Ai Tenchi Muyo! – 39

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As expected, Tenchi gets pulled from a gaggle of student reporters (why are there so many?) into the faculty lounge, where Kurihara seems primed to administer some lashes with her whip. She doesn’t really care if the rumors are true; the mere fact an article was published at all compromises his position in the school. And she did warn him not to get too close to the students…many times.

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It looks bad for Tenchi, until a determined, true-with-it Momo enters the lounge defiantly and confirms she’s the student in the picture, opening herself up for disciplinary action. But it isn’t anything out of character for Momo. She’s all about helping people, and right now Tenchi is the one in a bind.

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The perpetually sandal-wearing Prez goes face-to-face with Kurihara and explains her position: accident or not and regardless of their positions in the school, there was nothing wrong with what she and Tenchi did. Impressed by her chutzpah, Kurihara agrees to drop the matter…but only if Momo wins the election.

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Momo reflects on the roof with Tenchi. As a person who understands her own undeniable charisma and power to bring people together – even people who’d normally be enemies – Momo wants to remain in the spotlight so everyone who needs to can see her and feed off of her light and positive energy. Tenchi cheers her up and gets her pumped for what is sure to be an animated and fierce debate with Yuki.

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GARO: Honoo no Kokuin – 11

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One could say the Makai Council created a monster when they marked Mendoza for life. They should have just killed him and saved a lot of trouble (and lives). Mendoza then went on to create a monster of his own with Bernardo. This week we get the rest of the story of what happened to Bernie as he fights Herman in the present, which is a much more interesting and satisfying story than Mendoza, who was pretty much always an irredeemable shit.

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Bernie wasn’t. He just got seduced by the Dark Side, so to speak. As a Makai Knight he swore to protect the people, but all he got for his duty was persecution by those very people. Anna insisted that turning the other cheek was also their duty, but cornered in the city, with Anna and Roberto still in trouble, Bernie chooses to protect them. He won’t sacrifice his friends, and especially Anna, whom he always seemed to have a thing for, just to protect the scum before him.

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He kills dozens of guardsmen, but ends up pretty gravely hurt himself, and probably should have died right then and there, having disgraced his oath, even if for a good cause. But Mendoza watched him fight, and restored his body with dark magic, and told him to join him, with the philosophy that people shouldn’t be protected; they should be ruled.

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Herman’s repsonse to all this is to call Bernie a “stupid idiot”, though perhaps that’s not quite harsh enough an insult; Herm could learn a lot from Captain Haddock! In any case, he agrees with me that Bernie should have died on that night and not lived on in darkness and disgrace, and so they go at in in one hell of a quick but visually impressive knight-on-knigh battle.

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They eventually fight each other into exhaustion, losing their armor and ending up in heaps on the ground. Bernie uses one of many dirty tricks to stab Herm in the chest, but that’s after Herm threw a knife a long way away, which makes its way back…into Bernie’s back. The mortal wound seems to bring the old Bernie back, who is glad Herman survived that awful night, and asks about Anna. Herm tells his old friend she’s safe, which I suppose is true if the afterlife is safe!

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It’s a pretty good death with an air of redemption and forgiveness to it; an end I’m practically certain is not in store for our low-pitched pal Mendoza. As Herm and Bernie were fighting, Leon and Alfie infiltrated Mendoza’s underground lair. I didn’t say anything about it because it wasn’t that interesting. But once they find him, he’s summoning a particularly nasty looking horror from Makai.

Insufferable bastard that he is, Mendoza is still an immensely powerful fellow, and far more experienced than these two kids. But then again, as the face of the Makai Order’s future, this is their time to prove they’re worthy of their armor. They’ve got to get it done.

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Gundam: G no Reconguista – 12

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Raraiya Monday is upset about the G-Self being saddled with an Assault Pack, ostensibly because she doesn’t want the G used for battle…which begs the question, what should it be used for? Was was she up to in it? When will she remember? Maybe sooner than I think; maybe not.

In any case, hitting her with a slingshot-propelled sneeze bomb? I like how Noredo thinks! If only her character had a purpose beyond tagging along beside Bellri and Rara-sitting.

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Meanwhile, Klim, who everyone calls “Genius Klim” this week despite the fact he is not a genius (maybe it’s an inside joke?), has an audacious plan to occupy the Sankt Porto, the highest nut of Capital Tower, holiest site of CU Cordism, and the distribution center for all photon batteries. His reason is, for once, pretty simple: he, and by extension America, wants a piece of the action.

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No you won’t. They’re way, way ahead of you, strategically speaking. You’re just going to fight another pointless battle and retreat, like you always do, because you’re a dreadful disappointment of a nemesis, yes you are!

