Nobunaga the Fool – 14

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Since some French was spoken in this episode (albeit not much…and not well), I’ll use some as well: this episode lacked the particular je ne sais quoi of previous episodes that had held everything together and held my interest. This episode was kind of a mess, and rather boring even when it was supposed to be at its most exciting. I chalk this up to a combination of disappointment that the trip to space was postponed, and the fact Nobu’s latest Round Table adversaries are lame as hell.

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Honestly, I don’t know why the show bothered wasting names like Hannibal and Charlemagne on such hollow, silly, short-lived characters, who show up in a menacing cloud of frost with fangs bared, but it turned out to be all bluff and bluster. Once Caesar and Uesugi arrive, the battle is essentially over, and there wasn’t anything particularly memorable or satisfying about it. Ranmaru means well, but is too quick to believe Hannibal’s promise and gets abducted for her trouble.

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I’ll admit I thought it was pretty great that Ichihime picked up a spear and told Caesar if he wouldn’t go to the aid of her homeland, she would. Caesar had earlier gone against traditional role of an Eastern man by baking her a chocolate cake. She, in turn, goes against the traditional role of an Eastern woman, and reminds me that she’s one of the few reasons I’m still watching the show. If her role diminishes in the second half, someone else will be hard-pressed to pick up the slack, because Ichihime is The (Wo)man.

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One thought on “Nobunaga the Fool – 14”

  1. The Empress card symbolises feminine power, wielded both by Ichihime(her determination to protect Oda sways Caesar to give his aid and invoke Kenshin’s help, at the cost of his Round Table loyalties) and Hannibal(a more sadistic, violent version of it, both in her approach to battle and her control over Charlemagne – not that he had any problems with their master/servant relationship!)

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