Kamisama no Inai Nichiyoubi – 01

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This past summer was one of our busiest seasons, with fourteen shows to keep track of. We decided not to watch a few series that we probably would have enjoyed, including Sunday Without God. A friend suggested we take a look, so we’re taking advantage of the gap between Fall and Winter to do so. After just the first episode, we’re not sorry we did. Sunday Without God has a lot going for it.

Ai (Toyosaki Aki…Hi Uiharu/Fam!) is a 12-year-old serving as the village “gravekeeper” in a world where no one can die or reproduce due to God forsaking the world on Sunday. Like Yuna in FFX, she “sends” the dead to a peaceful rest, something she’s been doing since she was seven, when her mother died. While she’s not alone (a couple adopted her and the town heaps affection and sweets upon her), we know immediately that she carries a tremendous burden for someone so young. She’s tough; moreover, she’s highly confident and proud of the work she does.

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Madhouse is an aptly-named studio simply because, a lot of the series they’ve put out are…a bit mad. Here, it’s an Alice in Wonderland mad: whimsically disorienting with an ever-present tinge of malice. “Hampnie Hambart” drops by Ai’s idyllic village and slaughters everyone there save Ai. He then shatters her facade of certainty and efficacy, causing her to question everything she’s ever known or been told by the village, like whether she’s a gravekeeper at all, and whether the villagers were ever alive to begin with.

The episode deftly juggled the harsh imagery of village massacre and an undead townsperson missing part of his head (then having it blown the rest of the way off before Ai’s eyes) with lighter moments like Hampnie and Ai’s first meeting, where she contends he’s her father. Whether he is or isn’t, whether Ai’s true gravekeeper, and exactly what the heck’s going on in general; these are some of the many mysteries we look forward to exploring moving forward.

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Rating: 8 
(Great)

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