The amount we didn’t know about Ema Guzman had always outweighed what we did, and while that made her more cool and mysterious, it also kept her at arm’s length. Whenever she’s darted into Leon’s story, she’s made an impact, but she’s never been on screen long enough. That injustice is corrected this week…and then some.
All the while Leon and Herman and Alfie have been through a diverse array of adventures, Ema’s basically been on the same single mission: she’s hunting for a powerful horror named Luciano Guzman. When Garm tells Leon Ema is going to die, Leon goes after her, which is a good move, because had he not intervened, she may well have died. Not because she’s too weak to defeat Luciano, but because she doesn’t particularly care if she dies.
That’s because Luciano was once a man, a fellow Makai Alchemist, and her beloved lover and husband. As a pair they were unstoppable, but Luciano wanted more than to just hunt horrors; he wanted to save them. When not out fighting, he was in his lab, working furiously to find the spell that could prevent humans from turning, or turning them back, but got nowhere. The pain of his powerlessness eventually overcame him one night, when he sprouts giant black wings and disappears into the night…
…Leaving poor Ema crushed by the wreckage in his wake. More than anything, she wants to take out the horror who did this to him, put him out of his misery, but the Makai knights she worked beside wouldn’t let her, only to end up slaughtered. She deems ending Luciano as her right and duty, and no one else’s.
Leon trades Zaruba’s knowledge of Luciano’s whereabouts for this story. Little does Ema know that, as it did for me, that story only made him care about her more and want to protect her, both from Luciano and her own obsession to destroy him even at the cost of her life.
She doesn’t dare show a softer side to Leon, but privately, after sewing up her own abdominal wound (this chick is seriously badass), she seems intrigued, flattered, and a little impressed with Leon’s words. She caught a glimpse of him with Lara, but she still regarded him as naught but a boy, untouched and untested by the true horrors of the world. And we know that’s not true. Leon is no longer a clueless whelp. Now he has the strength of body and conviction to back up his big words.
The night of the final showdown with Luciano commences, and to my surprise, it’s a thrilling aerial battle, calling to mind Last Exile or Pilot’s Love Song. Familiar vibes aside, Ema’s elegant system of gliders she hops to using thread and hooks, and the sleek alien stealth fighter design of Luciano’s horror form, are all very creative touches.
The fact the battle weaves between cloud systems and is lit by the full moon gives it that much more of a dramatic, artistic flair. Ema has always been an acrobatic fighter, so it stands to reason when she gets really serious she takes to the sky itself. Especially when Luci opens up a barrage of red particle weapons at her, this is mostly just immensely fun stuff to watch.
And Just as Garm foresaw, Ema does end up in a position where she really should have died. Using a spell of her own, she’s able to awaken a part of Luciano that still loves her, and he catches her before she’s impaled on a church spire. But he’s still a horror, and Ema doesn’t possess the ability to change him all the way back, any more than he did, so as he prepares to eat her, she’s ready with a giant sword made out of her thread. With the only thing keeping her suspended over that spire, killing him means her death too…if it weren’t for Leon, that is.
A younger, less seasoned-by-life Leon would have surely tried to put an end to the fight before it began, but especially after hearing her story, he holds back until it’s over, only swooping in to save her after Luciano is gone. He does it because Ema is a friend, and she is someone he can protect, so he does.
But his actions means more to Ema than he knows. She was willing to give up on her own life to release Luciano, he wasn’t. All of Ema’s disdain for Makai Knights was borne from the way they’d always swoop in like scavengers while undervaluing what she and Luciano did, and more importantly, when those same knights detained her, preventing her from taking care of Luciano a long time ago.
But Leon is proof that not every Makai Knight is necessarily a shithead. He tends to her wounds and comforts her. In every encounter, including the early ones this week, Ema had mockingly referred to Leon as a boy, but suddenly, in that dimly lit room she realizes he’s no longer that boy in her head, but a man; the first man she could truly let her guard down and trust in a long time.
It’s a huge epiphany for her, which is why I don’t remotely begrudge her going in for a kiss. This new matured Leon proves her instincts were right by neither blushing or recoiling but kissing her right back, even taking things further, the risk of wounds opening be damned. It’s a very sexy scene, and a great note to close on…and it’s earned.
For so long on this show Ema stood apart, out on the periphery, with us not knowing exactly what she was after or why. Now we not only know what she wanted to do; but she did it. Leon saved her, finding someone new to protect in the process. Now they’re standing a lot closer together, and the show is all the better for it. The question now is, do the two go separate ways the next day, or stick together for a time?
- With Lara, Ximena, and now Ema, we are officially in Garo’s Feminist Period. Seriously, it’s loaded with badass women.
- On that note, let’s not forget Octavia, who’s still lurking in Alfie’s palace. Wonder if she’ll get a fleshing out.
- I’ll admit, there were a couple poorly-drawn moments, but the episode more than makes up for it with that dogfight along with its usual stylishness.
- Ema’s thief’s outfit in the flashback reminded me of FFXIII’s Lightning’s Ignition garb.
- Ema kinda has to tell Leon about Luciano, since Zaruba is in a particularly chatty mood this week. “I’d rather say it myself than have a ring blab about it!” I LOL’d.