Ore Monogatari!! – 03 (Late)

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From Braids to Boots, the Cute Won’t Quit

To her credit, Yamato does what I was hoping and attempts to tell Takeo about her feelings directly—doing so while looking even more ridiculously cute then usual. She clearly put a lot of effort into looking as cute as possible. But still convinced she likes Suna, Suna is all Takeo talks about, causing the cutie to tear up and flee. “What the hell just happened?” Takeo asks himself.

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I love it when sometimes a character tells another one exactly what I’m thinking, which is that Takeo’s delusions have to be set straight. Suna is the one to deliver those words, which come as a great relief. Suna is a smart, no-nonsense kinda guy who’s not going to let a misunderstanding persist on if he knows about it and has the power to stop it.

He’s also a hell of a friend, and always has been. It may be true that he “stole” all of the hearts of the girls Takeo liked, but that’s only because Takeo is horrible at reading people. All those girls talked smack behind his back, and Suna didn’t like that, so he turned them down out of a sense of loyalty and justice.

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Unlike those other girls, Yamato is different; she’s worth pining for. The only problem is, Takeo’s skull is too thick to notice, and he doesn’t believe Suna’s claim that Yamato really likes him. He really has to hear it from Yamato’s own mouth, so when Yamato comes by Suna’s place, Suna tries to hide him under his bed, in an impeccably timed sight gag that had me in stitches.

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Yamato sits down on the bed not knowing she’s adding a trivial amount of weight to a load Takeo can easily handle. She then helpfully proceeds to reveal all. Takeo thought the best he could be was a friend and confidant to Yamato, but that’s the exact role Yamato herself has assigned to Suna! She cried because she worried for a moment that Takeo’s constant praise of Suna was a roundabout way of turning her down.

When Suna asks her if this means she’ll give up, she says emphatically that she won’t, and loudly proclaims her like of Takeo. Suna has a little fun with the situation, making Yamato repeat herself several times to make sure it sinks into that thick skull of Takeo’s before bringing him out from under the bed.

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Rather than be outraged or mad that she was “manipulated”, though, she’s so glad to see Takeo there, she gathers the courage to confess once more, to his face, knowing he’s there. That in turn inspires Takeo to confesses right back to her. The two turn beet red and gaze at each other, both obviously relieved and elated beyond belief.

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It’s a gorgeous, momentous transcendent scene, made all the more impressive by how soon in the series it happens. Suna doesn’t seem fazed in the slightest as he studies quietly at his desk amidst the practically floating lovebirds. Heck, he was a regular Cupid this week!

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Just like that, Takeo and Yamato are a couple, and not just a cute or novel one, but a realistic one. Here are two people of very different sizes and appearances who both have tender, beautiful hearts and souls within, which they’re both able to see in one another. Once Takeo knows he’s allowed to like Yamato without worrying about heartbreak, they basically just lock into place.

The touching story of the red and blue ogres hews very close to that of Takeo and Suna, and one could say Suna sacrificed himself for his friend’s happiness, but he doesn’t see what either he or the blue ogre did as all that noble or special. He’s a stoic, logical fellow who also happens to want his friends to be happy. Takeo makes him happy, in part, by making him laugh.

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If we assume Yamato is just under five feet tall, that would make Takeo about seven feet tall

It’s no one-sided friendship; what it is is one of the best anime bromances I’ve seen. It’s amazing how much development these two got in just these first three episodes. The very fact you have two guys and one girl has me fearing a resurgence of triangle drama in the future as circumstances evolve, but for now I’m just going to enjoy this…and look forward to watching the Spring’s best couple in action.

The events of this episode more than validate my decision to pick this show up. I heard it was good, but I didn’t think it would be this hilarious and lovely and moving. I’d have done myself a serious disservice had I passed on it all Spring. Thankfully I only have three episodes before I’m caught up. Bear with me!

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Houkago no Pleiades – 06

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When the Pleiadian spaceship starts to shift into their dimension, the plan to rebuild its engine accelerates, as does the need to find as many fragments as possible. For once, the girls are able to snag one without interference from Dark Minato, but it turns out to be a trap he sets that lets him discover their base.

