Nozaki gives his apartment a thorough cleaning for his extremely curt editor, Miyamae. Chiyo doesn’t think the editor likes Nozaki at all, but Nozaki is totally in love with the guy for the punctual and straightforward nature of their communication. We learn why Nozaki feels this way in an episode that explores the mangaka-editor relationship, which can be a treacherous sea.
Nozaki has been scarred by his previous editor, Maeno (whose name means “previous”): who always suggested and took credit for obvious ideas Nozaki had either already come up with, or ones he hates. After a subtly manipulative, self-important boob like Maeno, Miyamae seems pretty darn “cool and mature”, as Nozaki describes him.
Nozaki is also troubled by the fact his neighbor and fellow mangaka—the beautiful college student Miyako Yukari—is still suffering under the affable boot heel of Maeno, who forces her to put random tanukis in everything she draws, regardless of genre (her apartment is also full of the things). The website set up ostensibly for artists’ benefit is full of posts of him describing what he’s wearing or abusing Miyako’s manuscript.
Miyako should get mad—indeed, when Maeno shows up unannounced and teases Nozaki, Nozaki very nearly hulks up—but she doesn’t. Such is the insufferable, inscrutable power of Maeno, something Nozaki is very glad to be (mostly) rid of. From there, Nozaki receives criticism from Miyamae that he isn’t revealing enough of Mamiko’s emotions to the reader. Believing the only way to understand Mamiko is to become Mamiko, Nozaki decides to do just that.
The results are unsurprisingly hilarious, though not as over-the-top as you’d think. He makes a bunch of bentos to give to friends to try to capture Mamiko’s feelings, but ends up conjuring a somewhat sinister Mamiko. He also tries to understand what it’s like to have girls for enemies. In an inspired choice, he does this by speeding Kashima around on a hand cart; her hordes of worshipers in hot pursuit.
The chase sequence is a hilarious peace of physical comedy, and the little moment the “spurned” Kashima has with Hori afterward is pretty cute as well. Ultimately all of Nozaki’s research only leads to an even more confusing, unrealistic version of Mamiko that further frustrates Miyamae. Even so, it was neat to watch the creative process in action.