Nisekoi – 07

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Nisekoi isn’t done introducing major characters. This week we met Tsugumi Seishirou, who transfers to Raku and Chitoge’s class and whom everyone assumes is a very pretty boy. Seishirou puts out a lot of different vibes to Raku: at first he’s weary of his gangster connections, then gets the feeling he’s a normal, friendly guy. Then Seishirou gets Raku to say he’d die for Chitoge, then pulls a gun on him – so he can do just that!

Even after learning Seishirou Claude’s top hitman from Chitoge, and that he’s been preparing his body and mind to protect Chitoge for ten years, Raku has no choice but to accept an duel. Seishirou opens up a massive arsenal on him, but Raku manages to evade the attacks long enough to fire his own ammunition: the knowledge that Chitoge isn’t the kind of girl who’d sit by and be protected by someone. He also gets Seishirou to follow him out a third-floor window into a pool. With Seishirou out cold, the battle is Raku’s, but he’s too considerate to leave his soaked opponent outside to catch a cold.

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That’s when he undresses him in a locker room and discovers that he’s a she, and they’re forced to hide in a locker standing very close to each other while Chitoge and their classmates search for them. In there, Seishirou admits defeat, and starts to cry about not being worthy of protecting Chitoge herself, despite abandoning being a girl for that end. Raku then flatters her by saying she’s cute, something she’s apparently never heard from anyone before. At that point, Chitoge discovers them, but the armor is cracked: Raku was nice to Seishirou, and she definitely seems to like getting complimented by him.

Seishirou’s seiyu Komatsu Mikako delivers a layered and diverse performance, showing Seishirou’s many moods, sides and mistaken genders with subtle changes in her voice. There’s also the fact that she knows about the promise Chitoge made to a boy (not her) ten years ago, but suspects she forgot about it, adding further credence to the theory Raku was that boy. In any case, Seishirou looks like a good addition to the cast, someone we can see competing against Raku for Chitoge’s attention, while also gradually falling for Raku himself, further complicating Nisekoi’s love polygon.

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Rating: 8 
(Great)

Kamisama no Inai Nichiyoubi – 13

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If one were to name a blemish of Sunday Without God, it’s that the show ended before Ai’s original mission to Save The World That God Abandoned could truly get goingin earnest. Granted, it was a naive, audacious mission devised by a tween, and it is true in this world that the best laid plans of graveskeepers and their retinue often go awry. This special (which came with the final disc volumes of the series) does not aim to mend that blemish, nor should it be expected to. It’s just an extra episode, split into three vignettes showing scenes of the series we weren’t privy to the last time round.

The first is the…least good; it’s just an onsen scene packed with fanservice. If one had to analyze it, you could call it something of an incomplete fable centered around boobs and the women who own them. Scar has the biggest boobs, but has never noticed (and hence enjoyed) them. Dee also has good size boobs, but being a ghost, she’s the only one who can touch them. Ai, who is alive and has physical form, is able to enjoy boobs, but at her age has none to speak of. There’s similar situation with the guys: Yuri is old yet ripped; Alice is young yet…not ripped.

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The second vignette is Alice-centric, as he wanders through a ruined Ostia going over his actions in the looping dreamworld in which he’d been trapped. Dee is notably absent from this, but he eventually runs into Hampnie, and they have a little duel in which shots are fired but we don’t see the outcome. Alice is roused from his reminiscing by Dee, and he continues to contemplate how “foolishness can’t be cured, even by death.”

The third and final vignette shows a wounded Hampnie wandering into some very beautiful church ruins. There he finds his future lover Hana bathing, looking every bit like her daughter Ai as a full-grown woman; somewhat interesting symmetry from the hot spring segment. She asks him to join her, and he accepts. Then he’s woken up by the product of that meeting: Ai herself. While none of the three vignettes are particularly momentous (and the first one is just silly); the special does what a special should do: provide a brief return to a world we fell in love with, adding a smidgen of depth and color to it in the process.


Rating: 6 (Good)

Sakura Trick – 07

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Leave it to an earnest, uncynical show like Sakura Trick to be upfront about the fact that half of this episode would be heavy on the fanservice. That being said, it wasn’t merely a showcase of the casts’ T&A, and the venue of the swimsuit-donning was carefully chosen so as to create some uncharacteristic tension and drama, however slight and fleeting.

