Zvezda has been very zany, witty, whimsical and fun over its first seven outings, but it’s not what you’d call sophisticated drama. This episode aims to change that, as Zvezda’s secret base is infiltrated deeper than ever before, while the history of Zvezda’s dependable rock General Pepel AKA Shikabane Gorou is explored deeper than before. The show decides not to immediately jump into the confrontation between Asuta and his dad, instead revealing the mysterious commander of White Light, who harbors a personal grudge against Zvezda and its chief, Gorou.
Things start off innocently enough, as Gorou is checking out pastry exhibition, which is hilariously random but also disarming, since maybe the old man’s just there for the sweets. After their big battle last week, Asuta, Kate, and Robo are simply kicking back, and the lead voice actress in Kate’s favorite anime turns out to be White Light’s commander, White Falcon. Things take a turn for the worse when she bombards Kate, Asuta, Robo, and Tasha with puppeteer waves and invites herself to their base, where she deploys a large White Light contingent.
It’s a very nice dastardly plot because it comes out of nowhere, as does Falcon herself. Even so, she makes a lot of progress because she identified and isolated Zvezda’s most conventionally powerful (i.e., non-magical) member at the moment. The connections come fast and furious: the pastry chef Pierre was thrown out of the gang by Gorou’s wife(?), Tsubaki; White Falcon is really Tsubaki’s sister (possibly making her Gorou’s sister-in-law); Itsuka is Tsubaki’s daughter. All these ties both enrich and explain the underlying conflict between Zvezda and White Light; now it more closely resembles a family feud.
This episode also bucked the trend of focusing on Asuta (the ostensible protagonist) or Kate (the ostensible leader of Zvezda), and focused on the underutilized but incredibly Badass Old Dude; his Old Dude friend who’s really good at baking (and stopping steamrollers); and his Old Dude past, which shaped the Old Dude he is today. After being disguised as a stationary bronze bust for the last two weeks, he gets his time in the spotlight, brings a welcome dose of seriousness and gravitas, and shows Kaori that he won’t allow himself or Zvezda and the ideal of world conquest to be defeated as neatly as she’d planned.
Rating: 8 (Great)
This episode was probably a bit of a slog for those not enamored with Tsugumi Seishirou. Fortunately, we like her just fine, and we also liked this very Seishirou-centric episode, in which odd changes in her body start to occur and she seeks answers and advice from her acquaintances. Her description of her “symptoms” are so precise and clinical, both Chitoge and Claude initially recommend she seek medical attention. Thankfully Seishirou doesn’t stop with those two, and eventually the common refrain of more normal people is that she’s suffering a bad case of love.
Seishirou may claim to not know anything about love, but we know that’s bullshit from the way she devotes herself to Chitoge and enjoys being by her side. She’s just never met a guy who has caused these reactions, and is totally at a loss for how to process them. Nothing Raku does to her deserves the harsh physical reprisals she visits upon him—on the contrary, he’s nothing but a decent, sweet and chivalrous fellow to her—but in the absence of any guidebook or roadmap or training in matters of love, she goes to her default assassin setting.
Knowing her odd upbringing and years of conditioning meant to erase her femininity, suddenly becoming a slave to her heart is akin to being faced with an unknown enemy, so it’s logical and understandable for her to lash out, as offense is the best defense in her normal workings. The many closeups of her expressions as she wrestles with these strange emotions are enough to illustrate the intensity of her internal dilemma, as is her complete loss of concentration in assembling her gun at the mere mention of Raku by Claude. She’ll only be able to hide her compromised state from her mentor for so long; though Claude is a pretty dense fellow, even if he’s more suspicious than the other people around the fake couple.
But while Seishirou is growing into an interesting, if somewhat frustrating character in her own right, she also serves and important purpose in the central “fake” romance: she is the link to a past Chitoge has forgotten. Seishirou again betrays the fact she does indeed know at least something about love since she witnessed it betwen Chitoge and her first love, and waxes nostalgic about it, to the point Chitoge’s interest is sufficiently piqued that she digs up her old diary from the time and discovers that not only did she fall in love and make a promise to a kid with a distinctive scar, but that the diary also contained a key that looks very similar to Raku’s locket.
Rating:7 (Very Good)