Steins Gate – 14

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As expected, Rintarou can’t stop Mayuri from getting killed. Either Moeka and her goons, or what he can only describe as ‘fate’ always gets her in the end. The show doesn’t get too gorey about the myriad ways Mayuri meets her end (though the sight of a Jelly Mayuri, half-stuck in the wall, possibly in the 18th century, is properly disturbing), but it gets the point across efficiently: Rintarou’s plan isn’t going to work. He’s missing a big piece of the puzzle.

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Not only that, but he simply can’t go on like this. I opined last week that even if using the time leap machine over and over had no major physical side effects, the trauma of watching Mayuri die over and over would eventually drive him mad. To his credit, he breaks the futile cycle of attempting to save Mayuri on his own before that happens.

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Or to be more precise, it’s Kurisu who breaks the cycle, by noticing something is not right with her friend and finally coaxing an explanation out of him, during which he even calls her by her real name.

I must add, this is Kurisu at her absolute best, and also the point at which she’s almost switched roles with Rintarou. Where before he was the wide-eyed dreamer, those time leaps have worn him down. Kurisu sees that, and decides to be the voice of hope and faith when she can tell he’s running low on both. She even strikes a baller chuuni pose that even gets him to crack a smile.

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When she smiles back and offers her hand. In a nifty bit of animation, Rintarou hesitates in taking it, but she gently tugs at his hand and guides it into her own. There’s so much in that simple gesture, which makes it all the more sad when she sets up the time leap machine and sends him back.

It’s sad because the awesome Kurisu she is now, who Rintarou calls “Kurisu” and proudly brags about her invention, will cease to be. Then again, this is nothing new; countless wonderful moments between these two have already vanished from time, both before and during Rintarou’s failed attempts to save Mayuri.

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When Rintarou is sent five hours back–to the time Mayuri finished her cosplay outfit around the same time Kurisu finished the machine–past Kurisu is a little harder to convince than future Kurisu told him she’d be. But when he repeats the keyphrase she gave him about “My Fork”, something very private and embarrassing, she’s on board too. Good. With Kurisu by his side, they’re much more likely to figure this out.

Also, “Screw you, future me” is one hell of a one-liner.

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Kurisu warns Rintarou that failing to build the time machine alone may not be what is causing Mayuri’s deaths. Suzuha joins them, actually backs up her “nemesis”, and sneaks them into the Radio Kaikan building where the satellite crashed.

A sprawling but surprisingly gripping infodump ensues, replete with visual aids like braided ropes (along with her own braids) and a divergence meter made from Nixie tubes she says Rintarou himself will build in the future (thus explaining those numbers we see whenever he leaps. I kept thinking about writing them down, but didn’t).

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I’m not a fan of infodumps, but I, like Rintarou, have thirsted for answers (some answers…not all) for so long I welcomed the explanations, even as I wondered who the hell this crazy-athletic, all-knowing girl really is. We learn that, too: SHE is ‘John Titor’, from the year 2036, and the crashed satellite is her time machine.

I was impressed with how swiftly the story has moved from Rintarou realizing his plan to save Mayuri on his own is a dead-end, to teaming up with Kurisu and growing a little closer, to Suzuha finally revealing who and what she is and introducing a new time machine that could expand their reach across the time continuum. Rintarou may be the one who saves the world, according to Titor, but he’s going to need a lot of help from his friends.

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Author: braverade

Hannah Brave is a staff writer for RABUJOI.

5 thoughts on “Steins Gate – 14”

  1. So much happened here that I remembered these events as two or three episodes. It’s amazing that it all flows together.

    One thing I press on writers I work with is how to handle twists. My favorite reveals follow three rules:

    1. It should be surprising, but seem obvious (due to logic and imagery, not overt hinting) in retrospect.
    2. It should not invalidate the conflicts of prior material (like revealing that it’s all a dream)
    3. It should make re-screenings more enjoyable, not less, due to adding nuance to already successful material.

    The Titor reveal works for all three of these. I had no idea she was Titor when I first watched this show. But when you rewatch the early episodes, it seems hard to miss. She wasn’t even fully hiding her origin.

    It also makes her scenes even better. Watch Okabe’s discussion with Suzuha fifteen minutes into episode three. How much was she manipulating him? It’s clear that she’s talking with Okabe and then rushing over to get to a computer to converse with him again as Titor.

    1. Here’s what I said in my episode 3 review: “Suzuha’s timely arrival on Rintarou’s doorstep, along with her rapidly amassed knowledge of the situation, is contributing to her giving [me] a strange vibe.”

      I also had no idea she was Titor, but as you say, looking back it makes perfect sense. It all holds together. There’s nothing random about the reveal.

  2. One of my favorite scenes in the entire series was when everyone was revealing their web identities and Okabe just had to tell everyone he was Hououin Kyouma

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