Death Parade broke my expectations this week. Sort of. In that my guess based on episode 3’s post credits preview didn’t pan out 100% the way I expected. However, the resulting ‘surprise’ was deeply unsettling in a way that I don’t think Death Parade intended…
So, I’m left with a conundrum. Death Parade is in no way a competitor for Yuri Kuma, which it is paired with. It is, however, a reasonable competitor for Yatterman and/or JnM. Heck, since I more or less admitted I will keep Binan Koukou even though it ‘fell to Yatterman,’ should I break my word and keep this show too?
Honestly? Even though I have my reservations about ‘how it made me think,’ Death Parade probably deserves an on-going review slot on my docket.
Why? Let me sum this week up: We break the mold in ep4 by pitting two people who DO NOT KNOW EACH OTHER against one another. This may sound trivial but changing the formula to allow anyone — anyone at all — who dies around the same time to ‘face off’ against another ghost opens up a lot of potential.
In this outing Yousuke and Misaki have no filial or accidental relationship. In fact, even their tragedy only has an oblique relationship, and then, only as inverse ‘traumas.’ Rather, Yousuke has issues with his step mother, who is an incredibly good person, and ultimately with his own inability to accept her for that. Where as Misaki has issues with being a woman who was constantly abused by men, who shackled her with children, but deeply cared about her children until the end…
So it’s complicated and not a is one person right or wrong/ good or evil, as has been posed by previous episodes. Good!
However, as with previous episodes, the woman is cast into ‘hell’ for reasons that are either alien to my cultural upbringing or alien to Japanese cultural expectations but not ‘critiqued’ hard enough by the characters for me to appreciate. So the result is “I thought a lot about the episode” but I’m not sure I’m thinking about the episode in the terms intended by the creator…
Truly, I don’t get why Misaki is tossed to the void at the end. Sure, she is brutal and her abuse doesn’t make up for her treatment of Youske. Likewise, she smacks her manager the same way she was smacked by the brutal men in her life before. But wtf??
I totally buy her frustration of being pulled away from her children again, even though she finally has money and means to support them, and that she honestly is supporting them the only way she knows how.
Even though Dequim shows the first sign of actual emotion, it’s really weird that he sides against the woman yet again — and yet again it seems like the woman is in the clear (blatantly) from my biased American viewpoint. So what to make of it all?
The good: as always, it was a beautiful episode, fantastically controlling mood and professionally well timed. More to the point, there was no ‘arm flailing ahhh moment’ to make the characters feel stupid, or fourth wall breaking, For this it gets an 8 without question.
However, and this is partially because I read (and lost the link to) a very good article that debates the 4th episode’s treatment of women, Death Parade has consistently tacked… counter to my cultural up bringing in regards to women and their rights.
To explain, one reviewer noted that DP takes a ‘surface beauty’ approach to women in episode 4 by showing the girl as she would be post plastic surgery and by soft-pitching her love interest a ‘why not, she’s pretty now’ scenario. Seriously? Would any of us care if she was his ‘ugly childhood friend when she was that hot not AND they were already dead? It cheapens the idea that a person, especially a woman, can be good and attractive for what she is, especially if she’s only the plastic parts she reconfigured herself to be after death…
I’m not going to feminazi you hard core here, nor do I agree with it 100% but… yeah. I don’t really get Misaki’s voiding at the end of this. To me, it just felt weird.
Am I biased? Yes. My mother died in agony before me days before my 18th birthday. Even with that caveat, its very hard to respond to ‘3 in a row’ without noticing a pattern. Even if that pattern broke my expectation of a ‘double void’ this week.’
hrm… am I really not going to drop this show even though I promised myself I’d do 3 and only 3 for the season? Maybe. Intentionally or not, it certainly has me thinking…
Final verdict: the only issue I had with this is actually Youske himself. His backstory is dull, undefined, and he comes off as stupid — even to himself in retrospect. Without a meaningful counterpoint to Mizaki’s seriously gripping, emotionally backstory, this ep is held back.
But only by a smidge! DP 4 comes dangerously close to a 10 and you better go download or stream it now! Stream the whole series while you’re at it! The first three aren’t winners but they’re no slouches either!