Cross Ange: Tenshi to Ryuu no Rondo – 09

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Oh Princess Mecha Sexy Violent Exploitation Adventure: this was not one of your best weeks. You either tried to make everyone betray Ange and Hilda, on every possible level, in order to drive our sympathy for these rain-soaked girls to the maximum level, or you tried to make fun of anime that use such melodramatic ham to control our emotions.

In either case, you were a hopeless failure, sad girls crying in the rain and all.

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The Rundown: Hilda goes home to her mom and finds out her mom has had another daughter who she’s also named Hilda, everyone freaks out, Hilda runs away and gets beaten up by cops while crying in the rain.

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Meanwhile, Ange and her maid raid Ange’s high school lacrosse locker room but are discovered by Ahiko, a former team mate. Ahiko betrays Ange, twice, but Ange still manages to fight all the way to the castle, where she is then betrayed by her little sister Sylvia and captured by her evil brother Julio.

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The Good: if you’ve wanted to see people comically freak out over hot girls, then this week’s for you. Hilda’s Mom’s replacement baby, Hilda’s mom obviously calling the cops even though she has no reason to, Ange’s sister stabbing Ange in the arm, it’s all there.

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Likewise, if you don’t like Ange much, it was nice to see her tactics fail constantly. However, It was also fun to see Ange kill a decent number of people with no concern at all.

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The Not-So-Good: we got two flashbacks this episode, and one of those flashbacks was so absurdly soon after the event it flashed back to, it felt like a joke. Otherwise, the entire episode was a cheap mess of over-the-top acting, super betrayals and an out of nowhere evil plan by Ange’s big brother.

Really? The whole message to Arzenal was a trap to get Ange to…escape from Arzenal…so they could capture her? Oh shut up!

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The Verdict: This was a stupid episode fueled by cheap emotions and storytelling clichés and what’s even worse is it as much as tells us Tusk will save Ange from her fate next week because He’s The Man, Dog! Yay.

It scores extra points for Hilda’s mom throwing the cherished apple pie at Hilda but it loses as many for not thinking the details through. I mean, I can’t be the only one who wonders where Hilda’s dad is in all of this. EITHER Hilda’s dad, for that matter…

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Sora no Method – 09

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At this point, if Nonoka was extremely frustrated with Shione’s sudden about-face, I totally wouldn’t blame her, because I’m frustrated too. Not just because I didn’t feel like it was adequately explained why Shione did that about face, but because we come no closer to learning anything.

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We have the festival this week, which is nice and all, especially the way other classmates (who exist!) help out when crunch time comes around, but there’s zero progress and even some regression as Shinoe drifts further and further away, which makes this episode smack of stalling.

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All I can work on is my own theory on what Shione’s new problem is, and that is this: one new fact we learn is that calling a UFO was originally Shione’s idea, with Nonoka and the others going along with it.

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Then, it worked; the saucer came, and with it, Noel. Noel says she is the saucer, I imagine Shione is worried Noel will disappear if the group’s wish is fulfilled. Therefore, taking responsibility for Noel, Shione isolates herself from the others so the wish won’t be fulfilled and so Noel won’t vanish.

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That’s all we get, and despite some moments where Shione seems happy Nonoka is working so hard to figure out what her issue is, Shione doesn’t give her anything to work with other than “I hate you”, and “I don’t want anything else to do with you.” It’s almost as if Shione is trying to burn her bridges, making Nonoka and the others not want to be friends with her, as if that would make leaving them any easier.

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By the end, Shione never goes to the planetarium (which is awesome) with the others. But even if she’s working to stop their wish from coming true, Noel goes after Nonoka on her own and ends up passing out, either from being too far from the saucer or some other reason.

So despite Shinoe’s efforts, Noel may not be long for this world anyway. She was there to help deliver a wish to the group of friends; if they’re not a group of friends anymore, she has no more reason to keep existing in the world. If something else entirely is going on with Shione, we don’t learn about it this week…and frankly, I’m a little weary of being strung along.

