As of last week seven of the nine “actors” were known to me, so it stood to reason the final two would be unveiled this week. They are Amamiya Hibiya and Konoha, and the episode unfolds almost exclusively from Hibiya’s perspective. He told a string of elaborate lies to his strict father to gain permission to travel to Tokyo to spend the summer with his friend and crush Asahina Hiyori.
Our first exposure to Hiyori is in Hibiya’s head, an ideal of the girl he loves. In reality, she inivited him to be her slave. Worse still, a third wheel—Konoha—ruins Hibiya’s hopes of being alone with her, and she falls in love with the older albino instantly. Hibiya is shown to be a capable, confident person, but allows Hiyori to run roughshod over him; ironic considering what happens in the episode’s very cryptic second half.
That’s when Hibiya goes to bed (with Hiyori fawning over Konoha deep into the night) and has a series of eerie, monochromatic nightmares in which he confronts Hiyori in a playground, but a black cat always comes between them and she ends up dead, no matter what he tries in the next “dream”, save the last one, when he pushes her out of the path of a speeding truck and gets hit himself.
But it’s not exactly clear what’s a dream and what’s reality. Hibiya seemed desperate to tell Hiyori how he felt about her on this summer trip, but his opportunities were ruined by her hostile attitude and the presence of Konoha, and it seems as though she died before he was able to do so. We’re sure future episodes will shine a little bit more light on the events that transpired here, but I must say I found the dreamy, morose atmosphere very absorbing.