Hitsugi no Chaika: Avenging Battle – 04

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The island that Chaika, Fredrica, Tooru, Akari, Red Chaika, Selma, and David land/wash up on may as well be called the Island of Answers. But Chaika should’ve been careful what she wished for: she got a lot of answers on this island, but none of them good.

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Obviously, we knew from its magic camouflage that this was no ordinary island, a point driven home by rampant Fayla of many kinds, as well as a force of “demi-human” soldiers serving as the island’s guard. Among the people who arrived here, Chaika is probably the weakest on her own (and gets captured almost immediately), but even Akari needs to be bailed out by our favorite “Do whatever the plot requires” character, Fredrica.

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Tooru finds the underground compound where Chaika is being held and springs her, and the two put behind their very brief falling-out. They sneak past the demi-human guards and when the way in is blocked by guards, they look for an alternate way out, and that’s when things get weird…and very expository!

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You see, this island is the top secret facility of the Gaz Empire Institute of Magic, presently being run by Viktor Izhmash. Looks like the Chaikas were far from the last remnant of Gaz’s empire; much of his ambition is still alive, well, and still very much in the game right here. And wouldn’t you know it, Chaika comes upon a dying captive kraken who agrees to answer her questions. What he doesn’t do is promise she’ll like the answers.

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Those answers include the fact that everything Chaika and the other Chaikas have done so far has been solely because they were engineered to do it. She and they have acted with a directive implanted in their brains, along with false memories of being Gaz’s daughter (turns out he never even had a daughter!) to give them the emotional connection needed to want to gather his remains.

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Some Chaikas are collecting remains, like Trabant and Bogdan. Others, like Layla, cast away that purpose and chose a new one, though her story didn’t have a happy ending either. And others, like Vivi, were never fully formed. But now a lot of what we’ve seen from the Chaikas makes sense. They’re not clones; they’re genetically and mentally modified orphan girls, spread out across the land, tasked with facilitating Gaz’s return.

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It’s all pretty darn ghastly, isn’t it? Here was Chaika, just trying to gather her father’s body so she could give it a proper funeral, being told that not only was her urge to gather remains merely a front for a far more sinister grand plan, but she’s not even related to the guy!

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Yes, everyone is Izhmash’s prisoner and he plans on labotomizing the Chaikas and probably using the others for experiments or Fayla food or the-gods-only-know what else, but that’s almost beside the point, since Akari and Fredrica are still very much free and Izhmash isn’t aware of their presence on the island. So it’s a good bet our friends will be rescued, but to what end? Chaika has just had it confirmed that her entire existence to this point has been a lie. Where does she go from here?

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Kiseijuu: Sei no Kakuritsu – 04

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Our fourth taste of Parasyte starts off tense and gross, with A-san and Migi initiating a furious battle of fleshy, sharp-pointed protuberances as Shinichi struggles to see what’s going on. But Migi is only defending; it’s up to Shinichi to take that sharp chair leg and attack A-san.

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That means walking through a constantly-moving forest of limbs and trusting that Migi won’t mess up and let him get torn to shreds. Once again, Shinichi, welcome to your new life: constantly in mortal danger, and having to make decisions you never thought you’d be faced with, like “It’s him or us.”

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Migi’s plan works perfectly, exploting A-san’s arrogant assumption that Shinichi won’t participate in the battle. This is a guy who had sex, and yet still doesn’t understand that two are stronger than one; he’s a lost cause. Oh, and the blood spout Shinichi makes is super-gross!

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It doesn’t kill him, though. Fortunately, Shinichi can walk away from this not only alive, but knowing he did not take a life. He just made that easier for Tamiya-sensei, who senses A-san coming for her, fills a lab with oxygen, and jumps out the window. The explosion finishes A-san off.

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Then…things kinda settle down, though unfortunately, there’s no interaction between Shinichi and Satomi this week after he was very brusque with her last week. And funnily enough, Tamiya-sensei’s “quiet, normal life” experiment isn’t blown by her role in destroying A-san (though you’d think arson experts would have noticed organic remains in the destroyed lab). Nope, it’s blown by the fact she’s an unmarried pregnant woman!

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Tamiya-sensei isn’t interested in trying to fix this mess; it’s easier to simply start over with a new host and “life.” To that end, she essentially tells Shinichi and Migi that the truce is over, and even reveals her weapon form, in another super-creepy transformation. It doesn’t look like our hero and his hand will get out of this one, but at the last second Tamiya reconsiders and spares their lives. Why? Not clear yet.

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Then, one morning Shinichi wakes up missing his whole arm, and learns of a fresh terror: Migi can detach from him for a maximum of three minutes. Having a sentient hand is disconcerting enough, but knowing it can hop off whenever it wants for a morning walk? Even more unnerving. Stay attached to me, dammit!

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Meanwhile, Tamiya-sensei’s mother visits her, worried sick, and almost instantly realizes that she’s not her Ryouko, but an impostor. When Mom tries to call the police, Tamiya is forced to kill her, but she’s surprised and vexed to no end: how did the old woman know?