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Klim is talking rather insensitively about Aida here, and while I can’t say he’s wrong, he could say the same of Mask. Klim himself is not particularly capable either, but at least he’s good and loud and cocky!

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Ummm…not so sure about that, Bunny Lady: there is this thing called anti-aircraft warfare. I’m sure there is a SPACE version of it.

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But you have let them, and continue to let them! And why are you spinning around like that? Are you remotely serious about anything? 

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Okay. Now this was kind of out of left field. Sankt Porto is, I suppose, a holy religious site that many on Earth believe will curse you if you try to enter. But Bellri’s outrage seems so out of left field. I mean, didn’t he know there was going to be a battle around the very place where they were headed? There’s always a battle!

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Even more confusing is AIda’s reaction to Bell’s reaction. She acts as if she forgot he was super-sensitive about fighting near Sankt Porto. But she didn’t forget, because that was never a thing. Bell is just making up character traits as he goes along! And what’s with the persistent lack of romantic development?

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I like this guy. I’ll bet he has to refocus the captain’s attention all the time like this. The captain’s probably writing an anime blog or something. These guys are such amateurs!

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Huh…who know Bellri was into mobile bondage?

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Wait…does she know where she’s going?

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A WARNING.

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Oh wow look: another force of nincompoops! At least their fleet and gridlike moon development looks pretty cool. Here is the long-sought ‘threat from space’, which is really a threat from the moon. Maybe this is where Raraiya is from? Could they give her a pill or something so that she can be a cohesive person? Please?

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WHOA. (Kerbes) Yoh. Sloh your rolhl, Broh. That ain’t cool.

I’m probably being overoptimistic; these are the bad guys, and it’s likely both Ameria and Capital will team up to fight them. And by ‘fight’ I mean more engage-and-retreats of dubious effect using newly-developed, oddly-named mobile suits and accessories that come out of nowhere. Looking forward to it!

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PSYCHO-PASS 2 – 10

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On this exciting episode of Rail Wars! Psycho-Pass 2, Kamui ‘gets to work’ on his largest operation yet: diverting several subway trains into an isolated area, giving him hundred of trapped, scared hostages whose psycho-passes he knows will rise due to the stress of the situation. He’s counting on it.

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He has no particular plan to ‘save’ this particular group of five hundred-odd passengers: they are merely a collective tool for him to get closer to Sybil, by overloading the system with a huge amount of Dominator discharges, and thus PP data, exposing a lower-security backup network which his team will hack to locate Sybil’s physical location.

Pretty intricate plan, but let’s not forget, he himself is a collective being, which explains why he’s okay with all the sacrifices. Well, that, and the fact that until the world is freed from Sybil, all of the people under her control are legitimate targets.

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Aoi and Naoto aren’t in this show to help out with the train, so it’s up to Akane to Do Something. Only Chief Kasei has placed her on standby in the wake of her grandma’s kidnapping. Togane, just barely keeping up his charade (or at least thinking he is), gets in her way, but doesn’t block her entirely.

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Togane lets her visit Kasei, who is really his mom. The Chief suggests Akane slake her restlessness by being a good little inspector and kill Kamui. Doing so would get rid of Sybil’s increasingly serious problem, and also would turn Akane into a criminal, at which point Sybil can finally judge her too.

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Interesting how Sybil doesn’t particularly care how Kamui is killed, but very much wants to go by the book where Akane is concerned. Kasei tries to ‘motivate’ Akane by reporting the sad news that her grandma was found beaten to death.

Learning of this certainly shakes Akane to the core, who starts screaming in the thankfully empty office. But after a quick chat with the Kogami in her head (?) she takes a deep breath and springs back into action. She’ll deal with the Kamui threat…her way.

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Akane and Kasei get into a meaty little philosophical debate that was once the norm of this show, during which Akane applies the Omnipotence Paradox to both Kamui and Sybil. Both entities are collective in nature and thus neither can judge the other without being judged itself. But Akane tells Sybil (not just Togane’s mom) that this is a perfect opportunity for it to ‘evolve’ beyond its flawed operation and false facade of perfection.

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Akane makes arguments Sybil can only refute by basically saying stuff on the level of “shut up, you don’t know us!”, but that’s not too surprising since A., it’s Togane’s mom and not all of Sybil addressing her in this instance, and B., Akane is one smart cookie. She drives really slow, though. 70 kph? C’mon, this is the FUTURE, not to mention an emergency operation…put your penny loafer down.

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Akane is so bright, that she basically does all the same work and thinking off-camera that we watched Mika do on-camera, only Akane does it properly and doesn’t settle on the conclusion that Kamui seeks revenge against the Togane Foundation. That’s right: Freckles’ research not only doomed her to spend the rest of her existence looking over her shoulder…it wasn’t even such great police work after all, at least not compared to what we’re used to from A-chan.

