Aquarion Logos – 01 (Part II)

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Okay…so I was right: THIS half of the hour-long special I watched was the actual first episode of Logos, representing a clean slate, with no cameos from past shows, just a recycling of terminology (e.g. sousei, vectors, gattai, Aquarion, etc.)  Logos’ new angle is that kanji are possessed with great power that, when unleashed, can be extremely destructive to the fabric of the world.

The “Word of the Day”, if you will, is “Maki”, the kanji for which also means “twist.” Every instance of the kanji in written or digital form comes to life and starts wreaking havoc on modern-day Japan, leaving it up to a special few young people to fight back with the Aquarion hardware we’re familiar with. I must say, this is a pretty clever idea, if a bit Sesame Street.

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That organization is called DEAVA (Division of EArth Verbalism Ability), fronted by a cosplay cafe. When one of those members, Kikogami Kokone, calls out for help when an old lady’s purse is stolen, a dude named Kaibuki Akira answers the call and retrieves the purse. Akira is a bit of a cipher so far, who is fond of calling himself a savior, but also probably happens to be correct about that assertion, as crazy as it sounds to everyone else.

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So sure is Akira that he’s meant for greater things, he follows Kokone into DEAVA and steals her vector to deal with the beastial manifestation of maki in some kind of undefined dimension where one normally does battle with words. In that space, we also have a pair of individuals, one of whom is sure to become one of Akira’s love interests, Tsukigane Maia, who seems to be on the side of the guy who released the word and considers this an important mission.

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Somehow, Akira manages to disconnect Maia’s vector from her partner and dock it to his own, resulting in their transformation into an Aquarion mecha. Maia isn’t sure what’s going on, only that it “feels wonderful”, and she and Akira pair up to blast the maki back into submission with the patented Infinity Punch.

So we have a technicolor cast of characters, an elaborate, often hard-to-follow action that sometimes makes you feel like you’re on some kind of animated Gravitron, yet everything is pretty neatly summed up as “words are power”, and can be used to create as well as destroy.

I wouldn’t exactly call Logos greatit’s awfully helter-skelter and demanding to the senses—but I’ll go with “good” for this first outing. It’s certainly like nothing else this Summer. I’ll just have to see if I have enough time to keep up with it.

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Author: braverade

Hannah Brave is a staff writer for RABUJOI.