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Ookami Shoujo to Kuro Ouji – 09

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At this point, I know what makes Sata and Erika work, and I know it’s a strong bond forged in hellfire that isn’t going anywhere. The show is keen to reinforce that with “challenges” to their relationship that rarely last longer than an episode or two, rather than introduce threats for the sake of stoking drama.

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Not only does Kamiya Nozomi believe he can ‘convert’ Sata into someone like him, but his charisma and persistence make us believe he can, too, at least early on. He’s the kind of ‘final threat’ that could take a show right to the end.

Ookami, meanwhile, proceeds to demonstrate just how doomed Nozomi’s crusade really is, without creating yet another relationship dilemma for Erika and Kyoya. In fact, Erika is glad Nozomi is sticking by Kyoya’s side; she knows how nice it is to have normal friends like Marin, Aki, and Ayumi.

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Nozomi believes Kyoya is resisting his instincts, and so throws gorgeous girl after gorgeous girl at him in hopes of “waking him up.” In the process, Nozomi is callously using his admirers as tools and bait…and Kyoya isn’t biting. I felt bad for Miho, Nozomi chooses, because she’s an innocent bystander in this. Nozomi is presenting Kyoya as an unattached suitor, which isn’t the case.

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Nozomi doesn’t quit while he can, but rather turns to more extreme tactics. It only takes two seconds for the girls to respond in the affirmative to his request they sneak into his room that night, and he sets up a “Who’s the King” game with the specific purpose of getting Kyoya to kiss Miho.

Again, it’s a cruel use of both the girls and guys, and underlines the fact that it isn’t Kyoya who has ‘something wrong’ with him. Even when Nozomi takes things to a point where he thinks Kyoya has no choice but to be kissed by Miho, Kyoya shuts her, and Nozomi, down.

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Foiled yet again, Nozomi is increasingly desperate and seems out of ideas, going back to the fact that he has 500 girls’ emails, all of whom worship him and would do whatever he wants, which he equates with enjoying life 500 times more than Kyoya with his plain girlfriend.

To this, Kyoya offers his interpretation of Nozomi’s situation, with classic Kyoya ruthlessness: “It doesn’t matter how much trash you pick up; You’ve just got a pile of trash.” The wording is way too harsh on the girls, but the point is, quality (of relationships, not merely looks) over quantity. Not only that; Kyoya has already been down the road Nozomi is on. He knows exactly where it leads.

A case in point occurs just after Kyoya bits him goodnight, when one of Nozomi’s 500 shows up and he puts the moves on her, wanting comfort in his time of vulnerability and defeat. She recoils: someone asked her out (Kimura, from episode 2!), and she accepted, so they can’t hang out anymore.

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Now Nozomi has 499 girls…but the loss of that one was his awakening, because deleting her made him feel absolutely nothing. He looks at Kyoya and Erika, so devoted to each other and so embarrassing in their flirtation, and for the first time really sees them.

Now he starts to get excited about finding a girl — one girl — who could be as special to him as Erika is to Kyoya. A girl who would make him feel bad (or at least feel something) if she dumped him. I’m not saying Nozomi’s lifestyle is something to avoided, and I don’t think the show is trying to make that point either.

What it is saying is that it’s far to easy to convince oneself that that’s the life for you. Kyoya once thought so, but he, and now Nozomi, have learned that it isn’t.

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Sword Art Online II – 21

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Much to my relief, this doesn’t turn into The Kirito Show just because he showed up at the end of last week’s episode. Heck, he’s not even the only guy who shows up; Klein does too. They’re only there to let Asuna and the Sleeping Knights focus on defeating the twenty people blocking the boss room. And that’s it.

