Hibike! Euphonium – 05

euph51

That’s right, Sapph-er…Midori and Kumiko…hold your heads up high, ’cause this was one great episode of Hibike!. It built on the band’s steady improvement, and the fact that its members want to get better as a matter of pride, both personal and collective.

euph52

With SunFes fast approaching, marching uniforms are distributed, and they’re appropriately adorable. Kumiko is initially worried that she hasn’t yet grown where she wants to, but the fact she’s not the only one cheers her up. She also manages to lock gazes with Reina, continuing the good vibes from the progress they made last week.

euph53

With the inner turmoil among the members resolved, it’s just good to see the band out on the athletic field practicing their marching, which really is tougher than it looks. As Kumiko & Co. walk home you can see the hard work that they put in, and how well they’ll sleep. Then boom, Kumiko and Reina lock eyes again, this time on the train.

euph54

Kumiko is as nervous as ever, and her attempts to start conversation are all shot down by one-word responses by Reina. It’s not until Reina herself asks Kumiko what she thinks of Taki-sensei.

Kumiko starts beboping about everything from his capabilities as a teacher to his good looks, and even mentions the bronze the school got last year, and Reina, gorgeously backlit by the city lights, presents her widest smile yet, which is both bemusing and heartening to Kumiko.

Reina probably has the hots for the handsome young conductor. (This probably won’t go well), but more importantly, Kumiko may have been wrong all along about Reina holding a grudge.

euph56

When the morning of SunFes arrives, Kumiko goes over the dizzying array of logistics deploying a marching band to a festival entails, from arranging transport of the instruments (the bigger of which are helpfully handled by the larger lads) to the students themselves (by bus) and all the documentation and P.R. therein. The attention to details (like Hazuki practicing her steps) really lend a sense of occasion and professionalism and reality to the whole event.

Kumiko also ends up sitting next to Shuuichi (they’re meant for each other!), and is standoffish as usual, but he breaks the ice by professing his wish that both of them do their best today. She may outwardly resent his presence there, either as a sign of the past she left behind, but it’s still nice that he’s there; they can support one another just with their presence.

euph57

It’s just Kitauji’s luck that they’ll march in between the top-ranked Rikka “Light-Blue Demons” and another elite band. Some of the returning members immediately worry they’ll be trampled. Then Kumiko goes over to a Rikka musician she knew from high school, who is glad to see her but has no idea why not only she went to Kitauji, but why Reina turned down Rikka to go there as well.

euph58

Kumiko doesn’t know…at least not until the Rikka girl tries to lead her to some other friends from middle school. She realizes she’s about to fall into old habits and her old casual, half-committed attitude with the band, and realizes she should be with her bandmates, preparing to march. Then she knows why Kitauji: a clean break; a blank slate; a new start. And she doesn’t regret it.

euph59

With that, Rikka starts its ridiculously elaborate, technically perfect, and disgustingly charming performance, which immediately intimidates and demoralizes Kitauji. They all snap out of it thanks to Reina, who breaks taboo by making noise during a march. But hey, it worked!

Taki-sensei didn’t really have any inspirational or motivational words for his band when they first arrived, but rather chooses to give them those words just when they’re about to march out there, sandwiched between two powerhouses:

Music is not something you do to show off your abilities to your rivals. But the many spectators and students of other schools still don’t know what Kitauji is capable of. So I believe today is a good opportunity for them to learn.

euph510

He says those words as calmly as everything else he’s said to his band, but they make a powerful impact. You’ve shown me what you can do, he’s saying; Now show everyone…make them remember. And doggone it, they do. Kitauji shows they’re not a joke or a footnote in the high school band world anymore. It’s a powerful scene.

This is their coming out party, and they don’t screw it up. They have a beauty at drum major and a rookie on trumpet who rejected the mighty Rikka. They’re a motley bunch made up of students with all manner of reasons for being there, but they march and play as one, defiantly, purposefully, strutting their stuff, turning heads, and changing minds. Kumiko, Reina, and Kitauji are on the march.

This was a gorgeously animated and felt episode, in the finest tradition of KyoAni. Keep it up, Hibike!

9_ses

P.S. This episode was directed by Miyoshi Ichirou, one of KyoAni’s finest talents, who is responsible for standout individual episodes in Free!, Hyouka, Chu2Koi, Haruhi, and Tamako Market…and that’s just what I’ve seen.

Advertisements

Author: sesameacrylic

Zane Kalish is a staff writer for RABUJOI.

3 thoughts on “Hibike! Euphonium – 05”

Comments are closed.