Kotone’s little sister Shinobu has always resented Shizuku for stealing Kotone’s attention away from her, something that started when Shizuku first showed up. She decides to put her foot down and insist Kotone return home. When she makes this demand, both Kotone and Shizuku seem to wait for the other to do something, but it’s Haruka and Mitsuki who end up acting; the latter calling for a race to settle matters, which Shizuku ends up winning, returning us to the status quo. Like we said: fleeting.

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The second half involves Yuu wanting a new scarf, and even when Shizuku shows up wearing the scarf she wants, which was the last one at the store, Yuu still wants the scarf she wants. It’s the kind of puerile selfishness Yuu knows she can get away with with Shizuka, because for the most part Shizuka loves doting on her. When we first heard “shopping” we immediately thought: “Well, they’re obviously going to end up making out in the dressing room.” That doesn’t happen per se, but Yuu does end up kissing Shizuka as an accompanying reflex to her happiness over finding an even cuter scarf.

In fact, Haruka and Yuu have gotten so used to making out, they even do so while Kotone and Shizuku are in the room; fortunately they’re very unobservant and/or don’t care. They also steal a long underwater kiss in Kotone’s pool. The show may have blown temporary clouds over Kotone and Shizuku, but it was nothing but clear blue skies for Haruka and Yuu. And as we’ve oft repeated, that’s not such a bad thing.


Rating: 6 (Good)

Pupa – 07

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While the last episode was a terrifyingly mundane study in flesh-eating, there’s more plot and exposition to this one. After some narration by Utsutsu about how he knows his sister takes no joy in eating him, we switch to Maria and her pal Hotoki. Maria takes the sperm of the brother and the eggs of the sister and impregnates herself with the resulting devilspawn, which…yikes. Just yikes. Talk about scientific curiosity!


Rating: 5 (Average)

Kill la Kill – 19

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A mark of a great anime, or any show for that matter, is a deep bench—a well of compelling characters they can draw on if they’re inclined to give the main stars a rest. Golden Time (in theory) and Chuunibyou (in practice) are examples of this, and it was never in doubt that Kill la Kill was as well. It may not have been until episode 19 when both Ryuko and Satsuki are set aside for the supporting cast to show they can carry an episode without them, but it was worth the wait.

A month has passed since Ragyo reclaimed the upper hand by unleashing her army of Covers on Honnouji, and everything’s gone her way since. The Elite Four plus Iori and Soroi joined Nudist Beach—and abide by its dress(less) code!—but are fighting a war of attrition against Covers, which have conquered every academy in Japan, assimilating its students and brainwashed the populace. When we drop in, Uzu is fighting the good fight in his Goku uniform, when it suddenly fails. Then we learn his goku was the last one.

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It’s always thrilling to see a genuine shattering of the status quo and reshuffling of alliances, and this episode is no different; it’s cool to see the Elite Four in Nudist Beach lack of garb, fighting along side their former enemies. It’s also good to see the Mankanshokus are surviving, under the constant threat of Cover assimilation, keeping a slumbering Ryuko (who Senketsu dragged home) safe. Also nice to see Gamagoori’s crush on Mako blossoming as he promises her fam he’ll get her back…which he eventually does (with help from Guts).

Satsuki is hanging naked from her arms in a big birdcage, defenseless to whatever sexual assault Ragyo happens to be in the mood for (She’s also saving her for an extra-special new ultra-kamui Nui is preparing). But when Ragyo leaves, Satsuki vows to escape. Far from emotionally defeated, she knows she can still win simply because she’s alive. That nicly mirrors what Barazo says about being alive being its own victory: things can work out.

9_superiorRating: 9 (Superior)

Stray Observations:

  • This whole episode reminded us of Star Trek: Deep Space Nine episode “A Time to Stand”, which takes place after the titular station has been taken over by the enemy and the good guys do what they can to keep themselves and the fight alive.
  • Sukuyo just can’t seem to take her eyes off of Mikisugi’s…light.
  • Love the scene where the guys have a nice cuppa while discussing strategy.
  • Jakuzure can’t help but admire Mataro’s ability to survive.
  • Ryuko eventually does wake up and save a lot of people, giving new life to the resistance, but she’s disgusted by her inhumanity, and abjures Senketsu, who’s a constant reminder of the monster she is. Oh dear…

Weekly ED: Blue Submarine No. 6

Blue Submarine No. 6 (の6号; Ao no Rokugo) is a neat little four-part sci-fi OVA that aired between October 1998 and March 2000, long before we became interested in anime.