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See? The internet corrupts everyone! Anyway, Satomi first hinted at it by asking Shinichi if he was really Shinichi, then later switching hands with him, and then further reinforced by Shinichi’s mother’s increasing unease. It would seem people with strong emotional bonds, like love, in both Satomi and Shinichi’s mom’s case, seem to be able to sense their loved one isn’t themselves. Of course, Shinichi is still mostly himself, but still enough of something else that both of the main women in his life notice.

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With circumstances being what they’ve been, Shinichi owes Migi his life several times over (even if in most cases Migi is the cause of the mortal peril to begin with); his alliance with the parasite in his hand hasn’t really been that big of an issue. The issue, besides not getting killed by other parasites, is a much heavier weight than Migi will ever be, and that’s the truth.

He chose not to reveal it to his parents, because let’s face it, as kind and loving as they are, they could very likely recoil and disown Shinichi on the spot. His mom is already suspicious of whether he’s even the same Shinichi she got burned with hot oil protecting. He can only conceal the truths for so long before the weight crushes him; it must be shared. Will Satomi be a different story?

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Trinity Seven – 04

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Trinity Seven is the next show to fall off my review list this week and, honestly, I’m not sure it will even stay on my watching list either. The girls are varied and the bodies are good but come on T7, we can get solid hentai anywhere these days.

You’re a broadcast series that can’t show me anything more risque than censored skin. So You’ve got absolutely nothing to work with without a plot.

And you’re plot is terrible.

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For my final review, T7 focuses on Yui, who lives in the dungeon under the school. She’s a sleep-mage and super powerful and if she ever wakes up we’re all screwed. Also, she’s Levi’s lover, maybe? So everyone goes down to save her and they save her. Then end.

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Honestly, I think it was the guns that finally did it for me. We can debate phallic pistols and Lilith’s mega cannon that she straddles to fire — but the penis penis penis of it all isn’t even what bothers me. Well, not the biggest thing that bothers me, anyway.

I just hate shows that give us magic…then turn into the magic into gun scenarios. That whole aesthetic is dull to me and feels dumb. For goodness sakes, why make firing a gun take longer by requiring a spell to be cast? So dumb.

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Trinity Seven – 03

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As a rule, it’s a warning sign when a show gets spends its beach episode nickel so early in the rotation. For sexy harem shows, it’s usually the best thing they’ve got, which means the rest of the season will be drab by comparison (not worth watching) and for less harem-y shows, it usually means they don’t know what they are doing or don’t have a season’s worth of interesting content.

Truth be told, I would have dropped Trinity Seven right here…except, for some reason, episodes 3 and 4 appeared in my queue at the same time and I accidentally watched them out of order! Oops.

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So? Beach Episode? Yes! With a hot spring hrown in for good measure! Arata and Arin are punished for destroying the school and forced to work the grill while all the other girls get to flaunt and swim. Everyone talks about boobs and their different sizes and agree that all boobs are good as long as they are attached to a cute girl.

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I have to give Trinity Seven a tiny bit of credit: It does just come out and say it’s a harem. Literally. The characters just say that. I don’t think that’s brave or anything but at least we’re not shovel fed fake pretext. I guess that’s good?

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Then we get a flash back to the end of last week where Arata was killed in a fight to stop him destroying the world but wasn’t because he was sucked away to Yui’s room and he learned more about magic.

I guess that’s what happened anyway. Trinity Seven likes to blather on about its magic systems in such a way that my brain goes into pre-stroke shutdown and, when I reawaken to whatever fanservice follows, I only have the vaguest memory of what it was saying.

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Then we see Arata turn into magic mode, which maybe was explained at some point when I wasn’t listening but he looks like a goth kid with a techno trench coat now and he has a magic gun. Then his magic makes everyone naked.

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Eventually we learn that Levi is a lesbian. I guess. Maybe? Then we get rape fantasies and kimonos and stuff and…you can guess why I would have dropped this show here, can’t you? There’s just nothing here but boobies, lengthy and idiotic sounding diatribes about magic and more boobies.

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Magic Kaito 1412 – 04

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Magic Kaito 1412 is simple good fun, with emphasis on simple. Episode 4 seems to go out of its way to make this point clear: the detective who’s chased Kaito for years doesn’t know how tall he is or even his gender, let alone any esoteric details that would be necessary to actually identify Kaito off the crime scene.

Likewise, Kaito himself relies on balloon decoys, gas bombs, and flying machines almost entirely. The occasional Mission: Impossible-style mask aside, “real police” should be able to deal with him by now. It all feels cheap and silly.

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“The truth will always come to light”

Worse, Kaito himself is terribly obvious about everything he does. He’s even in class with a master detective who’s out to get him but somehow stupid enough not to notice “Kaito” acts exactly like “Kaito Kid”.

Also, Really? The police chief’s son is a world-class detective transfer student to Kaito’s class? I know this show is aimed at a younger audience but this just feels contrived and silly.

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So…Here we are 4 episodes into the series and Kaito’s shine is starting to wear. Yes, it’s still a cute show that plays an up beat cat and mouse game. Everything is easy to understand and the goofy magic tricks Kaito pulls off can be fun to watch.

That doesn’t give me much to actually review though and, presumably, critically reviewing a show (not just summarizing events) is why you read them. Sadly, I’m dropping it. Sorry Kaito, your time is up.

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