What is it: A sweeping fantasy epic about the rise and gathering of of the “Braves of the Six Flowers”, six warriors chosen by the Goddess of Fate to save the world from the reawakened Demon God and its fiends. The first we meet is self-(and oft)-proclaimed “strongest man in the world” Adlet Mayer, who crashes a sacred ceremony between two lesser warriors and embarrasses them and the entire institution.
For this, he is imprisoned, but he makes a friend of a pretty maid who visits him in his cell, and they chat about the Braves. Adlet spends many weeks in a cage, but when the signs of the Demon God awakening filling the sky, the mark of the Braves appears on his hand.
He is then sprung by jail by the maid, who is really the Nashetania, the princess of Piena, who has also been chosen as one of the Braves. She and Adlet mount horses at strike out into the world to rendezvous with the the other four.
Why should you watch? If, like me, you’re a big fan of the whole concept of RPGs like FF, which follows a relatively set but time-tested formula from game to game, evoloving with technology of the time (I’ve played FF for NES all the way up to PS3, and looking forward to FFXV for PS4) and switching up its character types, settings, and battle systems. Up until recently there were no direct sequels, as if each FF was really the “final” of its kind.
But the first FF wasn’t the final one as it was believed to be by its creators, nor will FF ever really disappear, despite all the missteps the studio may have taken throughout the years, because fantasy is elemental and eternal. Going back to the carved stones of the Epic of Gilgamesh, they have always been both a tale of how we came to be and an escape from where and who we are.
Rokka no Yuusha understands this simple fact intrinsically, and attaches new trappings to well-traveled roads in its execution, in the best tradition of FF. The Meso-American fusion motif, with the Tenochtitlan-style capital, makes an immediate escapist impact, and as we move on to our cocky but capable protagonist Adlet carve his way through two of the best warriors in the land, his constant protestations of being the “strongest in the world” sound less and less like idle boasting.
That’s particularly true when we see what becomes of Adlet for stepping out of line and shitting all over the city’s traditions: he’s thrown into a big pit to rot. But far from despairing, Adlet simply uses the time to train and allow his wounds to heal, knowing he could escape at any time. And as I immediately knew the “maid” was actually Princess Nashetania (great name, BTW) I’m not entirely certain a part of Adlet didn’t know it too, judging by how he tells the maid to relay the message, and his lack of surprise when she shows up to free him.
Why should you watch? Perhaps for the same reason I will be watching: If you’re annoyed, rather than comforted and excited, about the umpteenth execution of the epic fantasy formula. Also, while the show got off to a quick start with Adlet’s battle, things bog down quite a bit in the cell scene. The dialogue is natural at first, and I liked Nashetania’s fidgeting as Adlet talked about himself, but then things descended into pretty transparent infodump territory, though that’s just another familiar mark of this genre.
The Verdict: This second effort by studio Passione (the first being Rail Wars!, which Hannah quite liked) that we’ve seen is a strong entry in the epic fantasy genre, and gets off to a convincing start, immersing us in its lush setting, familiar yet intriguing mythology, and the sense of a grand adventurous journey commencing.
Its attention to detail in matters of combat, production, and costumes impressed mightily. And while Adlet’s a cocky bastard, he has an honorable goal, and Nashetania should be good for him (and vice versa). We’ve yet to meet most of Braves of the Six Flowers to meet, but I’m already sold.