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Kirito estimates he can give them three minutes; the Knights only need two ( I counted). After those two minutes of awesome, blistering battle, punctuated by a powerful charge by the Berserk Healer herself, the way is open for the boss, and Kirito stays behind, giving Asuna the victory sign.

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Facing the montrous two-headed boss for the second time, Asuna notices a special guard stance he takes whenever a gem between his two necks is hit. Asuna focuses on that gem and tells Yuuki to target it, which she does by using one of her male comrades as a step stool. In the heat of the battle, Yuuki slips up and calls Asuna ‘Sis’. That’s no surprise to me, but Asuna finds it odd.

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She shrugs it off when the boss is defeated and the Knights revel in their victory, rubbing it in the faces of the dastardly rival guild. Kirito is nowhere to be found, I guess he split after those three minutes. But as has been the case with him this entire arc, we’re just fine with him being a cameo.

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Kirito doesn’t even crash the Sleeping Knight’s party, which Asuna hosts, even though it’s held in his house. Classy move on his part, as the party is for the Knights, after all. During the party, Asuna asks if she can join them, but Yuuki seems oddly put off by the request. Sinue seems to want to say something, but never manages to. Changing the subject, Asuna suggests they check out their names on the Soldier’s Memorial.

There, Yuuki again slips up and calls Asuna ‘Sis’, but this time realizes it, and promptly and tearfully logs out. Throughout the boss battle and celebrations that followed, the idea that Asuna’s mom would pull the plug on her again was always in the corner of my mind, lending an extra layer of tension to the whole episode.

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Yet, in the end, it’s Yuuki, who has been sold as Asuna’s secret sister (or half-sister), who disappears from the game, without so much as an explanation. Why doesn’t she want Asuna learn the truth? How did Asuna play so long without getting yanked? Will they ever meet in the real world? All questions I’m hoping will be further explored in the next episode, forebodingly called “Journey’s End.”

Until then, I continue to revel in this Asuna-centric, and really Women-centric arc, really turning around what had been a lackluster SAO II Fall cour simply by treating its female characters as more than just Kirito’s suitors.

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Fate / stay night: Unlimited Blade Works – 08

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This week gave us some interesting moments, great action, creepy Halloween-like golem design, and kept the exposition not-too-talky. It also shows us why High Schoolers and their total lack of judgement and common sense make terrible death sport contestants.

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The Summing Up: Emiya spars with Saber and is quickly improving. Unfortunately, he’s improving using techniques he’s learned from Archer, which does not exactly fly with Saber.

Then Emiya and Rin work out some issues over lunch at school, which is interrupted by Shinji re-starting his life-draining runes. Emiya summons Saber to grind all the small fry and he and Rin charge off to face Shinji. Meanwhile, Shinji is defeated by an unseen master, Rider is killed, and the field collapses before anyone in the school can be totally killed.

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The Good: Shirou’s sparring practice with Saber was not only fun to watch, but interesting as a plot development. I greatly appreciated that he went back to practicing (with a very Archer double-sword technique) after Saber left.

Rin’s mom/tsundere/frustrated girlfriend presentation may be painful for some, but it actually came off as believable to me. She’s clearly torn over liking Emiya, slowly gaining respect for his quickly improving skills, and deeply annoyed that Archer nearly ended him on Archer’s terms and not her own. Its a complicated emotional scenario, even from an adult perspective. So kudos for keeping it remotely together as a teenager.

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Killing Rider was also a good move. Sure, she was the blandest, least coherent of the stooges, but all the pretty combat in the world was going to wear out its welcome in an episode if the death-game didn’t truly get under way.

Bonus points awarded for how completely brutal her neck snap was — and that we only see the extent after the fight — since the fight itself was off-camera.

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The Not-So-Good: It was obvious that Shinji was pure, chaotic evil from the very beginning. From his ‘I’m so crazy I can’t contain my emotions’ Face, which I find especially annoying as an anime convention, to the fact that he beats his sister and antagonizes everyone around him. He’s clearly a worthless d-bag and the fact that Rin and Emiya both wrote him off as harmless makes no sense at all.

