The series’ promo art featured Rikka touching noses with a theretofore unseen pink-haired girl, something we weren’t sure what to make of. With sequels come new characters, which are a reliable way of keeping things fresh and interesting. But they can also disrupt the ideal chemical balance of a show, by clashing unpleasantly with or sapping screen time from the established characters. That pink-haired girl—Shichimiya Satone—faced an uphill battle in a series that already juggling a lot of characters.
At first blush, we can report that she comported herself quite well. Far from feeling tacked-on, Satone does precisely what a good new character should: shake things up without spilling any of those things on the floor. She feels necessary; offering us a new glimpse of Yuuta’s past. All we knew was that Yuuta’s chuunibyou inspired Rikka; we don’t know what caused it until now. While we can’t remember him saying anything about a close friend back then, it turns out he had one, and it was a girl. Not just any girl: a magical devil girl with the alias Sophia Ring SP Saturn VII.
We like how easily Satone and Rikka engage in mystical battle—bouncing off each other as if they were sisters. The battle also drew attention to its practical elements: you basically exchange elaborate attacks and defenses, and the one who can’t keep up with all the ridiculous things being spouted is the loser. In this regard it makes sense that Rikka is “on the ropes” when Yuuta breaks them up; Sophia been at this a lot longer. And since she taught Yuuta everything he knew (or at least got him started on that path), that kinda makes her Rikka’s master’s master—at least in the arena of delusion.
Bringing back a girl from Yuuta’s past inexorably reopens that past for Yuuta, and when Satone unexpectedly gives him an Eskimo kiss—a gesture far more intimate than anything he’s done with Rikka (excluding the weird spanking last week)—that’s when the promo art makes sense. This was something they used to do all the time as younger kids. She wasn’t just some girl who bothered him in school; quite the opposite; he thought she was cool. He obviously doesn’t think that now, but nor does he seem particularly worried about her still having Chuunibyou; she’s just being herself.
But whatever she owes to her, Rikka considers Satone an invader serious threat in both of the worlds she inhabits. And we feel she has legitimate cause to be concerned, even after Satone offers an olive branch and vows to root for Rikka. That’s because Satone then touches noses with Yuuta and promptly runs off, as if her presence there was painful. Yuuta’s last scene with Satone on the balcony is nice, because it establishes his guilt about suddenly up and leaving her behind when he transferred. That guilt is all the opening Satone needs. That, and she’s very cute.
We wouldn’t be surprised if her gesture of goodwill to Rikka was really a challenge in disguise: “May the Best Girl Win.” But we can’t dismiss her as a cynical wrench being thrown in the works of Yuuta and Rikka. She has just as legitimate claim to Yuuta’s heart as Rikka, and even if Yuuta doesn’t love her yet, that could change. Yuuta and Rikka’s could possibly even benefit from such a test. After all, it’s only been a day since she met Satone, and at its end, Rikka is already touching noses with Yuuta.
Rating: 8 (Great)