After watching Last Exile and falling in love with the awsome character designs of Murata Range, we sought out other works of his, and came across this (Another interesting tidbit: Yukana, who voiced the heroine Kino Mayumi, also voiced the antagonist Yukana in the submarine-themed Arpeggio of Blue Steel. She’s also the narrator in Last Exile).

Actually, we haven’t watched the OVA in a few years, but the ending theme—”Minasoko ni Nemure” (みなそこに眠れ “Sleeping Deep Inside Everyone”) by The Thrill, featuring Yukarie—made a lasting impression. So we’ll wrap up the work week with this jazzy, atmospheric gem that never fails to give us a happy tingly feeling. Happy Friday!

Golden Time – 19

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Is Tada Banri really The Worst? Nah, but he’s certainly quite fallible. This week he keeps his friendship with Linda a secret from Mitsuo, doesn’t tell Linda that Mitsuo would be at festival club filming, doesn’t even know what Linda is mad about, and later disgusts Chinami, who happens to catch him being all too friendly with the girl Yana-san likes. He even jokes that he doesn’t know who Koko is when she rushes to his arms upon his return to town, and…all right, we’ll admit that was pretty funny. But it wasn’t very nice.

So yeah, Banri messed up here and there this week, but one can’t place the blame entirely on him. After all, when you’ve decided not to run form your past anymore, difficulties and missteps come with the territory. Doing what he’s decided to do was never going to be easy, especially he isn’t even sure he can coexist with his past self; it could come back and take over at any time. It’s all to easy to shrink in the midst of existential fears, and thus it’s understandable he’d overlook the affairs and feelings of others now and again.

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That being said, his actions have consequences. Mitsuo is really into Linda and wants to make a go of it, while Linda is unsure of how to react to his interest in her. She’s a lot of fun to watch this week, as we get many a hilariously angry-face and scary voice out of her. It’s a little goofy, but her tangled emotions are strongly felt.

As for Chinami, we’ve never seen her so pissed off, and while it’s true she was being a bit nosy and doesn’t have the whole picture, she’s not wrong that Koko would not have liked the scene of Banri and Linda she witnessed. Linda and Chinami form a tag-team of punishment on Banri, and it’s oddly satisfying to behold.

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Speaking of Koko—she’s decided it’s time for her and Banru to become one. Her gift of the Eiffel Tower sculpture (which beyond its obvious phallusy bears a resemblance to many an ancient fertility statue), and its subsequent role in the failure of her mission (along with her full stomach) are all brilliantly dorky, cute, and very Koko. It’s also notable that she presents him with the tower as he’s debating whether to give her his mother’s ring.

He tells himself and Koko they have plenty of time, but what’s so agonizing is that we simply don’t know if that’s really the case. When we saw that ring, we immediately considered the possibility that it may never see Koko’s finger. We hope we’re wrong. In any case, Banri can’t be careless with his secrets, his omissions, or his time. This is his golden time.

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Rating: 8 
(Great)

Chuunibyou demo Koi ga Shitai! Ren – 07

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Let’s get down to magical brass tacks: Yuuta kinda screwed up here. Yes, helping Satone when she lost all her money and phone was the right thing to do, and it’s clear he can always be counted on to help his friends in time of need. BUT, when the girl he’s helping is a girl he has a history with, which intimidates his girlfriend, that’s a rather different story. This was a crucial day he and Rikka were supposed to spend together alone, strengthening their bond of love, and Satone’s arrival couldn’t have been timed worse.

We were well and truly annoyed at Chu2Koi for so neatly tossing that pink-haired wrench into its own works. While it isn’t particularly far-fetched that Satone’s school would be visiting Kagoshima on the same day as Yuuta and Rikka’s, the odds of her just happening to bump into the two in her vulnerable state struck us as far too convenient; enough to question early on whether she followed them there intentionally. But with Yuuta’s promise not to get close to other girls ringing loudly in her ears as Yuuta gets close to Satone, Rikka’s patience runs out quickly, to the point she accuses him of breaking their contract and storms off. Trouble in paradise.