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Division 3 fails to carry out the Chief’s orders to blow up the trains Kamui and his people are on (killing the hostages in the process) because they acquired the bombs outside the law, giving them criminal coefficients and allowing Shisui to pick them off from above. Then Kamui releases the hostages, and Akane goes after him, but is blocked by Togane, whom she’s suspected all along. You can’t get one over on ol’ Akane, Son. Well, young Akane…

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And because this is such a popular underground junction, Kamui ends up crossing paths with the two. Here’s one guy trying to expose and destroy Sybil, another whose mom is part of Sybil trying to paint Akane black. Akane always finds herself caught between two very strange men, isn’t she? Well, that may be just one, if Kamui is successful in killing Togane. We only hear the trigger being pulled, so that’s hardly a certainty. In any case, it would certainly be meh ending for Togane.

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Ai Tenchi Muyo! – 38

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For the first time in a while on ATM!, three minutes still felt too long for what we got this time. Most of it is just Momo, Touri, Hana in the dark council room looking through all the illicit electoral cheating paraphernalia confiscated from the Fuka campaign, a scene that drags. Yeah, we get it, Yuki is a trickster!

The episodelet does redeem itself somewhat when Hachiko arrives with a newspaper not published by the newspaper club with a big spread about an affair between Momo and Tenchi, which is ridiculous for anyone who’s watched the two interact in context, but out of context is pretty convincing to the average student.

I just wish they’d gone further, having incriminating photos of every out-of-context instance in which Momo and Tenchi ended up close and personal, since there are a lot of them; enough to create enough of a misunderstanding to get Tenchi canned, to be sure.

The newspaper makes the paraphernalia look like a distraction for the council, and shows that Yuki is serious about winning at any cost, even hurting Tenchi. It also looks like Momo is going to try to convince the school administration (read: Kurihara) that Tenchi is innocent, but will her pleas fall on deaf ears?

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Shigatsu wa Kimi no Uso – 10

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Well, let’s just get this out of the way: Kousei’s performance STINKS. He’s literally all over the shop; shifting wildly from the same old soulless human metronome, to banging on the piano like a child wailing in pain, to stopping completely. But none of that matters. This was still a HUGE leap forward for Kousei; life-changingly huge. And it all came down to Kaori.

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The ‘ghost’ of Kousei’s mom kept going on about his “punishment” for rejecting her and her dreams, but more than before, the cuts of her and the deep dark sea are interspersed with cuts of Kaori. She’s in his head more and more as the performance goes on, all but replacing Mom. He keeps his head up, looks at the lights as if they were the shining stars, and tries to finish the performance, even if he can’t be proud of it.

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It’s still a struggle, but after he stops, he again remembers Kaori turning around and saying “Again!” At this point he’s lost the audience completely and disqualified himself from the competition, but his pause in the music is a crucial ‘reboot’ of sorts for his psyche. He fell, but he gets back up and gets back to the ivories, with Kaori constantly in his heart.

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Once he’s playing again, albeit very badly, it occurs to him that Kaori and only Kaori is the one he’s playing for; the only one he wants to reach, just as she reached him so powerfully, both through her performances, but also simply by being there for him, guiding him out of the dark. He starts to channel those emotions through the piano, and his notes ‘shimmer’ as he begins to project to the crowd the imagery of the practice room as Kaori softly dozes.

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Again, his playing changes. It’s not enough to make everyone forget the ugliness before, but it’s still plenty compelling, which is a lot to say for a pianist with a reputation for sticking to the sheet music. Everyone has this priceless “Huh? WTF is going on?” look on their faces, except for the few in the crowd who matter.

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Now that he’s found something to replace the ragged gaping hole in his heart his mother left, Kousei can play with confidence and passion, although perhaps still too raw to make any headway with the judges. But again, that doesn’t matter: this was never about Kousei jumping right back into contention; that’s still a ways off. It was about breaking free, severing his puppet strings, and going his own way, for the sake of the girl he loves.

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It would appear his music did in fact reach Kaori, who is moved to tears along with the little girl with the cat. Heck, even his Mom seems to be proud of him moving on in the end. After all, the villainess in Kousei’s mind was a ghost of his own making, forged from guilt and regret over how things with her. That ghost wasn’t something to be defeated, but rather transformed, as Kousei transformed himself this week.

It doesn’t do justice to say he’s merely ‘back’; thanks to Kaori, he’s been reborn; better than ever. Births may be messy and harrowing, as his performance was, but both herald the start of something new, amazing, and full of possibilities. As long as Kaori remains alive.

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