Fate/stay night: UBW episode 04 is a fantastic little sequence of exposition, interwoven through a pleasant day in the life of Emiya Shirou and bookended by the harsher realities of Rin and Einzbern.
Like All F/sn, this week was beautifully rendered and calmly paced. However, the story was told with such a casual speed, and told through so many cheerful people (often walking slowly or listening to each other with a warm and obvious intent), that watching it felt like taking an evening stroll in the Fall.
This week’s arc is all about timing and the threat of failure due to a mage tipping his or her hand.
For Emiya, he must hide Saber’s identity (and truthfully, his tortured memories of hell fire) from his friends for their own safety and he must even allow Saber to hide her true identity from him, or risk being defeated by the more experienced mages who may be able to read his mind. It’s a clever way to keep us guessing and in the dark, but it also shows Emiya’s trust in other people, and his trust in other people to trust him.
For Rin, the risk is that she’s already revealed too much in the last fight to anyone who could have seen it and that, by saving Saber for last, she risks too much by leaving taking on too strong opponents too quickly. Worse, she risks having to face and kill Emiya because he’s likely not going to stay away for her.
She risks tipping her hand, even to herself, that she actually likes him, which will no doubt be her undoing.
Einzbern risks the least and the most, depending on how things unfold. Her adherence to a predator’s nature — to torment her prey until it can scream no more — will most likely come back to bite her.
Yes! Berserker is unimaginably powerful but it’s arrogant to think he can not be defeated. Especially after revealing what his Nobel Phantasm is to her opponents. Giving them time to consider the best solution to defeating him (which Rin and Archer are most likely doing) is an obvious mistake. For her sake, she better hope his power is as unbreakable as she treats is.
…the teacher is threatening because this angle makes him look larger than our hero and not seeing his face means we can’t read his emotions…
As for the actual events of episode 4? Emiya recovers from his wounds (he appears to have self-healing magic) and goes to school on an off day. Saber follows him and is a distraction for many girls who like him or worry about how rarely he truly smiles.
Saber explores the school and encounters a teacher who seems like dangerous news but that avenue remains unexplored, or just a red herring.
Rin investigates the ‘gas leaks’ more directly and, with Archer’s help, identifies the culprit as the Caster Class servant. They seem powerful and, given the spell seems to be a love-crushing spell, presumably female. Archer is concerned by their chances of success of defeating this opponent.
This scene includes a short but dramatic fight against skeleton dogs in an office building hallway. Skeletons are hard to render by any standard and F/sn does not disappoint: not even Bahamut’s recent zombie/sea monster battle looked this good!
Then the women in Emiya’s life decide to move in with him — and who can blame them? Saber’s sudden appearance, lack of spoken words and the fact that she is living with him would make any friends nervous, if not a little jealous.
Fujimura-Sensei practically lives there anyway and, given how obvious Sakura’s affections for Emiya are, it’s no surprise Fujimura-Sensei helps rope her in too.
For all these happenings, ep 4 explains a lot about Servant Classes, vaguely how and why the grail summons them, and the intrinsic tactical advantages gained by knowing exactly which servant you are fighting. This is exposition to be sure, and delivered by Saber-monologging, but it’s all lovingly rendered in ghostly CGI — which is implied to be inside of Saber’s tea cup.
The implication is that she is imagining these roles and we (and Emiya) are getting to see. It’s rather clever and very effective at making the info dump engaging and grounded within the scene.
If etherial imagery can be grounded?
…Sakura is alone. Small and literally spot lighted in the darkness…
What’s left to say? F/sn’s slowness — its deliberate nature — is artful in a way that transcends what is already visually beautiful to become something totally beautiful.
In short, F/sn is masterfully constructed Art, in all senses and disciplinary applications of that word.