Not unless we had a scene where they’d both beat him to a pulp easily, to be lulled into a false sense of security.

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Furthermore, even if Shinji doesn’t have a familiar anymore, letting him run off scot-free makes no sense either. He’s a strategic liability, in addition to still being an attempted mass-murderer. In this context, Rin or Emiya would be within their emotional range to have killed him.

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The Verdict: it was a decent episode with a good balance of action and plot development. Letting Shinji go feels like padding and not revealing Caster’s master feels like padding but that’s a season long issue more than a fault of the individual episode.

I’m guessing Sakura is the other mage at school and Caster’s master. That would explain Shinji freaked the heck out when he was confronted in the chemistry lab. It would also explain why Caster’s played a little less-directly-vicious than she could have been with Emiya but maybe not.

Just Remember: I have not seen any of this franchise before, so no spoilers in the comments below, please!

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Ushinawareta Mirai wo Motomete – 09

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I find stories involving time travel, particularly stories in which the motivation to use time is to save a doomed loved one, compelling by nature. The simple human concept of there being one person for everyone makes the hard-edged sci-fi elements go down more easily for us humans. And if it wasn’t clear by now, Sou believes Kaori is the only one for him.

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However, balancing the technobabble with the ease of emotional connection is not an easy task, and the formula is very precise. This episode is a classic case of having to breathlessly compress so much science and plot into one episode, there is virtually no room left for emotional rests. It doesn’t help that a lot of what goes on is narrated to us by Sou.

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I’ll elaborate on that. Unlike any previous WareMete episode, this one spans many years, documenting the events immediately after Kaori’s accident, which doesn’t result in her death, but rather a coma from which she simply won’t wake up. Those early scenes of Sou sitting wordlessly in her hospital room are the most effective, emotionally speaking.

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But this an ambitious episode that intends to cover a lot of ground, both because Sou has to become that grizzled fellow Yui remembered a couple episodes back, and because the kind of sophisticated, barely even theoretically possible work that needs to be done, requires years to do.

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But precisely because so much time passes in so little running time, covering so much plot, the characters are badly neglected, and feel like they’re standing still. Perhaps that’s the intention: that this is a timeline in which the personal lives of the remaining astronomy club members (sans Kenny, but honestly who cares about Kenny) are essentially sacrificed to finding a way to revive Kaori.

I buy that Sou has no other life, but not the others. This episode’s goal, perhaps, was to get the presentation of this morose “post-bad ending” timeline over with as quickly as possible, as it’s not the timeline that would have happened had Yui successfully saved Kaori. Perhaps a “good ending” really is still in reach.

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But still, an endiing is what one makes of it. After Kaori’s accident, Sou put everything he had into saving her. Just as the episode neglected characters in order to orient everyone to the point when Yui (who we learn may possess a speck of Kaori’s personality) is sent back to the past, Sou neglects Airi throughout the timeline. She’s always by his side helping and supporting, but his gaze never meets her; it’s perpetually pointed backward.

I won’t say this episode was a total waste, because there were facts we needed to learn, yet I can’t deny its essential nature as a more-redundant-than-no plot-dump that did the characters no favors. I could complain that it felt too rushed, but a part of me is glad the show only spend one episode on this timeline, ending with Past Sou finding Yui, completing the time paradox and creating the possibility that things could go differently this time. Whether they’ll go differently enough to save Kaori is anyone’s guess.

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Yuuki Yuuna wa Yuusha de Aru – 08

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Yuuki Yuuna wa Yuusha de Aru 08 finally spells out just how screwed the girls of Hero Club are going to be by introducing them to a bits-and-pieces mess of barely living parts that used-to-be-a-Hero Nogi Sonoko, who now resides in some sort of parallel dimension and is forced to watch the same vista for an unendable eternity.

