A big reason why I’ve enjoyed Saekano so much isn’t just its knack for cleverly inserting commentary about the genre in which it dwells while telling a unique story all its own that benefits from that self-awareness and self-critique. It’s also the show’s knack for getting us to forget all about the future and simply focus on the now, and the wonderful dialogue and interactions between Aki Tomoya and the varied girls in his life.
This episode was off to another great start. After spending all of his time with Utaha last week, this week it seems to be Eriri’s turn, and she makes the most of it by making Tomoya role-play a sex scene with her. Both of them are well aware they’re merely reading lines to one another, but since both of them put in such good performance., they end up arousing one another, something Eriri probably hoped for.
I personally wouldn’t mind if that was the whole episode, but there are big changes afoot this week, and in the process of introducing those changes, the show suddenly turns its gaze away from the now and towards the horizon, which I must admit is a little unsettling.
Just as Tomoya is chastising Kato for suddenly sporting a ponytail (my take is that Tomoya really likes it, otherwise he wouldn’t notice it, but he won’t admit it). A discussion ensues, into the cultivation of well-established and time-honed “core traits”—like a blonde twin-tail or long jet-black hair—versus “cheat tricks” like the sudden change of hairstyle.
Those two core traits are brought up by Kato and clearly meant as a commentary on the two other girls chasing Tomoya around. Kato is establishing that she is unique and goes against the grain of the tropes.
That leads to Tomoya bringing up another time-tested trope: the “little-sister-type kohai”, and hey-presto, Hashima Izumi appears on queue. Of course Tomoya also had, and now has, this kind of girl in his life as well. It’s something that was missing to this point; now all he needs is an attractive relation, which we know to be Michiru from the prologue.
Izumi was prominent in the OP and ED and had the look of a younger, devoted-kohai character, so I knew she was coming. Better yet, she’s voiced by the bright and ever-exuberant Akasaki Chinatsu. Also true to her type, a lot of what she says in praising Tomoya did for her could be taken entirely the wrong way due to her particular phrasing. But her sudden appearance, bereft of a single prior word about her existence in the show itself, is a little problematic.
Be that as it may. Izumi is definitely a disruptive force that unsettles the status quo, and not surprisingly pisses Eriri off, since she’s already had two other stout competitors to contend with to that point, and she was the only one with a long past with Tomoya. No longer.
Speaking of a past, Izumi’s introduction is paired with her brother Iori, who is Tomoya and Eriri’s age and has a sorted and arguably more interesting history with him. Tomoya rejoiced when he learned that Izumi, the class prince, was just as much of an otaku as him. But their friendship was dashed on the rocks by a clash of otaku philosophies. Tomoya valued the sheer enjoyment and sharing of things he liked; while he saw Iori as “riding the coattails” of creators.
But in that professing this, Tomoya exposes his hypocrisy. He’s an amateur running a doujin circle, ; by his logic, he’s also guilty of depending on two of the brightest rising stars in the industry in Eriri and Utaha; even if they are his friends.
I think the distinction lies in what Tomoya does offer his creators, though not knowing enough about Iori’s relationship with his famous circle members, these two may be peas in a pod after all. We may see Iori through Tomoya’s eyes as a greedy freeloader, but what if Iori inspires his creators the same way Tomoya inspires Utaha and Eriri?
It’s probably a coincidence, but it looks like Iori shares a trait with one of his seiyu Kakihara Tetsuya’s more famous roles, that of Simon in Gurren Lagann. Both are good at digging and burrowing, and eventually dig themselves out of obscurity and into the spotlight.
Tomoya often conceals his true feelings about things by discussing them through a protective prism, namely his collective dealings with the girls he’s working with, but also courting, particularly Kato. By that same angle, Tomoya purports to spit upon the way Iori does things, but his own motivations and actions could be construed as just as selfish.
More than anything, this episode makes me hope there will be a second cour of this show, and not just because I love it. I feel we’ve really only scratched the surface here. The Kato, Utaha, and (semi)Eriri-centric episodes are all to establish what Tomoya means to those girls and what they mean to him. Izumi and Iori are introduced to break up the love-in and create an external conflict that will drive the remaining story.
This is no longer simply about making a dating sim; Iori has officially declared it a battle, and he won’t hesitate to poach Tomoya’s talent, if he can. But after what’s gone down in the last seven episodes, the four remaining are not nearly long enough for a satisfying conclusion. So for the first time I can remember, I’m actually hoping for a second cour when I’m not sure if one is coming. And I’m also hoping that hot spring prologue was only the midpoint of this increasingly complex and entertaining story.