Ghost in the Shell: ARISE – Alternative Architecture – 01

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I’m all through with Steins;Gate, neither Gunslinger nor Plamemo really wowed me, and I’m just itching for Sidonia season two right now, so I thought I’d fill the void with the latest imagining of a very old acquaintance. I also dug Psycho-Pass, which was clearly inspired by GitS, so I decided to give re-entering the franchise a shot.

That said, I’m what you’d call a GitS tourist. I’m not even sure GitS is the preferred way of abbreviating the title for the sake of brevity. I watched the first two movies in relatively close succession ages ago (the first is a classic and the second isn’t bad), but there my exposure ends; I never so much as caught a dubbed episode of SAC in its entirety on Adult Swim.

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That means I also missed the long-form OVAs that were releaed between June 2013 and last September. Alternative Architecture is a second chance to catch Arise in the midst of a TV season, and I’m taking it, so I hope you’ll forgive my ignorance going forward. I also hope you’ll forgive me if these aren’t the most timely reviews; due to time constraints I’ve got to choose my shows carefully.

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This first episode efficiently reintroduces us to the world of cyborgs with cyberbrains and prosthetic bodies and virtual ghosts, and to Kusanagi Motoko, Badass, now voiced by one of my favorite seiyus since her debut in Escaflowne, Sakamoto Maaya. She also contributes vocals to the suitably hip, electronic OP composed by Cornelius.

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Like Tsunemori Akane in PSYCHO-PASS, Motoko in Arise is faced with a new threat to the fabric of the society she semi-grugingly participates in: a terrorist plot to infect cyberbrains with a virus that turns people into puppets with which to wreak havoc. The culprit of one such attack is a young woman, a war orphan and talented programmer with an aversion to cyberization. As the shot above indicates, Motoko doesn’t have the full picture yet, but she’s sent to escort this individual, who hosts the virus, to a secure location for analysis

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This host, called Emma, immediately tries to start sowing the seeds of doubt in her captors Motoko and Batou, asking them if they can truly trust their memories anymore now that she (or whomever is controlling this prosthetic body) has found a way to create false memories within cyberbrains. And because Motoko is an impatient badass, she dives right into Emma to see what she can see.

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There, she finds a second ghost within her, which I’m gonna go out on a limb and guess is a rarity. It’s clear Motoko may not just be fighting terrorists, but continuing to butt heads with the government supervisors and bureaucrats who may not share her ideals, but nonetheless technically own her body.

While Arise’s first episode had some thrilling set pieces, particularly in the beginning, there were some scenes in which all momentum stopped while old guys talked about dense stuff I only had the slightest handle on. There’s also a b-plot involving tracking and capturing another terrorist that wasn’t all that gripping despite its best efforts.

I can chalk the pacing issues up to this being the first part of a larger, feature-length piece. I also rather liked the way sound was used in the episode: scenes of aural cacophony juxtaposed with dead silence or slight white noises lent aural reinforcement to the tense, out-of-balance atmosphere of Arise’s world.

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Author: braverade

Hannah Brave is a staff writer for RABUJOI.

2 thoughts on “Ghost in the Shell: ARISE – Alternative Architecture – 01”

  1. One of the best things about Arise is the music. I love it. I am playing the ED from the first episode (and the original ep 1 of the OVAs, as it turns out).

    One of the things that took me forever to figure out is that a “Ghost” is basically the electronic equivalent of the soul. It is the core identify of a person. Seeing as cyberbrains are a reality, this is an important concept. I won’t spoil you more with the details, as you will find out more about this in upcoming episodes.

    Of course, this should explain some of Motoko’s surprise in the end of this episode.

    I will leave you now, in the hopes of avoiding the Spoiler! Nerfbats I sense in my future.

    1. Totally agree about the music. A great soundtrack can make or break a borderline series for me, and Arise’s kicks ass. And the Cornelius/Sakamoto OP was tight. Sakamoto, along with say, Akino Arai and Aimer, can sing every OP as far as I’m concerned.

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