Sorry it’s a couple days late!
In our next arc, Kusanagi has yet to form her “best defense is a good offense” unit, but has to react to a new threat in which another disgraced colonel is using city-wide Domination to control nearly all of the city’s 20 million vehicles, thus holding their occupants hostage, while he works to air all of the Japanese military’s dirty laundry to the world. Clearly, the public story of what happened in Qhardistan differes from what really happened.
It’s an episode in which a lot of the mundance automation technology both the people of Japan and Kusanagi herself take for granted is suddenly all messed up. Luckily for Motoko, an older-model motorcycle passes her by when he late model slows down and refuses to respond to her inputs, and one of her many badass moments of this week, she manages to maneuver the bike into and through a delivery van trying to take out Logicoma (whose memory apparently contains incriminating data). Oh, and Batou’s driving the van. I guess these two still aren’t quite friends yet, huh?
It’s on to the next badass moment, as Motoko and her comparatively pint-sized Logicoma have to take on not one but two heavy-duty military mechas that would like nothing else than to take her out. She seems to be in a bad way when all of a sudden an ally leaps out of the shadows and disables the enemy mechs.
This ally, code named “VV”, looks like the American equivalent of Kusanagi, and wants to assist her in locating and deactivating or destroying Colonel Soga’s means of hacking the city’s systems and prevent Pandora from being opened, as such an action would likely cause problems for America’s government as well. VV’s arrival inspires Kusanagi to finally assemble her team; one member by gunpoint (Saito), another who volunteers (Pazu).
But in the middle of their op, once they successfully infiltrate the suspected enemy base, Kusanagi herself is trapped in a mental construct of Soga’s making. He knows she’s after him, and warns her she won’t succeed in stopping him from carrying out his mission. Soga is certainly a tech whiz, and may even have a good reason for doing what he’s doing; a reason Kusanagi can relate to. But her first loyalty is to the state, and despite this initial setback I expect her to give Soga a run for his money.
After working hard on getting their haunted house ready for the cultural festival, Hibiki’s crew meets her dad Asahi, a widower with white hair from “being through a lot”, but who is grateful Hibiki has such kind friends to depend on. He and Narumi tend to get frightened by the same things, which is to say anything involving Hibiki.
Of course, Hibiki’s dad knew what he was signing up for the day he met her mom Yuuhi, who was just as beautiful and mysterious as their daughter would turn out to be. It was the ghost of a pigeon that brought them together, warning Yuuhi that a young man was going to get hit by a car trying to recover his pigeon corpse.
The next day at the festival, Narumi (in Sadako cosplay) is the first to encounter Hibiki’s dad, and they have a nice chat about Hibiki. Specifically, Yuuhi’s ability to not only see ghosts, but see the future.
Yuuhi knew she would die shortly after giving birth to Hibiki, and she knew Hibiki would go through pain and anguish, but she also knew she’d find friends. As scary as it was and is to live with the ladies in his life, Asahi wouldn’t give it up for the world, and is elated that his late wife was right.
Narumi is modest and bashful about praise, as always, but she also feels bad about being so hostile about Hibiki’s sixth sense, now that she knows it was passed down to her and is actually a pretty amazing gift.
Unfortunately for Harumi, when she’s wearing her Sadako wig all the school ghosts think she’s Hibiki, and put her and Asahi through a haunted gauntlet that results in her hair turning white like Asahi’s; not from fear, but from an incident at the okonomiyaki booth.
Another fine effort from Re-Kan: blending personality-based comedy and slapstick with a good dose of feels.