The increasingly symbiotic patron/servant arrangement between Bell and Hestia reminded me of Chaika in DanMachi’s first outing, but it’s second is all about its similarities to SAO—and not just because Bell has the same seiyu as Kirito, but the whole rpg-like setting, where experience and equipment matter, as do relationships. And it’s relationships that DanMachi excels at in the early going.
The dialogue is very leading at times, but it’s also heartfelt, moving, and quite solid in general, starting with Hestia’s little speech to Bell about her commitment to supporting him no matter what, so he needn’t be so rash. It’s not just their official arrangement she’s concerned about, but Bell himself: she doesn’t want to be left alone, and neither does he. This is an important break from SAO, where it took time for Kirito to trust, work with, and love others.
There’s even a hearty helping of SAO-style arbitrary fanservice! Yes, despite her slight build, Hestia is quite well-endowed. I knew a girl like that in high school, and though I had to tip my hat, I also worried for her back.
It’s also nice to see the show follow up on things like Bell running out on his bill, but being forgiven by the landlady thanks to the silver-haired Syr, who’s taken a liking to the white-haired rookie. Bell has a nice face and a kind heart, and he’s a classic underdog with hidden value, so it makes sense that he’d attract more than just Hestia, even if he’s as inexperienced with girls as he is in the dungeon.
I have to applaud this episode not just for bringing the heart and the world-building and that comedy, but for delivering so much in one episode without overwhelming me. Just as Hestia tells Bell not to leave her alone, she leaves him alone to attend a Banquet of the Gods. Unfortunately, Nanami didn’t get a cameo. ;)
But the banquet does a very efficient and entertaining job of laying out the various gods in play here on DanMachi, from the fiery, plucky Loki (the Norse trickster god) to the floating-above-the-fray Freya (Norse goddess of love). Heck, even Ganesha is here, throwing an arena extravaganza.
Ah, so that’s why she has such big boobs…so she has rhetorical ammo against those of lesser endowment who would mock her stature!
While they spend the middle section of the episode apart, Bell is foremost on Hestia’s mind. She attended the banquet in hopes of bumping into Hephaistos (god of blacksmiths and other craftsmen and artisans), and prostrates herself and begs for Bell’s sake for her to make him a weapon to match his potential. Hephaistos is initially dubious, but sees Hestia’s devotion to her child and agrees, as long as she helps her make the knife, and promises to eventually pay for it.
In a nice bit of misdirection Freya is initially portrayed as a neutral if not benevolent goddess, but shows her true colors in seeking out the new up-and-coming talent in Bell, whom Hestia hasn’t been able to keep under wraps. Here’s hoping Freya isn’t just a female Nobuyuki Sugou, and there’s some nuance to her impending villainy.
As for Ais Wallenwhatsit (as Hestia amusingly refers to her), we only get the slightest glimpse of her, catching a glimpse of Bell in the crowd outside. Ais looks to be the Asuka to Bell’s Kirito (while Hestia is definitely a Suguha…and Syr a Lisbeth), but with the added twist that her goddess also seems interested in him, and perhaps not in a wholesome or honorable way—Freya is the god of sex, war, and death after all, and Ais is beholden to her.
But meanwhile, Bell fights hard to protect Hesita, while Hestia works hard to support him, in a very sweet, equitable, believable relationship. Bell would probably see Hestia as his little sister were it not for the fact she’s a goddess, while Hestia seems to have more romantic feelings for Bell, in an inexperienced goddess-courting-a-mortal kinda way.
She insists they go out on a date for the Monsterphilia festival, and Bell can hardly refuse. Frankly, he’d be a fool to do so, even though he’s trying to get Syr’s wallet back to her. I wonder if Syr “forgot” it on purpose so her co-workers could put Bell on her trail?
But the date goes sour when a beast (controlled by Freya) escapes the arena and goes after Hestia, forcing Bell into another fight he’s not ready for; he has to shake off his fear, and his regular weapon shatters against the beast’s hide. I have to say, the sudden shift in mood is very well done, thanks in part to a nifty chase scene and some truly kickass battle music that reminded me of GARO’s boss fights.
What’s also great about Bell is that he’s not a fool. He knows he’ll win if he survives, as the landlady said, but he won’t abandon Hestia. That said, he also knows he probably can’t win this fight as he is now, but after getting Hestia to a safe place (though behind bars is a bit harsh), he decides he’ll at least buy her as much time as he can.
Little does he know as he runs from Hestia and towards the danger, that the blade Hestia made with Hephaistos; the one that can probably defeat Freya’s beast, is strapped to her back. She needs to keep reminding him that they’re in this together.