Daitoshokan no Hitsujikai – 12 (Fin)

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I’m not shy about my love for shows that are efficient enough to wrap everything up with an entire episode to spare, but this final DnH reminded me that yes, a show can wait until the last episode ever and still finish things in a satisfying manner without feeling rushed or overstuffed.

lot goes on this week, but it’s well-organized and well-paced. Virtually no time is wasted, and what idle time it does have it uses on nice character beats, which are also curtain calls here in the finale.

We start with Minafes(t), which we learn immediately turned out to be a great success with a huge turnout. Meanwhile, as karmic comeuppance for her attempts to poach Minafes patrons for her little symposium, Aoi’s auditorium is effectively deserted. Waah-waah…

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That idle time I mentioned above makes sense, because once Minafes is off and running, our club members are backstage spectators until their own performances. Kana and Senri spend it trying to cozy up to an unwitting, Kyoutarou before shooed off by Tamamo, who does the same exact thing.

It’s cute and true to all three characters, while also underlining that these three were always the more superficial of Kyou’s suitors, below Nagi and Tsugumi. Tsugumi, meanwhile, remains the only one of the club members who knows Kyou has become a Shepherd and will gradually disappear.

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Bitter over losing to Minafes, Aoi succumbs to pure mustache-twirling criminality, loosening the screws on the light assembly fated to fall upon Tsugumi. But she’s caught red-handed by the crack Shepherd team of Kyoutarou and Nagi, the latter of which makes good use of her strong legs and big breasts to subdue the perp.

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But while occupied with Aoi, the lights fall anyway, just as Tsugumi is below them. With just a moment to work with, Kyoutarou does the only thing he thinks he can to save her: use a book to transport himself, Nagi, Aoi, and the lights away. Tsugumi looks up at the now-empty catwalk, confused, but very alive. Success!

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Aoi ends up…somewhere else, and is so upset, she unleashes a vicious, incriminating tirade about how she just wants Kyou to disappear so she can create her perfect academy…and have President Mochizuki all to herself.

The camera stays close to her for the duration of the rant, but due both the lights above her and the reverb in her voice, I already knew she had been teleported onto the stage of her precious symposium!

What’s so deliciously awesome about this is that it not only punishes Aoi for all her misdeeds, but also ensures she won’t take any further action, since she’s now effectively confessed both to Mochizuki and a fair amount of the student body. The jig is up. Crime doesn’t pay, Aoi.

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With Tsugumi’s future saved and Aoi neutralized, it would seem our two young Shepherds are on a roll. But as they confer with their boss atop the school library, it’s clear they erred. Well, it’s clear they erred when they teleported onto a stage with dozens of people watching! They’re supposed to work in the shadows.

Kyou doesn’t care. He did what he felt he had to do to save Tsugumi, he doesn’t regret it, and he’d do it again. For those reasons, the boss laments that he’s not Shepherd material after all, even if Nagi is. The problem is, his book is already gone, so Shepherd or not, he’ll still disappear from everyone’s memories. Bummer.

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Tsugumi, neither as dumb as she looks or as weak as she says, knows what Kyou did for her and why. And even though she’s sad about losing him, she realizes The Show Must Go On. Compartmentalizing her pain, she takes the stage and delivers a hell of a speech about just how far her Happy Project went, thanks to teamwork, camaraderie, and love.

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She then passes the mic to Senri, who sings a beautiful but melancholy song that could serve as a lament for the loss of Kyou…who as it turns out got back in time to hear the speech and praise her for it.

He tells her his situation, but she assures him she won’t forget him, or let him go away, no matter what happened to his stupid book, and he draws her in for a big ‘ol hug. As it happens, his ex-boss re-makes his book for him, owning up to the fact he was wrong about Kyou being Shepherd material.

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Aoi formally apologizes, having been both chastened and moved by Tsugumi’s speech and under the forgiving Mochizuki’s guidance. The Happy Project gets its club room back (buh-bye, random guys!) and things return to normal. When Kyou comes home one day to find movers at Nagi’s old apartment, he looks a little sad, now that the newly-made Shepherd has moved on…

…But as it happens, Nagi is in his apartment, leaning on his bed watching the ‘tube as always. Turns out she was made Shepherd of Shiomi Academy, so she’s not going anywhere! Then Tsugumi and the rest of the club arrive at the door, and Nagi is eager to ‘make another scene’ to give them the wrong idea, and it’s medetashi medetashi.

But ‘Wait’, you might ask: ‘What about consequences?’ To which I’d respond: ‘lighten up!’ ita pleasant, charming rom-com that was always more about the threat of bad things happening and how to avoid them, not bad things actually happening. Besides, not being a Shepherd is a pretty big blow, and the fact Kyou still has to juggle six girls, and I’d say he still has challenges in store.

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Author: sesameacrylic

Zane Kalish is a staff writer for RABUJOI.

2 thoughts on “Daitoshokan no Hitsujikai – 12 (Fin)”

  1. Not gonna lie. The non-resolved romatic situation kinda irked me a little, since for a couple of episodes now it seemed it was going somewhere instead of the tired unresolved harem scenario. Especially since it has a completed source material (VN) and the amount of smooching going around.
    Props for solving most loose ends (minus what’s going to happen to Kakei’s memories of Nagi) and it has been quite an enjoyable ride throughout most of the show. Overall it surpassed my expectations, which is why keeping the status quo felt out of place.

  2. Is it just me or is the boss their dad? I mean he mentioned atoning for his sin sounded a lot like that was what the show was going for.

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