Punchline – 03

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Punchline has generally a lot of fun to watch, but I’ve found myself struggling to like it as much as I want to, mainly due to its erratic personality. Rather than simply straddle various genres, it tries to operate in every genre, which is a tough proposition for any new show on the block, because it risks not offering enough of one thing to satisfy anyone. It’s throwing everything but the kitchen sink at us, but I’m almost too busy dodging it all to appreciate when something sticks.

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It’s one thing to keep your audience guessing or on their toes; it’s another to frustrate them by constantly tripping them up. So, did this third episode do anything to put the show’s meandering milieu into focus? Yes and no.  It offered perhaps more randomness than previous two episodes, but it gradually built the foundation of something recognizable and admirable, which is this: Korai House is no ordinary teanament.

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“Yeah, we kinda figured that,” you say, but while we knew everything was weird, we didn’t know why until now. Korai house, in fact, is the headquarters for a force for good, in a world that may be ending on the 31st of December. As such, it has drawn numerous seemingly disparate individuals into its walls.

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This all comes to the fore when, in a random attack by some weird masked commando with a turtle biting his junk destroys Mikatan’s mask in an effort to kidnap Ito’s pet bear cub, revealing the secret identity Mikatan worked so hard to keep from Ito, Mrs. Doubtfire-style, before.

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Another “freak” appears in a spandex bodysuit, who is ineffectual against the commando at first, but beats him back with authority after a brief trip into Korai House to do…something that powers him up.

We also get the reveal that Meika is a robot built by a famous genius inventor who told her one day a girl (Mikatan) would come to Korai and Meika would raise her up to be the superheroine she is now. I’m guessing bodysuit guy’s a robot too.

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How the scientist knew all that, along with how the bear healed from a bad knife wound so quickly, and how, if ever, Yuuta will get his body back, are questions that remain unanswered this week. But even though there was still a lot of volatility in the storytelling, I came away from this third episode with a slightly clearer picture of what’s going on.

What still concerns me, however, is the humor, which can be juvenile and obvious at times. Meika and Mikatan’s easily misinterpretable chat elicited some chuckles, but Yuuta blowing up the world at the slightest glance at panties is wearing thin fast.

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Author: sesameacrylic

Zane Kalish is a staff writer for RABUJOI.