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The tone is somber, it gives us the high stakes I’ve wanted for several episodes now and it lays out the “will they/won’t they escape fate” framework facing the girls from here on out.

And it definitely delivers real, raw, and powerful emotions from Togo and Yuna. It’s a tear jerker, and the relative quiet of their conversation with Nogi makes it all the more brutal.

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So why am I dropping YYwYdA? Simply put, this was the dullest, talkiest reveal you can imagine. Little mystery is left to our imagination and the whole ‘snagged on the way back from fighting’ context for Yuna and Togo’s conversation with the fallen hero felt arbitrary. Graceless.

Worse, while I’ve moderately enjoyed the show until now, I can’t help but feel YYwYdA‘s slow pace is a product of not having much to do with the series or having an interesting mystery to reveal, rather than a thoughtful process of lulling us into false security.

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I mean, the girls have had their injuries for several episodes now. We already knew those injuries weren’t going away and that they were the direct result of using Mankai.

Spelling that fact out to us, even with the added context that young girls are still being used like the virgin sacrifices of old, doesn’t make it any more compelling.

Sad panda. Sad panda indeed.

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Amagi Brilliant Park – 09

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Amagi Brilliant Park 9 is kind of a let down, honestly. Where last week was an original feeling, tightly packed narrative that developed Kanie-kun through the characters around him and was also exploding with funny, this week was… even more tightly packed, but cliche and focused on the Faerie quartette: Windy Sylphy, Earthy Koboli, the leader girl who’s name I never remember and Fiery Salama.

Episode 8 was knowingly cliche, in that the main cast spent most of the episode watching and giving critical commentary on the Faeries’ ordeal but… it just wasn’t that funny. Just commenting on cliches isn’t interesting unless there’s a twist and, by the closing credits, the twist seems to be that it really was a cliche all along.

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To sum up: the Faeries are having a hard time bringing their dance act together and Princess Latifah plots to solve their differences with a fake sukiyaki dinner party that almost immediately turns into a team-building exercise to save the park and become true friends.

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Latifah literally tells them that the big red button in the corner must not be pushed or something really bad will happen. Then she walks out of the room to get more sauce for dinner and the girls accidentally end up pushing it.

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So Latifah’s castle turns into an awesome steam-punk fortress, bristling with cannons and the only way it can be turned off without shutting down the park all Saturday is for the Faeries to accomplish 4 challenges together and push another red button.

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The first challenge is karaoke, the second is a DDR game, the third is a typing game and the last is a game of death…

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Aside from the game of death, each game is tailored to one faerie being really good at it and another being really bad, and that it must be resolved by the really good one working extra hard to make up the bad player’s slack. I’m not actually sure this would be a positive experience, really, since one player is always really really terrible at it and doesn’t get better…

As for the death game, all I can say is what? I know that’s the point, but it’s weird that the green faerie doesn’t get her own challenge and the finale is just about self sacrifice. It somehow misses it’s own conventions and isn’t even parody anymore.

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The good: As always, ABP looks as good as you can look without having Fate/Stay Night’s budget. The castle was especially good looking too.

And don’t get me wrong, there were plenty of humorous parts and plenty for all the side characters we’ve built up during the season to do.

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The bad: putting the funniest characters in a room together and having them MST3K/Rifftrax an episode sounds like a good idea but doesn’t work here. The simple problem is ABP is funny because it’s smart and plays with conventions… it’s never been funny because it’s so dumb.

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Likewise, choosing to develop characters who aren’t plot central — who actually worked very well as second or third tier characters — felt like wasted effort. Unnecessary.

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I greatly respect what this episode was doing. I mean, Mystery Science Theatre is a great idea and something I don’t think I’ve seen trickle into anime humor before. Unfortunately, it just doesn’t work with ABP’s style.

