Hitsugi no Chaika: Avenging Battle – 02

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The first hero Tooru, Akari and Chaika encounter this season kinda spoiled them, and us as well. It isnt often an adversary comes around who isn’t really an adversary at all, but dwells within the same nuanced gray area of reality as everyone else. Claudia killed many people back in the day with her colleagues. But that was then. Now she makes wine.

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She’s not interested in stopping the daughter of Gaz, nor is she interested in holding on to his heart, given to her as a badge of honor but never used for its fuel, despite the temptation. It’s just a trinket, and she said if she ever met Chaika and came to like her, she’d hand the remains right over. That being said, she has to see what Chaika’s made of first, hence the challenge.

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Even though the trio only has to land one blow on her, Claudia doesn’t make it easy: her Gundo skills and experience outweigh everyone else’s. Fredrica ends up serving as the wild card as she always does, distracting Claudia just long enough for Chaika to finish her incantation of “The Slugger” and winning the day. We say they’re spoiled because afterwards Claudia not only gives them the remains, but tea and cakes as well. Something tells me their next target won’t be so hospitable.

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That is, if there is a next target: we check in with Chaika Bogdan and her own two supporters, having just acquired Gaz’s forearm, and Guy (who talks to all the Chaikas but doesn’t tell them what the others are doing) informs her not only of the next hero to pay a visit to, but of the existence of an island where she’ll find “something pleasing.”

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Meanwhile, Steinmetz’s lieutenant Curren shows Vivi some of Alberic’s articles, including his journal, where she also learns of something on an island called “Gaz’s Fortune.” Seeing this stuff snaps Vivi out of her funk, and she swaps out her white tunic for her battle garb, ready to get back on the Chaika case and complete Alberic’s work. It seems she’s found, or rather reconnected, with her purpose, post-Alberic. Yet at the end of the day, however she came upon the intel, she is heading to that island, just as the other two are.

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Our Chaika learns of the island because Claudia tells her one of Gaz’s officials told the punitive force about it before they executed him, like they executed everyone in the palace that day. After they leave the vineyard, Chaika has a disturbing dream about being beheaded in the throne room, which she says is a false memory…and yet we’ve seen the scar that circumnavigates her neck. So which is it?

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I guess we’ll find out. TIll then, we know at least three Chaikas are headed to that island, and you could say all of them are going there because they want to find out more about themselves. Chaika can’t simply continue the mission to find her remains anymore; not until she’s gotten answers. This marks the first time she’s changing the objective she originally hired Tooru and Akari to assist her with, changing their own purposes in the process. That’s not likely all that’s going to change.

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Finally, while Fredrica assisted in their victory over Claudia, Chaika still had to get off a good shot with her Gundo, which she was only able to do once she had summoned emotions of the necessary type and potency. She did that by fearing Tooru was going to die, suggesting to Claudia that she cares for Tooru very much indeed; something we already know. Of course, there can’t really be any progress in that area until Chaika determines who and what she is. I look forward to the shift from a hunt for remains to a journey of self-discovery.

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Ai Tenchi Muyo! – 4.5

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Momo narrates a recap of the events so far.

Thank you, Ai Tenchi Muyo!, for showing me something I’d never seen before: a recap episode of a four-minute-long show, only four episodelets in. Bravo!

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Ai Tenchi Muyo! – 04

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Having escaped from the Student Council, Tenchi falls through a trap door to a massive underground mining operation spearheaded by the Council’s apparent rivals. When their bodyguard finds him, they strip search him, suspecting he’s a council spy.

…And the pattern continues. Tenchi ends up flailing around an all-girls high school in nothing but his boxers, and when he finally finds a private space to change, he gets captured by another club and ends up tied up and naked again.

And again, while things very much look like Tenchi is about to get sexually abused, we don’t actually witness anything, so it’s left up to our imaginations. Maybe they don’t actually do anything. Maybe he gets away. But I’m certain of one thing: he’ll be in this situation again down the road.

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Kiseijuu: Sei no Kakuritsu – 02

They may lack emotion, but they still know to pretend to be a Good Samaritan to get some alone time with dinner
They may lack emotion, but they still know to pretend to be a Good Samaritan to get some alone time with dinner

Humans think they’re real hot shit, don’t they? Even a quiet, mild-mannered, normal kid like Izumi Shinichi is utterly convinced the inviolability of human life is absolute, and that the grisly murders of people by “things” like his right hand must be opposed and the things responsible stopped. But his hand, which names itself “Migi”, doesn’t see a problem: his brethren are eating; that’s all.

It definitely a plus that Shinichi's love interest is Hana-Kana
It definitely a plus that Shinichi’s love interest is Hana-Kana

At least you know where evil and hatred stand, but there is no evil or hatred in the parasites; they’re merely carrying out their natural biological process. Humans just happen to be on the wrong end of the fork. Now they know how cows, pigs, and a multitude of other animals feel. But still, Shinichi thinks it’s different.

"YOU WON'T LIKE ME WHEN I'M ANGRY", or "MEIN FUHRER, I CAN WALK!"? How about both
“YOU WON’T LIKE ME WHEN I’M ANGRY”, or “MEIN FUHRER, I CAN WALK!”? How about both

And, of course, it is different. Humanity’s belief in its own primacy may well be just a matter of chemistry and biology itself, but like Shinichi, we are humans and so seeing so many of us turned into mincemeat, no matter how flawed they might be, its unsettling and just plain not okay. Especially when the next victim could be someone you care about.

Don't cross me, Shinichi. Don't ever cross me.
Don’t cross me, Shinichi. Don’t ever cross me.

