Of the four people in this shot, I only trust the ones sitting down, which is troubling, because she’s the one with by far the least power aboard Sidonia, despite her formidable scientific prowess. Heck, I even have a problem with Yure, who seems to have cultivated a kind of scientific tunnel vision, realizing the wild dreams of her superiors without regard for the consequences.
We watch in horror the fruits of this dream team’s labor this week: the Graviton Beam Emitter goes berserk when they try to shut it down, and it starts acting like a wounded Gauna, extending its tentacles out across Sidonia’s hull. The familiar blue and green computer displays turn a alarming red hue, and the Kubrickesque neatly-framed control tower contrasts nicely with the unhinged chaos taking place outside its windows.
Worse still, the head, at least the substitute head in XO Yuhata, has no idea what the body is doing. When you stop and consider for all they know they’re all that’s left of humanity, Captain Kobayashi testing highly dangerous experimental weapons without informing the bridge crew is a bridge—or rather space elevator—too far. It’s a testament to Yuhata’s confidence, decisiveness, and calm under fire that things don’t spiral completely out of control.
Watching the emitter continue to swell until collapsing on itself like a miniature supernova, leaving a huge gaping hole in the ship, made for a very disturbing, visceral sight, especially considering how many people either got gobbled up in the implosion or were left floating free in the vacuum of space.
Goshdarnit, there are enough perils in space without the Hubristic Triumvirate of Kobayashi, Kunato, Ochiai serving up new ones from within! Yet in the aftermath of a very close call, Kobayashi is so seduced by the “weapon of wonder” that she orders Yure to keep trying until she gets it right, despite the fact Yure, a gifted scientist, just told her it was a failure.
I’m telling you, if Kobayashi retains power much longer, it’ll be a miracle if Sidonia doesn’t end up a fine cloud of dust in the inky black vastness. At least Yure has the common sense to talk with her old friend Sasaki about her predicament. “My boss is a megalomaniac who’s finally gone off the deep end. Any advice?”
Meanwhile, down on the flight deck, the Gardes and their pilots continue to get upgrades, like an armor that links up four frames into one with an artificial kabi hull well-suited to ramming Gauna. The leftover kabi was used to make katana for the pilots, to serve as combination low-tech last-resort sidearms and good luck charms. But Samari doesn’t see good fortune in her new blade; she sees that things are only going to get hairier. She can feel the “Rumbling” that is the title of this episode.
Speaking of rumblings, there are some about the prospect of a full-on Tanikaze Nagate harem, what with Ren convincing her sister En to stop by Nagate’s post to deliver some food, only to find Samari of all people has beaten her to the punch. I for one dig the Sidonia hoodies, not to mention En’s acrobatics.
Turns out Samari wanted a drinking buddy to vent to, and it may as well be the person who, along with Tsugumi, seems to be leaving her in the dust with all the new weapons, and in the midst of all the recent bloodshed. Samari is doubting her abilities—never a good thing for a group leader—and not looking forward to sending more comrades to their deaths. It’s a welcome look into another underling struggling as a result of the callous actions of the powers that be.
When she apologizes for whining, Nagate cheers her up, saying he believes she’s saved more pilots than lost, and that she has his ear anytime. Her lips loosened by many cups of sake, she proposes “photosynthesis”, perhaps to see if she can claim more than his ear—but he takes one swig of the booze and passes out, ruining her tentative plans to conquer the young hotshot—and blow of steam in the process.
For an episode with so much dark stuff going on, there was also a fair amount of comedy, most of which I can report actually laughing at, a rarity in a show where appeals for laughs can feel as mechanical as the vivid computer schematics. In fact, Sidonia’s comedy has never felt as well-timed and confident as this week.
The centerpiece, in which Izana’s suit rejects her because it has detected “modifications” that turn out to be her sudden development of female physical attributes (i.e. boobs), telegraphs its impending joke with the glitch she can’t clear, without spoiling the shock of the suit suddenly “ejecting” her, giving Nagate a show that shocks his head right into a bulkhead.
Izana’s sudden but not unexpected transformation into a woman services both fan (at least in my case), plot, and character. Nagate had always been more comfortable around Izana in part because she wasn’t quite female or male. But she’s been emotionally female for a while now, and now her body’s caught up, it should change their dynamic drastically. That frontrunner status is confirmed by Yuhata, who already has boob envy.
That’s not even the whole joke of the bath scene, though. When Izana retreats from the an uncomfortable situation, Tsugumi and Yuhata continue talking and playing in the bath as Izana joins Nagate on the floor below…and learns that he could hear everything they were talking about.
Watching this realization gradually wash over Izana’s always expressive face is delightful to behold, matched only by Nagate’s innocent look and meek “What’s up?” before she drives her bionic arm into the table, splattering his scalding-hot ramen broth all over him in a nice moment of Physics.
The cold close focuses on a team of astronauts surveying Planet 7 in the Lem System (likely named for Stanislaw Lem, author of Solaris), about to have a Very Bad Day, as their comrades suddenly start screaming until drowned out by alien sounds and static. This, just after they mocked Sidonia’s obsession with weapons.