Rather than thrust us headlong into anothe multi-part dove-ghoul battle, this week’s TG goes the route of more character development, establishing just what it is everyone seems to be after, while getting us even more emotionally invested in what becomes of these people before all hell breaks loose.
Ken was in a bad way last week, and we see why: in his nightmares he’s being eaten by Rize and Jason; by eating other ghouls and humans, he’s become little more than a wretched tool to provide them with nourishment. And yet, this all seems to be part of some kind of training, because Eto seems to be guiding him, and seems pleased with his progress so far.
The show’s gaze turns back upon the new but somewhat somber normal of Anteiku, with Hinami gazing intently at a news report she knows is about Ken, before making sure Touka doesn’t catch cold at her desk. The next morning she cheerfully opens the place. She’s trying to be strong but wants to do more for him.
Shuu sets her down that road, where over a cup of coffee and a quick lesson in floriography, he lists all the ways in which Ken is a sweet osmanthus, with the bits about “first and true love” betraying Hinami’s feelings.
While he’s in the bathroom, Takatsuki Sen slips in and offers her two very blunt cents: unlike Ken, Hinami has always come from a place of warmth and love; Sen doesn’t see Hinami being able to do anything for him the way she is now. Because we know Sen is Eto, there’s an interesting complexity in her words; this isn’t merely advice for her new friend, but in a way, it’s staking a claim. Ken is hers; Hinami can stay right out of it.
Shuu, meanwhile, has a very intimate moment with the hanky stained with Ken’s blood. Shuu is after Ken too, but for his flavor, not his love. Or heck, maybe he demands that those most exquisite things he eats love him, or something. In any case, it’s good to see the ol’ Gourmet hasn’t been completely neutered by his recent playing nice with Anteiku. On the contrary, this establishes pretty clearly that Shuu is a potentially unstable an element as ever, and only in this for his own interests.
Sen, meanwhile, is a busy little bee this whole episode, buzzing to CCG headquarters and happening to meet Shinohara and Juzo. Since they’re both humans at the end of the day, they have no spidey-sense for ghouls, but Juzo still regards Sen very wearily, and that’s not just his usual shyness. Perhaps a personality to bright and loud as Sen’s seems threatening to him?
Whatever his issue is, Sen is there to plant two ideas in the good doves’ minds: that ghouls can be artificially created from ordinary humans, and that there could be something fishy about a certain cafe in the 20th ward.
Sen kind of steals all of he scenes, and not just because of her distinctive appearance (Juzo still has her in that department); Sakamoto Maaya’s precise and ethereal yet casual voice is a delight to the ears. She’s got the dorky eccentric author down pat.
From there, the episode really surprises us when Ken steps into the Anteiku doorway, to speak to Yoshimura. When Hinami learns he’s there, her first instinct isn’t to run to him, but to Touka. And when she arrives at the library out of breath and says “onii-chan”, Touka knows exactly what’s up and she breaks into a sprint.
The entire “will she/won’t she get to him before he disappears” is a well-worn device, but it’s perfectly executed here, as is the moment they finally come face to face on a pedestrian bridge. The scene is so gorgeous and quiet, but it’s a silence bursting with emotions trying to break out.
Ken puts on his angsty shonen face, telling Touka he can’t come back because he’s not strong enough to protect everyone, and Touka can’t stop herself from attacking him, which is simultaneously hilarious (because he dodges every acrobatic blow), but also profoundly sad, in a “it’s come to this” kind of way. Ken drops his guard momentarily when Touka tells him never to come back, and she lands a few more blows before returning home, where, after she calms down, she realizes how silly she was on the bridge.
She wants him to come back, but everything she said and did on that bridge will only serve to make it harder. It’s a classic case of someone unsure of quite how to express their love in a way the other person will understand, and so resorts to ambiguity and/or violence out of frustration.
Still, the smile we see as she gets back to studying means that no matter what Ken is doing and whether or when he’ll come back, he’s still alive, and he’s still Ken, and at the moment, that’s enough. Hinami sees her smile too, which causes her to smile in turn. This time she was able to help Ken by helping Touka meet him. Everyone’s spirits have raised…except Ken’s.
The cherry on top of this awesomeness sundae? Shinohara obviously checks out Sen’s tip and pays a visit to Anteiku with Juzo, where Yoshimura personally serves them while answering some questions. It’s another scene suffused with tension, but not of the romantic kind like Touka and Ken (or Shuu and his hanky). Shinohara gets a familiar vibe from gramps. I should think so; he fought him in another guise back at the mall. And Shinohara’s quiet mention that he’ll be back sent a chill down my spine…but one I appreciated.