Ore Monogatari!! – 14

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Ai tells Hayato in no uncertain terms she’ll never let herself be caught alone with Takeo, and even if she does, she’s not just going to tell him how she feels. When Hayato introduced this plan last week, it seemed like a solid one with the possibility for some great emotional work…and it was, it just didn’t go quite as smoothly as Hayato intended.

But in the meantime, Takeo and Rinko practically lose it at MM Land, both laughing so much their faces hurt. The shot of a clown-like Takeo rendered as if he were part of the carousel triggered similar laughter in me, along with Takeo’s hilarious reactions to the haunted river ride.

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Hayato is a bright guy, so his chess moves end up outmaneuvering Ai, who ends up spending a lot more time alone with Takeo than she bargained for, and it’s at turns awkward and enjoyable, to the point she start to enter into the frame of mind of “well, we’re here…why don’t I tell him?” It doesn’t help matters that Takeo is pretty much his usual awesome self around her, enjoying himself with Ai and helping a lost kid get found.

When he says he doesn’t remember calling Ai a certain flower years ago, Ai is almost off the hook…until Takeo spots the very same flower and tells her if she was a flower, it would be that. This is the reinforcement of a powerful feeling Ai’s had buried in her heart ever since he said those words the first time, but that Takeo’s view of her hasn’t changed a bit even though he’s grown so much speaks volumes to her.

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Even so, she finally tries to confess, but you could say she undone by fate, in the form of the announcement that the Sparkly Parade Takeo and Yamato promised to meet up for is starting. This could have come off as a cheap conceit—doomed by the bell, rather than saved—but to Ai, it’s a fresh chance to forget about telling Takeo, which might well fundamentally change him, and simply be content with what she has.

And she is. A delicious coffee cake that represents her (bitter yet sweet) baked by Yamato, and being called a lily twice by Takeo at two different points in his life; this is enough to make her happy. She doesn’t need to look on the other side of the curtain. And because of that, perhaps Hayato’s chances aren’t as dire as he thought.

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As for Yamato, Ai prods her in the right direction once more, telling her not to worry about silly jinxes and trust in Takeo, as he trusts in her. She does so, and because they’re simply meant to be together, the crowds seem to part at just the right time for them to find each other, with Yamato jumping into Takeo’s arms with elation.

They get to watch the parade together as they hoped, and even get within kissing angle and distance before Suna accidentally interrupts with his apologies. But considering how happy these two make each other simply being in general proximity to each other, that first kiss can wait a while longer.

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Sore ga Seiyuu! – 01 (First Impressions)

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The Rundown: GONZO, a studio I haven’t seen or heard a lot from in a while, tells the tale of Ichinose Futaba, a newcomer seiyu braving the harrowing rapids of anime voice recording, as her plushie “advisor” Korori explains the procedures, intricacies, and foibles of such a life. In the process of recording for an Eva-style mecha series, Futaba meets the talented Kohana Rin and the energetic and equally new Moesaki Ichigo.

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Pros: There are many, as this was a lot better than I expected. Futaba is a great protagonist to follow, as she’s determined to work hard at her craft but is clearly new to the industry and thus prone to errors, freeze-ups, and over-thinking. This is a show that gives you the gist of what’s going on, then lets you get lost at times along with Futaba, along with sweating all the little enlightening details about the business, from greeting everyone personally (which you’d think would overtax one’s voice), to where you sit and which mic you’ll walk to.

I’d also be remiss if I didn’t bestow praise on, well, the seiyus, in particular Takanashi Rie, who actually had more roles to play than just Futaba and Korori. She and the other two seiyus are unfamiliar to me because like their characters, they’re all pretty new, but they handled themselves well in a fast-paced, dense, procedural first episode. The OP and ED (the latter of which featured a brief bit of the EVA theme) were also nicely done.

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Cons: They are few. I think this show could have benefited from characters that look less like, well, anime characters, or who at least had ordinary hair color; all the skittles hair kinda detracts from the reality. I was particularly distracted by how much Futaba resembles Nagato Yuki, in build, hair color and style, and glasses. The constant cuts to Korori (Futaba’s plushie) explaining things were certainly informative, but disrupted the already fine rhythm of Futaba’s busy day.

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Verdict: Like Dandelion, and Working!!!, SgS is a fun, lightweight slice-of-life that requires minimal psychological investment. In other words, it’s easy to watch. And I’ll confess, I once enrolled in a voice-acting class at my local learning tree, so it’s definitely a world I’ve considered entering (even if it’s likely quite different in America).

But seiyu-ing aside, the show does a great job putting us in the shoes of someone who has just entered a very specialized, exacting industry, and while she hasn’t quite found her footing, she’s not alone, and she eventually will.

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