Denki-Gai no Honya-san reminds us that Spring means panties and that means its time for the Spring Panties Festival!
Sensei-chan is challenged to truly appreciate panties by Director — and warned that her manga will never succeed if she doesn’t! Tapping her love, Protagonist, for all he’s worth, she and we all learn the depth we never knew!
Did you know panty stories are always best in spring due to the stiff breeze? Did you know not showing panties is as important as showing them, because it implies nudity?
The entire act is delightfully pervy and fully of confusion for Hiotan, who consistently hears odd segments of conversation and always assumes the worst. The details too, are hysterical and so lovingly exposed that you can’t see how seriously the show (and the characters) takes its source material.
Next it’s raining and all the girls except Sensei-chan have hair troubles. Kameko, who is wearing a Kameko shirt that’s probably a joke I don’t understand, is especially troubled. Her fro is fan-tastic
But the real madness sets in when Sommeliier shows up without a shirt…
Everyone, including G-man/woman, loses their shit in a drooling phone-camera panic. It’s not even clear why Sommelier is shirtless, just that he is and it’s going to sell an awful lot of BL comics!
Extra points must be awarded for making the guys the most physically exposed, sexualized objects of the show. More importantly, when the guys are drooling over a girl, it’s usually because she’s an artist or an author they are really into…
Act three could be entirely imaginary, or an art project run by Kameko, or actually what just happened to Sommelier from his own perspective. It probably makes no real difference because it’s in a totally absurd black and white art film filter.
In this… film… Sommelier protects a wet cat only to learn that it is a well taken care of animal owned by biker thugs who love it and even shampoo it! The movie is silent-style, with ‘dialog’ cards. This section too is wonderful and absurd and lovely retro music and visual effects sell every second of it.
Finally we end on a Director focused act. Well, focused on his ex anyway. She’s a former employee turned manga writer and cosplay enthusiast. She acts just like Hiotan and Hiotan is insanely jealous!
But not in a Vanadis terrible way — Hiotan wants to learn from Director’s Ex. Hiotan wants to know why he loved her and why he doesn’t now and how she can get in that loop. At least, that’s what her actions say. Hiotan is a hot mess and doesn’t really know what she wants!
I’ve decided Denki-Gai no Honya-san is actually about women in fandom, more than men. Its ‘protagonist’ has consistently gotten less screen time than the main girls, and when you’re about the boy loving on a girl, we see it from the girl’s perspective!
If i didn’t know any better, i’d say you were trying to make a statement. Especially with your average lookers. Even your blonde is a bit dumpy. (and Fu-chan is physically repulsive)
What’s more, each of those loves is different. Sensei depicts the love of and for a fan, and the trouble that brings when that love is so obsessed with fandom in general.
Fu-chan’s love is for the hot guy who doesn’t belong in the industry (but probably has a weird festish below the surface that strands him there). It’s the Ugly girl who could maybe almost win the hot guy if he just has a weird enough reason to be around her story… that we basically never see anywhere else before.
Shin-chan parody? NICE!
Lastly, Hiotan’s love for Director is the love for a guy who’s in the industry, who knows what is going on and is willing to share it, and how she’s such an outsider wanting in.
Each of these loves makes the guy a guide in a way but they equally show case how incompetent at love these guys are. At life too.
DGNHS is visually dense, quick, ugly as hell, and from an unusual perspective that I bet most people don’t even notice! It’s smart, educational, and full of heart and it’s built in a way that all those things come through clearly, but subtly.
That, in my book, is worth major major props!