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He places a magical barrier around the entire school, trapping Subaru inside. After delving into Hikaru and Itsuki’s pasts, personalities, and motivations the last two weeks, HnP swings back around to the pink-haired protagonist, face-to-face with Dark Minato on solid ground for the first time. But before he can get too close, her Drive Shaft activates and brisks her away.

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She ends up in Nice Minato’s observatory, in an embrace neither are embarrassed about. Subaru is scared, and finds solace and comfort here, with him. Is he an old friend she forgot? Why are there two versions of him? Neither of these questions are explained, but as usual, this Minato is able to provide some advice that helps her press forward, despite her fear. But this visit feels like a goodbye.

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A path leads to a new exit, but when she opens the doors to her friends’ delight, all of a sudden the whole damn school is floating up in orbit, just above the Pleiadian spaceship. Exactly why this happens isn’t explained, but it’s very surreal and cool.

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The President says if the spaceship fully shifts and awakens all of his countrymen, it would be very bad, without going into detail, so when Dark Minato attacks them, Subaru blocks his path. She’s decided she’s not giving up the fragments, she’ snot letting him destroy the school, and she’s not letting him hurt Aoi. He gettin’ nothing!

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Even though she’s scared and shaking, it doesn’t matter; she’s not backing down. Dark Minato is taken aback, as he’s used to using fear and little else to keep his adversaries down. Likely due to Subaru’s resolve and show of strength, their Drive Shafts transform into more recognizable Subaru products, and the five of them create a spark that knocks the ship back into a higher dimension where it will be safe until the engine is completed.

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The ship, the school, and her friends are safe, but when she returns to the magical conservatory, it’s dark and barren, and Minato is nowhere to be found. Will they ever meet again? Or was Subaru’s decision to walk down that path and exit out the rooftop door a symbol of moving on from the security blanket of Minato’s counsel; that moving forward meant leaving a part of herself behind?

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P.S. While I still like this show, it’s likely to be next on the dropping block, as Zane wants me to take Re-Kan! off his hands since he’s dropped Mikagura to review Ore Monogatari!!. We’ll see how it all shakes out.

Ore Monogatari!! – 02 (Finally)

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Yup…Definitely a butt

This may seem as sudden as Takeo asking Suna about girls, but I’ve decided to drop Mikagura and pick up Ore Monogatari!!. After hearing so many good things, I finally taking a look at the first episode and then the second, and fell in love about as quickly as Takeo fell for Yamada…even if he just as quickly judged he had no chance with her against the mightily dreamy Suna.

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HOLY CRAP THE CRAP MOVES

What’s so admirable and refreshing about OM!! is that as frustrated as I’ve been with Takeo for thinking that in the face of so much overwhelming evidence to the contrary, Takeo is by no means a fool for thinking he has no shot. Not only has ten years of hanging with Suna warped him, but all of society has, as well. Suna’s the one the cuties gravitate towards. He thinks they may accept a gentle giant’s help, but they’ll never kiss him.

Not to mention both Suna and Takeo aren’t all that experienced with girls (Takeo is just experienced in turning them down). This isn’t like the butt tree; girls can be hard to read if, like Takeo has every reason to, you’re not familiar with the language they’re written in.

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Both Suna and Takeo seem a bit unsure of what to do with this tiny, kind. delicate beauty who could probably hold her own as a pastry chef in Shokugeki no Souma, but Takeo goes with the most obvious explanation: she’s hanging with them because she’s interested in Suna, and operates under the incorrect assumption the best he can be is a cheerleader for Yamato.

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YES, She’s super-strong TOO! :D

Watching Takeo do that, and constantly undermine his position, is hard to watch, but I’m enduring because I’m hoping the show won’t stay on this “will he won’t he notice the truth” tack forever. But even when Takeo saves Yamato from an errant steel beam (this is an anime) he instinctively goes to the beam, while Suna goes to her.

The awesome twist is that they don’t just watch from a safe distance: not only does Suna help Takeo with the beam, but Yamato helps as well. Heck, it might’ve been her who broke off from Suna to rush to Takeo’s aid. We’ve heard how Suna has looked out for him in the past, and there’s no reason to think he wouldn’t help his friend out here, but Yamato was just a step quicker.

