takeo is eccentric too (so is Suna, for that matter…and Takeo’s parents…and Ai…aw jeez, what have I done?!). But despite the fact she sees Rinko right there, and Takeo introduces her as “my girlfriend” she still has the guts to give him her gift of a towel (his first, somehow!) to him. This is a girl who knows how she feels, and is honest about her feelings, at least in this instance.

Meanwhile, because Rinko has always felt her grip on Takeo was precarious at best due to her own perceived inadequacies, she seeks advice from her girlfriends on how best to fight for Takeo. Despite Takeo’s protests he’s not popular with the girls, Rinko, to her credit, knows what she saw: Mariya danced with the bear, and liked it. (Oh God, that sounds so wrong!) 

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Mariya is also the recipient of some good luck vis-a-vis Takeo. She goes to the same school and is in his class. Even when she nervously mocks his couple background and matching straps (which IS a bit overkill, if not SO overkill)when she runs after him to apologize and trips down the stairs, she ends up in his arms, and after it’s clear the shoulder-leaning is out due to Takeo and Suna’s imposing height, she gets to choose Takeo to ride piggyback on. Suna really tried to do it so Takeo didn’t have to, but Mariya overruled him.

Unfortunately for Rinko, she chose this afternoon to wait outside Takeo’s school, though Takeo doesn’t act guilty, because he isn’t guilty, because he loves Rinko and is just giving Mariya a hand. When he runs straight back to Rinko after his errand, she can’t help but beam with glee. But in the normal universe where high schoolers of the opposite sex aren’t normally so friggin’ nice to each other—like the universe Mariya normally inhabits—Takeo with another girl riding him still looks bad.

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By the way, I’m not considering Mariya’s non-confession legit. She’s not giving up; she’s just decided to play the long game. She only tells Takeo (with Rinko eavesdropping) that she likes him “as a person”, but we know better, since we’re in her head too. Now that she’s allowed to call him “Master”, she has an excuse to stay by his side as his “student”. Rinko has been enjoying a “Pax Gouda” up until now, but love is war, and the battle has begun.

Takeo won’t be easily swayed—had Mariya had confessed for real here, I’m certain he’d have shot her down without hesitation—he does love Rinko deeply. But Mariya knows that, and I hope she’ll apply the same determination to pursuing Takeo as she did preparing for the relay with him.

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Sore ga Seiyuu! – 02

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I was going to try to choose between Seiyu’s Life! and Dandelion in order to pare down my workload as we all must do around this time in the season, but after two episodes, I’m no closer to making that choice; both have their charms.

The second outing of SGS shows us more of Futaba’s not-so-glamorous life as a struggling seiyu: part-time work at Lawson (Ichigo works at an even more clinical box lunch processing plant), walking into the office to find a tiny slip of a script next to a tower of scripts for Kamiya Hiroshi (that’s right, The Kamiya Hiroshi, in the flesh!) with a backdrop of rookie seiyus with no work at all simply standing there hoping they’ll be remembered, a sign that things could be worse.

But things get a little better for Futaba when she gets an audition for a new adaptation of a manga with “Titan” in the name. Even better, the two friends she made at her recording session, Rin and Ichigo, are also in the audition, and they’re not competing for the same role.

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Things look bright for Futaba, but once she enters that oddly-empty and silent studio, I think she tenses up a bit. She’s able to visualize the character she’s voicing (as herself!) and all her personality traits and moods, but it comes off as a bit mechanical and even forced. At the same time, I think she puts too much stock in the producers’ seemingly apathetic reaction to her performance; it could just be they’re yawning because it’s a long day…right?

Ichigo’s sexy voice gets laughs, and she’s asked to voice a different character, after which the producers react by staring at their phones, so not promising. As for Rin, she does just fine. After the stressful audition, the three go to a cafe for coffee and cake and just shoot the breeze; Futaba even comes up with the nickname “Evil Ichigo.”

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The next day it’s back to work on the Evangelion clone, where Futaba learns Pipo blows up and doesn’t come back. This setback, just when she’s told the others that if she’s still not showing promise in a year, she’ll share poor Pipo’s fate and be culled by her company (it’s a cutthroat industry, eh?).

But outside the studio, a suspicious looking mustachioed man confronts the trio of girls. He’s been watching them interact, you see, and apparently sees something in them, because he wants them to do a web radio show…which explains what the ED is all about!

Like last week, as the credits roll, the girls switch between singing the ending theme, doing commentary on the episode that just aired, and singing a request (this week, appropriately due to the Kamiya Hiroshi cameo, it’s a song from Zetsubou-sensei.) It’s a great ED format, but it also previews what should be an interesting and promising new opportunity for Futaba & Co.

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