For Shinichi, that someone is Murano Satomi (Hanazawa Kana), and she happens to like him to. After Migi sinks a half-court shot on the court, she formally forgives him and asks him out for pancakes. I’m really enjoying their fumbling yet tender courtship, and of the high school milieu in general; even in the midst of such grisly murders; it speaks to how mass media and the internet have desensitized us as a society to the horrors in the world.

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The sounds Migi makes when morphing are best described as…skin-crawling

But Shinichi’s interactions with Murano underscore to him and us just how much he stands to lose if he leaves the mincemeat murderers be. That all threatens to become moot when a full-body parasite encounters and corners him, then invites Migi to “transfer” to his body and share his host, which will enable them to live longer. Again, Shinichi comes just an inch away from dying. He may not look it, but he’s livin’ on the edge.

"Hop on, there's room for two!"
“Hop on, there’s room for two!”

And that right there is the first sign that these things have a semblance of community, even if they lack empathy for other life. Because they value their own lives, and joining forces will lengthen their lives, logic dictates that they should join forces; there’s no need for emotional input. Migi declines and instead kills his brethren, explaining he didn’t know the transfer would be successful, and stating once more: “I value my own life.”

Migi NOT saving Shinichi's life, only saving his own life...and Shinichi's too
Migi NOT saving Shinichi’s life, only saving his own life…and Shinichi’s too

While one could argue that a little of Shinichi’s empathy is seeping into Migi and a kind of rudimentary emotional bond is forming, we also can’t rule out that Migi will only continue to protect Shinichi as long as it serves his purposes. The enemy remains within as well as without, and as I said, it’s an enemy with no hatred or fear. Or anything. The parasites can’t very well be the “demons” Shinichi labels them without those things.

So pleasant...how long can it last
So pleasant…how long can it last

It’s really humans, or at least a lot of them, (or even everyone, at moments) who are the closest thing to demons, says Migi. Shinichi’s Adorable Pancake Date with Murano takes a dark turn when the encounter youths trying to hit a cat they buried in the sand with rocks. I couldn’t help but think Shinichi was thinking “Ya see? It’s little shits like you give our species a bad name!” before scaring them off and rescuing the cat in front of the animal-loving Murano.

Just go get eaten, punks!
Just go get eaten, punks!

Here’s the thing: the parasites aren’t punishing people for misdeeds; their targets are random. This isn’t karma, it’s merely nature. Even so, Shinichi wants to use Migi’s power to protect as much life as he can. He isn’t someone who can just stand by when he might have the power to do something. Migi is dubious; no doubt because of the risks involved.

For all the gross twisting and meshing of body parts, the show can still pull off something sweet like Shinichi and Murano holding hands for the first time with aplomb
For all the gross twisting and meshing of body parts, the show can still pull off something sweet like Shinichi and Murano holding hands for the first time with aplomb

Both after the basketball shot and after this incident with the rock throwers, Murano is warm and affectionate, but she also seems to need Shinichi to say he really is Shinichi. And to a casual observer, it would appear like he’s under the influence of some kind of love potion. She’s not used to him being so…capable, though it’s not as if she doesn’t like this new side of him.

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“I’m going to switch to your left hand, if you don’t mind. That okay?”

Two episodes in and I’ve now seen the show consistently excel at delivering both skin-crawling body horror (with philosophical subtext) and charming, realistic, but probably doomed romance. For all the gross stuff it does with body parts. The soundtrack also continues to distinguish itself, in that it always seems to bring the right music for the situation. I even heard a bit of Vangelis inspiration in there. It’s as quirky and eclectic as the rest of the show.

No...HUMAN BEING...makes love like this.
No…HUMAN BEING…would make love like this.

The final scene where to full-body parasites—a man and a woman—stand naked in the moonlight, about to perform a human mating ritual. It will be completely devoid of love (or any emotion at all), but they’re probably doing it in an effort to better emulate human behavior. In other words, if Shinichi wants to put a stop to them, he’d better hustle!

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Ai Tenchi Muyo! – 03

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The scientist Washuu captures Tenchi and sends him to the past to retrieve two “dimensional castaways” who are the result of a slight error in her experiment. The first person he finds is a younger Momo. He agrees to help her look for someone, assuming it’s the second castaway.

Again we’re bombarded by stuff we’d probably understand if we’d watched other Tenchi Muyo works, but never mind: we also get echoes of the first episode, only in the seemingly distant past (owing to the garb), which suddenly expands the breadth of the show.

It also suggests that the show will hae no qualms jumping between times and places without regard to where the last episodelet ended. That could potentially work in the show’s favor by mixing up Tenchi’s situations and keeping things fresh.That spaceship, for instance, could be a lark.

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Ai Tenchi Muyo! – 02

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Momo, the student council president, shows Tenchi around the school, but her many admirers follow close behind. Concerned for Momo’s safety, they lock him in the student council room and commence torturing him.

After this second episodelet, I’m a lot less confused about what the score is: Tenchi is obviously a kind of magnet for girls for whatever reason, and they gang up on him here to do unspeakable (and unshowable) things to him.

That last part seems counterproductive at first, but it’s actually kinda clever: because we can’t see exactly what they do to him, it’s left up to your own depraved (or undepraved) imagination. In that regard, Ai Tenchi Muyo! asks for viewer participation in crafting Tenchi’s story.

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Cross Ange Character Guide

Click to view full-size
Click to view full-size

I think I recall Franklin saying something about there being a huge amount of characters in Cross Ange, so I thought I’d make it easier on him by whipping up this handy guide. We’re only two episodes into the show, so things on this thing are sure to change (and may not even be totally accurate), but it’s a start.