I should have known this show had every intention of surpassing its already excellent first episode in pure win with its second, showing us just how powerless Arima is to Miyazono Kaori’s charms. He was smitten enough—as I was—before we heard her play. And then we heard her play, and goddamn, that was the best musical performance I’ve seen in an anime since Kids on the Slope; mayyybe a bit better. A truly spellbinding scene that almost seemed to transcend time.
First I like both the feeling and the characters’ observaiton that the inside of Tama Hall almost feels like they stepped into another dimension. The world of classical music appears small, insular, and passionate. The set piece for the competition is Beethoven’s Violin Sonata No.9 (Kreutzer), and the winner gets to play a rare Guarneri in a recital. We see as the competition progresses that this is a hall that can put you to sleep, but it can also be a place where light and magic springs forth from the hands of the musicians.
The latter is what happens when it’s Kaori’s turn. She seems to utter a small incantation before not slavishly playing the composer’s piece, but feinting, lunging, and parrying the Sonata as if it were a fencing opponent. One of the more conservative judges calls her play blasphemy, accusing her of “picking a fight” with Beethoven. But I’m not sure he wouldn’t have enjoyed such a rousing version, which sounded nothing like the other players. (Note that I know jack about music, but I know what I like, as does the audience, who chooses Kaori.)
Not only does Kaori bring the half-full hall to its feet in sustained applause usually reserved for formal concerts, but also tightens her grip on Arima’s heart. Tsubaki surprised him into coming, as this was once a venue where he was all but forced to perform at the highest level to achieve first place at any cost for his mother; in other words, he’s understandably edgy at first. But Kaori simultaneously calms him and sets his heart ablaze.
After her performance, Kaori intently seeks Arima’s opinion, her hands shaking with anticipation…does she know about him and his past, or does she simply sense it (or neither)? Arima, speechless as he is, is still able to convey how he felt about it: it was the kind of performance that compelled perfect strangers to buy her flowers. I also like how he describes watching Kaori like some kind of movie. He could have also said it was the kind of performance to make someone fall in love, but the reality is she’s on a date with Watari, and he’s designated “Friend A” and nothing more.
But from the way Kaori acts towards him, it’s bound not to stay that way. Watari, preeminent ladies’ man, senses Arima is crushing on her, but far from warning him to stay away from his girl, he advises him not to be so hasty in accepting defeat or believing he has no chance. He knows from experience, people fall in love not because the ones they fall for are obtainable, but because they sparkle in your eyes; it’s not rational. And its also not just up to Arima: Watari tells him the girl will let him know.
That’s quite the evolved sensibility from Watari; he seems the kind of guy who wouldn’t take a girl his friend formed a closer bond to. But again, it’s ultimately up to Arima to fight for her, and up to Kaori to decide who she likes. There are indications she’s leaning Arima’s way, judging by how seriously she valued his opinion and the fact she let his lie about Watari practicing slide because it was his way of professing his desire to walk her home, and promotes him from Friend A to Substitute Watari. Progress!
Poor Tsubaki! She looked like a perfectly acceptable choice for Arima for most of last week’s episode right up until Arima met Kaori. But now, Arima settling for her, as cute and loyal and fun and close as she is, could only feel like defeat at this point. Kaori is rapidly restoring Arima’s passion for music and sweeping away all the bile that had amassing in him from his mother’s negative influence. But in setting up this fateful double date, Tsubaki may have handed her beloved Arima to another.
Two episodes in, and this show is hitting on all cylinders, with few if any flaws. The animation during Kaori’s performance was fantastic, and while we have Beethoven to partially thank for elevating the scene, we have whomever put such a provocative, avant-garde spin on his Sonata for elevating it even more. I want a musical performance in every episode. And I want to watch Kaori and Arima to play together…like soon. Bra-fucking-vo. Encore! Buick Encore!!