Shokugeki no Souma – 01 (First Impressions)

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Whoa, what the hell did I just watch? I’ll tell you: something novel, bizarre and ludicrously entertaining from start to finish. Food Wars wastes no time showing us the kind of depraved wackiness it can stir up by giving us this indelible image of Souma’s classmate being ensnared by a giant squid in a sea of peanut butter.

It is a visualization of the grossness and wrongness of the flavor of those two foods when combined; an assault on poor Megumi’s palate in all its metaphoric glory.

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For all the ecchi mischief this episode gets up to, it uses every minute of its running time giving the main hero Souma a complete arc that propels him from his father’s quiet little eatery to the steps of the most elite culinary academy in Japan, blending shonen themes like tradition, moderation, and the comfort of nostalgia butting heads against modernity, excess, progress, and individual growth.

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Early in the episode, Souma’s goals are clear as he nears middle school graduation: continue training in his dad’s restaurant until he’s good enough to inherit it…The End. It’s a simple dream, and not a bad one, either; but it lacks ambition, and it’s indicated that dream doesn’t utilize his full potential.

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That dream also can’t stand up against duel threats coming from both within and without. Let’s get to without first, with the haughty urban life planner, who looks down on Souma, throws her weight around, threatens him, brazenly sabotages his pantry, and laughs maniacally—everything a shonen villain should do.

The traversal of these well-worn storytelling roads is refreshed by the setting of a restaurant and the weapon of food.

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Contrary to the easy, safe dream the developer seeks to stamp out, the challenge she poses brings out the qualities of a shonen hero who might always talk about simple dreams for his future, but will always ultimately be swept up by grander destinies.

Those qualities include pluck, daring, confidence, and resourcefulness, best demonstrated when he fulfills the developers wish for juicy meat by making a “fake pork roast” with bacon wrapped potatoes.

Both the rendering of the food and the animation of its preparation is suitably over-the-top, as if a great battle were being fought, because in Souma’s head, it is.

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Like Koufuku Graffiti, people eating delicious food react in a very overtly, er, amorous way. But like a foe defeated by the hero’s superior skill (or clever trick), the developer’s practical land shark mind can’t compete with her palate, which been set ablaze by the peerless umami-ness.

If she wants to eat more than her first glorious bite, she must give in to his demand she stop going after the restaurant.

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She does, and then both she and her three goons tuck in, resulting in a meat juice-saturated mental orgy of epicurean ecstacy. If I didn’t know any better, I’d have suspected Souma slipped some powerful hallucinogenic drugs in the roast, but no…it’s just really really good.

Again it’s somewhat like Koufuku, bumped up to 11 and rated R. Souma’s food doesn’t just knock socks off, it tears everyone’s clothes away and rummages around in their naughty-bits.

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But Souma can’t enjoy his victory long, as just when he’s cleaning off the defaced sign of the restaurant, his dad announces he’s moving away to work with an old friend, and will be selling the restaurant in two to three years.

Souma, like me, is initially quite wounded by this news, but it didn’t take long for both of us to get it: this isn’t where Souma should settle. He’s bound for bigger, better things.

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He’ll succeed and fail and cause more flavor orgies at the prodigious Engetsu Teahouse Culinary Academy, which has a grad rate of under 10%, he’ll have his work cut out for him, just as a shonen hero should. He’ll also meet friends and enemies and frenemies and enemends whose naked bodies I’m sure we’ll see in due course.

I look forward to watching more of this hilarious, creative…whatever it is, and also to more outstanding metaphors like standing under a waterfall meditating until being hit in the head by a jukebox. It’s pretty Brilliant. Amaburi Brilliant…only raunchier! Moreover, it doesn’t compromise. It gets a weird idea and it commits; no half-measures.

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Author: sesameacrylic

Zane Kalish is a staff writer for RABUJOI.

5 thoughts on “Shokugeki no Souma – 01 (First Impressions)”

  1. Souma’s manga artist, Saeki Shun, used to draw erotic manga under the penname ‘tosh’.
    He’s pretty good at drawing all those erotic facial expressions.

  2. This is obviously my kind of show (it has a Sabagebu style edge to how it breaks expectations) but, what I found interesting watching it next to my wife was how much it made her think of Bleech… without the melodrama and prevention. Considering how much she watched of that franchise, SnS’ chances of keeping an audience looks good

    1. Gotta agree with Mrs. O on the Bleach comparo, which had great comic pacing early in its run. SnS manages to cast a wide net without losing its basic strangeness. I really can’t wait for the next ep!

  3. Okay so I love this show and how absurd it is but Re-Kan blows it out of the water, belly laugh wise. Re-Kan does so much more with less, and less edginess. No question that Souma is funny, and I think it has more room to grow but, from a cold start, Re-Kan is the leader.

    1. Well then, I guess I’d better watch Re-Kan…if only so I can determine just how WRONG you are. ;)

      Kidding aside, if it’s good as you say, I’ll just have to accommodate both. Not giving up my foodgasms!

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