Hiyori has taken a liking to Yukine, and doesn’t want Yato corrupting him, so she invites Yukine to stay at her gigantic house, where her maid and parents can’t see him, which is just fine for her. She’s also undeterred by the prospect of someone who is (or at least was) an adolescent boy living and at one point sharing a bed with her. To Hiyori, he’s a little brother that needs better shelter than the musty old shrines where Yato crashes. More importantly, he needs love and kindness, something she has in spades.
But considering Yato is the one who receives the stings whenever Yukine experiences temptation—be it for Hiyori’s boob or a five-finger discount skateboard—Hiyori has things backwards: it’s technically Yukine who is corrupting Yato, in terms of physical harm, at least. And while Hiyori may have a highly mobile soul, she remains a naïf when it comes to the extent of the god-regalia (or god-shinki) dynamic. Yato makes it clear that regalia are the conduit through which gods are able to fathom human morality, something gods aren’t subject to. It’s also a way of documenting the amount of sin a regalia commits, which goes into the calculation of their eventual divine punishment, something Yato warns comes to all, including Yukine.
While we liked the scenes in which Hiyori was treating Yukine as her adoptive brother, and we know she’s sincere in her desire to care and protect him, the reality is she isn’t powerful enough to do so. In the darkness, trouble will always come looking for Yukine, and when he wanders off on his own, his own compassion almost leads to him being snatched up by a phantom. He meets the lost soul of a young girl killed by a hit-and-run (by the leading cause of death for young girls in animeland…anime drivers are monsters!), and witnesses her becoming possessed by a phantom. It’s a heartbreaking twist, but ends up serving as a powerful wake-up call to Yukine and Hiyori alike.
Neither of them are strong enough to stop the phantom, and it’s too late to save the girl, so when Yato arrives, the only course is to kill her, freeing her from everlasting hell. Even in sword form Yukine protests and wavers, but Yato uses him to rend the phantom anyway. Once the darkness takes someone, it doesn’t give them back. Under these circumstances, Hiyori is still being way too reckless with her body, while Yukine now appreciates that his best chance at surviving a dangerous world is by continuing to work with and learn from Yato. Meanwhile, a beautiful lion-riding, pistol-wielding god has taken notice of Yato’s activities and new regalia. That should be an interesting meeting!
Rating: 7 (Very Good)