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But we never forgot that Satone seemed willing to walk away and not bother the couple when she first found them; and when she’s alone with Yuuta, she apologizes. They part ways, and then she sets into motion what Rikka believes to be a showdown by the waterfront. But rather than engage in a Chuunibyou battle as one might expect, Satone drops the delusions and gives it to Rikka straight. The truth is, she used to be in love with Yuuta; but with emphasis on the “used”. She didn’t like how “powerless” she became while obsessing over him, so she decided to stop doing so. She never told Yuuta her feelings, so things could remain as they were.

The confirmation that Satone has no intention of being her competition is surely relieving to Rikka, but she’s not all that upset over what Yuuta did after all. In fact, the kindness he exhibited is a main reason she fell for him in the first place. To Yuuta’s credit, he offers up a full apology (after being chastened by many other girls) and surprises Rikka with a new umbrella and pendant for her birthday, which she didn’t even know he knew. She thanks him with a decidedly un-Chuunibyou, confident “I love you.” While they may not have spent as much time together as they’d planned; it’s ultimately a case of quality over quantity. And while Satone may have felt weakened by her love for Yuuta, Rikka clearly draws strength from it.

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Rating: 8 
(Great)

Stray Observations:

  • The B-plot involves a phone conversation between Shinka (who thinks Sanae built the Mori Summer website) and Sanae (who actually didn’t, but is impressed by said site, and finds something shocking on it we’re not privy to). We’ve grown fonder of their love-hate relationship, but frankly would have preferred more Yuuta-Rikka time.
  • Kagoshima seems like a nice place to visit. Dig the volcano.
  • A “Do Not Rush At Feral Monkeys” TV disclaimer was conspicuously missing from this episode. Seriously, some punk kids might try that and get themselves bitten!
  • Good to know that the other girls in Yuuta’s life were just as outraged as us that he’d essentially ditch Rikka to help Satone. It means the show knows he erred as well, despite his good intentions.
  • We don’t use this term lightly, but Rikka’s “I love you” was totes adorbs.

Spring 2014 Season Preview

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At the end of Winter’s white and grey comes a fresh new batch of anime. HEY, THAT RHYMES! And this April we’re being super-selective: picking just seven new series for now. Nobunaga the Fool is confirmed as going another cour, but we’re still not 100% sure if three other Winter hows—Chuunibyou, Nisekoi, and Space Dandy—will carryover into the Spring. We’re operating under the assumption all three will, leaving us with a tidy eleven shows to keep track of.

We haven’t forgotten about Nagi no Asukara; we’ll be watching as much of the second cour in between seasons as possible, like we did with Sunday Without God. We may similarly place one of the four Winter carryovers on hold, saving it for the break between Spring and Summer. Right now, it’s looking like that’ll be Fool. But enough ado; here’s our upcoming April lineup:

Akuma no Riddle1. Akuma no Riddle

(Riddle Story of Devil)
Studio: Diomedea
(Action, School, Yuri) – April

After the fun and often hilarious Kill Me Baby, we’re not opposed to school series featuring assassins, and this one has at least twelve, including Azuma Tokaku, Suwa Ayaka’s first main voice role. Kusakawa Keizo has directed a lot of stuff we haven’t seen. This is Minakata Sunao’s first anime doing original character design, which is on display in the promo art, which suggests a more serious tone than Baby.

Black Bullet2. Black Bullet

Studio: Kinema Citrus
(Action, Mystery, Sci-Fi, Seinen) – April

This looks to be a dark post-apocalyptic sci-fi/mystery action series, and helmed by a director of the much lighter Magical Shopping Arcade Abenobashi, and fields a strong voice cast. It all sounds very promising…but, well, so did Coppelion, so we’ll proceed with caution.

Gokukoku no Brynhildr3. Gokukoku no Brynhildr

(Brynhildr in the Darkness)
Studio: Arms
(Mystery, Drama, Fantasy, Sci-Fi, Seinen) April

Boy loses the alien-crazed girl he loved in a tragic accident, but years later a very similar-looking girl with a similar name transfers to his class. It’s an enticing synopsis, and all those genres look good, though “romance” is conspicuous in its absence. Still, the promo art evokes a serious, quiet dignity akin to Red Data Girl, so we’ll bite.

Hitsugi no Chaika4. Hitsugi no Chaika

Studios: Bones, Flying Dog
(Action, Adventure, Comedy, Fantasy, Romance, Shounen) – April

Both the promo art and synopsis reminded us a bit of Sunday Without God and Kino’s Journey. The idea of young people traveling around looking for their place in an big uncertain world always carries potential.

