I was pleased with how polished and efficient this first episode of Black Bullet was. It offered a little bit of everything: a glimpse of the hellish past that was to the fragile peace of the present, some nice world-building, a hint of comedy, some romantic undertones, and last but not least, a decent helping of action; though not enough to break the budget in the first week. If I were to pick two words to describe it, it would be “competent” and “enticing”—two words with which I’d also describe myself.
While I noted some exchanges of dialogue were a little transparently expository, at least the information itself was clearly and confidently laid out. One episode in and I had no trouble understanding the core conflict and the systems and weapons in place to fight the enemy, Gastrea. In this regard, I was reminded of the opening episode of Bleach, a similarly self-assured outing that quickly established its house rules and offered up an enticing mélange of action, drama, comedy, and creepy monsters (mind you, one that had no business being sustained for 366 episodes).
Let’s talk characters: Satomi Rentarou (Kaji Yuki), orphaned by the war a decade ago and apparently adopted by the wealthy Tendo family, fights the Gastrea. Tendo Kisara (Horie Yui) is his adoptive sister not related by blood that Rentarou has feelings for (and runs the agency he works for), while his partner is the pint-sized, pink-haired Aihara Enju (Hidaka Rina), an obligatory human-Gastrea hybrid who represent humanity’s last best hope, along with Varanium, a black metal the Gastrea dislike. While Enju calls Rentarou her “fiancee” and is always messing with him, they’re more of a big-bro-lil-sis pair.
There’s also a villain in a funny suit with a funny mask who is immune to Rentarou’s attacks and says he’ll destroy the world. That made me wonder if he was some kind of human-Gastrea hybrid before I learned the “cursed children” are only girls. Still, he’s bad news, as is the Gastrea presently at large. Between the overarching conflict with the Gastrea, Rentarou’s potential romantic ventures, his seemingly-abandoned goals to find his family, and the fate of “cursed children” like Enju toeing the line between human and monster, there’s a lot of material to work with. I like what I’ve seen, and definitely look forward to what’s in store.