Tokyo Ghoul – 08

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Overcome by grief and loneliness, Hinami breaks out of Anteiku to wander Tokyo. This is an extraordinarily bad decision, but it’s one a young girl in her state is more than capable of, and in any case, its the catalyst for two crucial and simultaneous showdowns, which in their combined form we consider to be the best the show has presented to date.

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I want to say that none of this would have happened had everyone taken turns being by Hinami’s side in her fragile state, rather than keeping her in a dark room alone (She’s not a stray cat!), but Mado was gunning for her big time, and ultimately would have found her anyway. She just makes confrontations that have to happen happen sooner, and I don’t have a problem with that.

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One showdown is between Touka and Mado, as Hinami cowers in the corner. The other is between Mado’s partner Amon and Ken. Both showdowns feature the same conversations. Amon decries how Ghouls heartlessly tear apart families and are messing up the world; Touka says pretty much the same things about humans to Mado, trying to get him to see her point of view.

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Touka’s words fall on ears that aren’t necessarily deaf by choice, but it’s hinted that they’ve been permanently closed by decades of torment. It’s simply too late for Mado. With that in mind, morals aside Mado is a brilliant genius for figuring out how to make quinques out of the kagunes of dead ghouls. One can’t help but wonder the good that genius could have done had it not been twisted by decades of grief and anguish.

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Alright, enough sympathizing with Mado, the bastard tries to use parts of Hinami’s dead parents to kill her and Touka. NOT COOL. You can’t spell Mado without “Mad”, right? Touka, still recovering from her last fight with him, is again overpowered by Mado’s dual-wield quinques, but his killing coup-de-grace is nullified by Hinami, of all people.

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She finally reveals her own kagunes, showing she possesses the combined powers of both her loving parents. She uses them, and Mado goes down, but she doesn’t finish him, not wanting to become a killer. Mado bleeds out and dies on his own—a welcome nod to the fact that humans are far more fragile than ghouls, and all but defenseless without quinques.

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Whereas it’s too late for Mado and he won’t listen to anything Touka says, Ken is more than receptive of Amon’s words. He knows them well, since they’re the exact same words that describe what’s happened to Hinami. What Amon doesn’t understand yet, but isn’t beyond understanding like Mado, given time, is that ghouls have the same feelings humans do. Amon is so caught up on the minority of evil ghouls that he’s blind to the fact most of them are just trying to live.

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He’s also so caught up in the grief and victimhood that he’s also blind to the fact that there’s a minority of bad humans that, along with the bad ghouls, are messing up the world together. Neither side is innocent here, and there’s plenty of middle ground to be had if only cooler heads on either side sat down and listened. As he’s being beaten to a pulp, Ken realizes that having both ghoul and human makes him singularly equipped to be the bridge the two races desperately need before they destroy each other.

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At first, he tries to make Amon understand by letting himself get beaten up. When that doesn’t work, he grudgingly summons Rize’s power and attacks Amon, but like Hinami, holds back, not wanting to become a killer. Rize, as mad as Mado, fights hard to take over Ken’s body, but Amon isn’t mortally wounded, and heeds Ken’s desperate cries to run away. Amon sees the tears and the pain Ken is in, and knows Ken just had mercy on him. Maybe that’s the beginning of him starting to understand.

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I just hope Amon finding Mado’s body doesn’t undo all of the progress (such as it was) Ken made with him. Ken, meanwhile, is saved from flying off the handle by Yomo, who takes Ken’s strike like it’s nothing (though it probably is something), calmly states he now sees what Yoshimura saw in him, and asks him to come home. They reunite with Touka and Hinami. When the latter asks if “it’s okay for her to be alive”, Ken is ready with an apt reponse: “your mom was telling you to live.” Is it okay to be alive? Absolutely. Is it easy? Not a chance.

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Author: magicalchurlsukui

Preston Yamazuka is a staff writer for RABUJOI.