Mahouka Koukou no Rettousei5. Mahouka Koukou no Rettousei

(The Irregular at Magic High School)
Studios: Madhouse, Aniplex
(Magic, Romance, School, Sci-Fi, Shounen, Supernatural) – April

We’ve been burnt by many a magic school series featuring kids with cool uniforms (Freezing, Infinite Stratos, etc.) but we’ve also been rewarded frequently enough (Soul Eater, Blue Exorcist, Occult Academy) to at least give new ones a try when they come around. In addition to being a Madhouse series, Ishida Kana (who did the ladies in Aquarion Evol) is in charge of character design, Hayami Saori voices the lead female role, and Iwasaki Taku, who’s killed it so far with Noragami, handles the music. Here’s hoping it isn’t a boring harem!

Mekaku City Actors6. Mekaku City Actors

Studios: Aniplex, Shaft
(Comedy, Romance, Sci-Fi, Supernatural) – April

This could be the Spring series we’re looking most forward to, if for no other reason than it’s yet another Shaft series directed by the prolific but reliable Shinbo Akiyuki. We reckon four out of five of the shows he’s helmed have been pretty good, and a couple have been fantastic. The promo art suggests he’ll bring his usual visual style, flair, and quirkiness to the proceedings. No, not everything the dude touches turns to pure gold, but the cyber-NEET comedy sounds promising.

Ryuugajou Nanana no Maizoukin7. Ryuugajou Nanana no Maizoukin

(Nanana’s Buried Treasure)
Studio: A-1
(Comedy, Romance, Supernatural) – April

WThis series goes squarely in our “maybe pile”, as we’ll be taking a provisional look to see if it’ll be worth an extended committment. Director Kamei Kanta has done good work in the past (Usagi Drop, OreShura), while Kurata Hideyuki has been behind a couple of franchises we’ve followed with interest (God Only Knows and Oreimo). The potential fun and playfulness of the series is apparent in the promo art and the people involved. Will it be any good? Like the other six Spring shows, we won’t know until we’ve watched!

Toaru Hikuushi e no Koiuta – 07

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It may not have the best production budget, but damn, this show knows what it’s doing, delivering a fiercely emotional, thrilling, heartbreaking outing; the best of its run so far and definitely one of the top ten episodes of the season. Even more impressive is that its quartet of main characters—Kal-el, Ariel, Claire, and Ignacio—were literally on the sidelines the entire time, eager to do their part but barred by orders from ever doing so.

It’s amazing what one episode can do for your opinion of two people, but last week, we really connected with Mitsuo and Chiharu. Of course, we also knew that the fact they were laying the happiness between them on so thick was essentially setting one or both of them up for death. The episode makes no secret of the fact these young lovers could well be doomed. Hell, the title is “A Glorious Death.” Whether it’s Mitsuo or Chiharu or both, someone’s dying. We know, and the show knows we know.

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But here’s the thing: even with all the telegraphing and death flags, when it actually goes down, it still hits us like a ton of bricks. The show seems to know it was going to do so, and that’s why it was never coy. It did a hell of a job quickly establishing a romance and then snuffing it out in the cruelest way possible. And let’s not beat around the bush: their military superiors fuck up royally. Had Leopold Melze been less of a short-sighted, arrogant fool, Mitty would still be alive. Not to mention de Alarcon and Cervantes don’t even try to tell him how to do his job, even though they both smell an ambush.

The ineptitude of the brass matters not to Mitsuo and Chiharu. When something doesn’t feel right, Mitty tells Chiharu to climb higher. The tiny glimmer in the clouds he spots turns out to be a huge, advanced enemy fleet. Though they’re only trainees, they both realize they have to fire flares at the enemy in order to give their bombers light. They know it could mean their death, but they do their duty anyway. That makes them both heroes, but Mitsuo is simply a little less lucky than the girl he loves, convincing her to eject when he takes a couple bullets.

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After their plane blows up, Chiharu’s spotted by enemy fighters, and while she hangs there helplessly as they mercilessly bear down on her, our hearts sank as it looked for a moment like the show was going to take her too. She’s only saved because Banderas and Sonia disobeyed orders. She lands softly in the cockpit and collapses into Banderas’ arms, her love gone forever in the blink of an eye. It’s sudden, brutal, and unfair. It’s war.