In hindsight, it probably would have worked marvelously if Chuujou Shiina and the other new hires from Sento’s nightmare had been chosen instead of the faeries. There’s more emotional attachment to them and more mystery. Oh well…

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In closing, ABP8 is the flip side of last week’s coin: where last week I probably could have rated it a 10, this week I could probably have rated it an 8. I won’t retcon last week’s rating so we’ll leave this as a 9, the absolute minimum of a 9, and call it even ;0

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Special ‘variation enabled’ precision rating for Preston (aka SVEPRfP) 9.01 (down .98 from last week)

 

 

Denki-gai no Honya-san – 09

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Denki-gai no Honya-san is the funniest, most creative anime series no one is watching this season. While episode 9 suffered a similar fate to Amagi Brilliant Park 9 (they were both about making fun of being cliched but were still just too cliche), it was still funny, touching and a pervy good time.

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Unfortunately, the technical nature of DgnHs’s humor is difficult to write about and time consuming. Given how much time I’m losing to holiday events and family this season, I can’t justify the effort. Not for 1% of the readership my Fate/Stay Night reviews are getting.

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Don’t get me wrong, it’s easy to understand why DgnHs is low on everyone’s list. It’s not very pretty, the intelligence of the structure requires digging, and it really does lean towards girl-love (and nerd girl love at that) as it’s core perspective.

Tough sell!

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This week’s episode was about summer colds… and Christmas. Again.

Why have we had two christmas episodes in the first half of this show’s season?

I have no idea but the unhinged brutality of the humor in the second arc was heart warming. I mean, what can I say that these screen caps aren’t telling you?

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So, with a sad heart, I bid good bye to my funny little love here.

No! I’m still watching the randy girls of Tokyo’s perviest comic shop each week but, like Shirobako, I won’t be writing about it.

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Kiseijuu: Sei no Kakuritsu – 09

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Kiseijuu: Sei no Kakuritsu 9 has a rather full plate by the series’ standards. Or maybe I’m just responding to all the little plot elements, which seem less focused than usual?

It’s not like other Parasytes haven’t stolen the spotlight from Shinichi before — both Not-Mom and Ryoko got plenty of camera time, narration, and agenda building — but, for some reason, Shimada Hideo comes off as more significant character. Like we’re going to see a lot of him for a while, because he interacts with many characters, and not just Shinichi?

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Or maybe it felt fragmented and unfocused because Shinichi himself doesn’t really have an agenda? He knows what he is, he knows who his enemies are and what they are capable of, he has a strong understanding with Migi now, and he isn’t even particularly driven to fix his relationship with Maruno or grow another one with Kana.

Basically, he spends the episode running from place to place, exerting his influence and growing physical presence… while every other character we’ve met gets on with more specific, plot advancing activities.

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For example, Shinichi’s dad gets interviewed by FBI types, who explain that the government knows what’s going on, but has no way of identifying the intruders yet. He even agrees not to go public because doing so would accomplish nothing but panic.

Really, by the end of the episode, Shinichi’s dad has come to terms with his wife’s death, alien invaders, and given up drinking (maybe?) to seriously address his son. This is all character growth for him, mind you, as Shinichi is basically locked in Vulcan Mode after his heart-bonding, which isn’t new or news to us at this point.

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If Parasyte 9 is about Shinichi at all it, it’s about how he’s basically good at everything except not acting like a crazy person around Murano. No seriously! He can identify complex social orders with a casual glance, shut down fights without causing damage to his opponents, and generally keep his cool…

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…Except if he’s within earshot of his would-be-girlfriend.

I have to say that, if this show were cut differently, it would make a hilarious comedy about a bat-shit-insane guy who’s finally hit puberty late in high school and the poor girl who used to love him for his innocence!

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Back to the serious stuff at hand, Mitsuo and Hideo keep coming into conflict. Luckily for Mitsuo, Hideo wants to avoid a bloodbath and then, when that’s no longer avoidable, Shinichi intercedes before anything can happen.