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If there’s to be any movement with this Yamato x Takeo pairing, Yamato is going to have to take the initiative, as she did when she came by with a cheesecake thanking him for rescuing her on the train. And thankfully, she does, asking if this time, she can meet with him alone.

Takeo only sees this as an opportunity to hear about the particulars of Yamato’s feelings towards Suna, but I’m hoping Yamato will be able to clear up his assumptions. I’m also heartened by the fact that even if she doesn’t succeed so soon, her feelings for him aren’t going anywhere soon.

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Mikagura Gakuen Kumikyoku – 06

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Last week lagged but gave us some nice character beats. This week was breathless but moved the plot forward…and gave us some more nice character beats. Frankly, I was impressed with how much ground this episode covered, though it features the same uneven and at times downright ugly production values that have plagued this show from the start.

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Hey, looks don’t make an anime, they only help. Mikagura keeps me around because of its fun, optimistic outlook and colorful, likable cast of misfits, led by Eruna, the most misfitty of them all, while occupying that rare, slim space between endearing and annoying. Despite everything she does and says, she manages not to come off as trying too hard. And as we see from the turnout at her surprise pep rally, I’m not alone in liking her.

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As the rookie battles proceed apace, Kuzuryu is kind of in a creative rut, looking for inspiration. All the praise, admiration, and accolades he’s received in the past and is sure to receive in the future don’t matter if he himself isn’t satisfied with his own work. Shigura gives Eruna the story of how he and Kuzuryu once attended Mikagura’s sports-focused sister school, but he was punished for his exceptional talent with ostracization.

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Natch, despite the fact she’s in the middle of a tournament, Eruna comes to Kuzuryu’s aid, requesting that he draw her—nude, if necessary. Her visit is brief, but refreshing to the troubled painter, who betrays a smile after seeing her off to go watch Tonkyun avenge Usamaru, making him promise to watch her when it’s her turn to fight.

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Tonkyun does indeed defeat Azumi without too much of a fuss, discerning that her main (and really only) attack has both a time limit and a re-charging time. Azumi had been winning battles by ending them quickly before that time limit is up and hiding out of reach of her opponent when it is. In the end, Azumi wasn’t anything more complicated than a mustache-twirling villain, but it was still satisfying to see her get her just desserts.

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That’s a little disappointing, but the ep makes up for it by having a bonus battle between Eruna and Tonkyun. Tonky’s observed and analyzed Eruna as he did Azumi, and like Azumi Eruna’s tactics aren’t all that complex, so I really didn’t know who was going to win this one, an uncertainty I enjoyed after Azumi’s certain, somewhat boring defeat.

But Eruna has a trick up her sleeve in the form of a gun and bayonet Tonkyun didn’t take into his calculations, so it’s her win. As with Himi and Meika, Tonkyun is gracious in defeat, not only because Eruna is clearly somebody special, but because they had fun fighting with her.

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Kuzuryu (and Seisa, who doesn’t have much to do this week at all) watches Eruna’s match from a monitor, and it inspires him to paint what he observes. Eruna became his muse, which was probably how she intended to help him after she picked up on his creative block.

Unfortunately, Eruna’s run for the rookie championship ends in the round after Tonkyun, as the broadcast club chick did her homework and beat her easily in another off-camera battle. It’s the end of a run, but hey, she did get to promote her “Surround Ichinomiya Eruna With Cute Girls Club”, and she also got Kuzuyru to paint her picture! About that: it’s abstract art, so it looks more like a satellite photo or Civ III  map than Eruna, which disappoints her somewhat.

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As for the cute girls Eruna wants to surround herself with, we get our first glimpse at one of the school’s cutest, Fujishiro Otone. Eruna first lays eyes on her standing over the soundly beaten tournament favorite, Imizu, twirling her hair.

If there’s one thing Eruna loves more than a cute girl, it’s a tough-as-nails cute girl who will put up a challenge. As she herself was to Kuzuryu this week, girls like Seisa, Himi, Meika, Nyamirin, and soon Otone are her muses. They’re why she gets up in the morning, and strives to become stronger every day.

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P.S. This will probably be my last Mikagura review, at least of this length, due to middling ratings low readership.