We can’t overstate how riveting and moving this episode was, highlighting unbridled incompetence at the top of the military ladder, but uncommon greatness at the very bottom. The meekest of the trainees was the one who didn’t waver when it mattered, saving everyone. What’s more distressing is that he only saved them for a time; a massive enemy force is nearing Isla, compelling Kal-El, Ariel, Noriaki and Wolfgang to take off and enter the fray. They have a tough act to follow.

9_superiorRating: 9 (Superior)

Witch Craft Works – 07

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The elephant (or rather various assorted circus animals) in the room—Ayaka’s harboring of Medusa and her underlings—is dealt with this week…sort of. Because the six fugitives have knowledge about Honoka’s seals being broken, and her mother’s unhealthy passion for vigorous interrogations, Ayaka is certain moms’ll find out if she gets ahold of them, and so does everything in her power to stop that from happening.

To that end, she merges with Medusa through the sharing of an “Apple of Ignorance”, resulting in perhaps Ayaka’s coolest-looking battle mode getup yet (seriously, girl’s got more dresspheres than Yuna). But it doesn’t do any good, as Kazane breaks easily out of her petrification. Honoka draws upon his powers, but only succeeds in him and Ayaka switching bodies (and clothes, the full effect of which we don’t see). They’re both locked in a dungeon deep beneath the school, but soon escape when Ayaka does something intimate with Honoka again—specificially, clean out his ears with a Q-tip.

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While it’s nice to see the bond between the two so close, and we salute Honoka continuing to try to do what little part he can in protecting Ayaka as she protects him, this episode still had a couple problems. First of all, if Ayaka really didn’t want Medusa & Co. to be found, why the heck did she keep them in an unlocked room in Honoka’s house? When they got bored, they predictably broke out and got discovered by Kazane, who kept coming over (but brownie points for Mei and Kotetsu’s refreshing lack of modesty throughout the confrontation). Another problem: Kazane apparently releases Tanpopo and the others before interrogating Medusa, then has her snatched away by other witches.

So in the end, while she was in a perfect position to learn about Honoka’s secret (which Ayaka warned would mean the end of their normal high school life), but came up totally empty, which is kind of silly considering what a powerful badass she is (though apparently not enough of one to wrench the truth out of Chronoire. Then the episode started building up to this big epic duel between Ayaka and Kazane, only to fizzle out when Kazane refused to fight and sent her daughter home. That was kind of funny and unexpected, but in the end it was an annoyingly inconsequential episode in which no one looked particularly competent.


Rating: 5 (Average)

Monday Music – Lightning Returns: Final Fantasy XIII Soundtrack – “Death Game”

We know, there’s still a lot of OPs out there to choose from…but we thought we’d do something a little different to get the week started. Here’s what we consider to be a rippin’ good dungeon track from the Lightning Returns: Final Fantasy XIII soundtrack. It’s called “Death Game”, and it was composed by Suzuki Mitsuto.

We’re of the mind that adamant guitars and power chords are more than appropriate for RPG dungeons, along with the steadfast drumbeats and synth elements. “Death Game” is loud, brash, and highly motivating, indicating that something’s on the horizon and you’d better get to it before it’s too late.

Note that this is an extended version of the track, so it loops at about the five-minute mark.

Pupa – 06

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This episode of Pupa takes a page from Steve McQueen, pointing its “camera” at a thoroughly disturbing scene and simply refusing to pan away; lingering on the scene long after the audience have had their fill of it (no pun intended); sucking them into the horror of the moment. This is three minutes of Yume eating the shit out of Utsutsu as they lie together in bed, presented without comment and with minimal dialogue.

The sounds of Yume eating are thoroughly disgusting (or oddly relaxing, if you have ASMR), and the scene manages to make three scant minutes feel like far longer. There’s more than a little sexual/incestuous subtext what with the siblings’ position in bed, the clothes strewn about on the floor, and Yume’s gentle cooing as she feasts. It’s all quite unsettling and gross…and it doesn’t give a shit.

But more than that, the three minutes illustrate how banal and workaday this whole process has become to the siblings, underlined by the lighthearted music that comes in at the halfway point. Utsutsu lets her eat him, day after day, so she won’t eat others, and he knows he’ll always heal. Just as Pupa is not the anime many were looking for (or necessarily deserved), the plight of the siblings may not be ideal…but they’re managing.


Rating: 6 (Good)