Badass super-jumps and punch-stopping aside, Parasyte really sells these scenes through everyone’s reaction to Shinichi. Hideo is totally blown away by Shinichi’s prowess (way beyond what he should even be able to do as a full parasyte) and Yano-san, Mitsuo’s boss, is emotionally shaken more by Shinichi’s gaze and presence than the effectiveness of his blocks.

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On the lesser side of the bad-ass spectrum, we get sanity-deficient Glasses Girl stalking Hideo. She goes from lusting after him to questioning his reality to identifying him as an alien to confirming that with her brother (who draws alien pictures for the government) to…

deciding not to tell anyone about this and confronting Hideo alone in the art room the following morning. What. The. Heck. Is. Wrong. With. Your. Brain??

Of all the plot threads, this was the most ham-fisted.

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However, judging by Parasyte’s pacing, I’m pretty sure Shinichi will save the day quickly next episode, probably without revealing that he too is partially an alien and, with glasses girl’s help, win Murano’s heart and trust back.

Hideo is nice and terrifying though. So…kudos? I guess.

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For some reason, Kiseijuu: Sei no Kakuritsu episodes 8 & 9 went live at the same time and I’m a little embarrassed to admit that I didn’t realize this for several minutes. No, really! 9 starts in a bus station with Kana looking through the crowd…just how episode 7 ends!

Ignoring that weirdness, what did I think of the episode? Well… too ambitious and unfocused I think. For goodness sakes! Kana could have used the screen time that was given over to Ryoko’s evil parasyte secret society meeting or Glasses Girl talking to her brother about faces or any of the instances where Shinichi scares the piss out of Murano.

Still good looking, creepy, and original though. So I’m only taking it down a point from last week.

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Danna ga Nani wo Itteiru ka Wakaranai Ken – 09

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I Don’t Understand What My Husband Is Saying just sort of fizzled this week and, while that’s not exactly why I’m dropping it from my review platter, I’m dropping it from my review platter.

How to explain? Have you ever watched a 3 minute show that started out as a tepid comedy that tried to make fun of a sub-genre or social group, only to have that show drop all pretext of being a comedy at all, barely even comment on it’s original topic, and turn into a dramaless drama about half way through?

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No?

Yeah, I can’t think of an exact comparison to this either. The closest I can think of is “Invaders,” which started out as a dumb harem comedy about a collection of freaks going to school with a guy they needed to win over for one reason or another… until half way through when it just turned into an unexplained action show, where the action was badly drawn and none of the characters were interesting enough to care about.

I dropped that show too.

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So this week Brother/Sister asks how Husband and Wife first met. The meeting isn’t very interesting, and not even as awkward as you would imagine. Sure, Husband forgets to ask Wife if she wants to go out with him until the end of the date and they both have a good time (it’s the first time she’d seen him smile for real) but… so what?

Episode 9 was pleasant but empty. We know Husband likes wife because…er… reasons… already. We know wife likes being liked and that her Dad doesn’t like anyone. If that’s as far as we’ve come in 9 episodes, it’s time to move on.

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2014 RABUJOI Black Friday Dinner – Flames On!

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With Black Friday came the Rabujoi tradition of the staff sitting down post-shopping binge for a gobble of left-over turkey, and arguing about anime. This year was my turn to host and, as is traditional, I ate my fill of well deserved criticism. (“@U@)

Apparently, I’m too harsh on every show but also not decisive enough with my ratings, my review list is too long and my view-to-review speed is suffering, and if I don’t think my shows are great, why don’t I just drop ’em and be done with it?

Keep in mind that we were all a few Turkey-Tinis into the evening and no hard feelings carried over. However, fueled by Rabujoi 11’s alcoholic bird-gravy or not, I did promise to makes some quick changes.

So hang on to your hats ’cause I’m posting a review on the hour, every hour, from 8:00 am (eastern standard time) till noon and a few shows may be getting the dropped-treatment ;-)