Samurai Flamenco – 10

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King Torture lures Samurai Flamenco to his lair by holding Mari and Moe hostage. He’s disgusted by Mari’s attitude, but frees Moe when she says she’ll take Mari’s place. When Samurai Flamenco arrives, King Torture tells him how they’re alike, before attacking with a chainsaw arm. Samurai Flamenco counterattacks with his new weapons. Mizuki calls Goto, who bursts into the lair with Mari’s pink Hummer, deflecting Torture’s harpoon.

King Torture ends up impaled on a life-size action figure, but isn’t harmed, and he activates a rocket launch sequence that will bring about the creation of a giant monster version of himself. Goto launches the Hummer at the rocket to knock it over before it launches, while Samurai Flamenco tears out King Torture’s life core, defeating him for good. Moe and Mizuki carry the wounded Mari to the concert stage, where she sings solo.

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When this show sets out to make a final battle episode, it does not mess around. Pretty much every trope in the book is employed with a panache and self-awareness that we’ve come to expect. We learn King Torture grew up watching hero TV shows like Masayoshi, but rather than become inspired to be like them, what he got from them was that the heroes never win; it’s wiser—not to mention more entertaining—to be evil.

But this episode wasn’t just a send-up. Whether it was Moe offering her life to save Mari, Goto saving Masayoshi and killing the rocket, Mari taking the stage, or Masayoshi removing his mask and revealing his identity, the boss battle was a vehicle for everyone to step up and prove their mettle. For all of King Torture’s gum-flapping, in the end he was all alone, while Masayoshi had allies and friends who helped him win the day.

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Rating: 9 (Superior)

Stray Observations:

  • If King Torture’s dressing-down of Mari wasn’t enough to get her to reexamine her life, witnessing Moe’s heroism was. She’s very lucky Moe didn’t suffer more than a crushed pinky.
  • We only see the foot of Jun’s savior. Was that Kaname?
  • Nothing about King Torture makes any goddamn sense, and  that’s why he’s so awesome. For instance: right after he talks about the lovely mausoleum he built for his fallen comrades, he needlessly blasts through the wall, trashing the place. 
  • Goto getting a text from his girlfriend while he’s driving a pink Hummer through a corridor towards a bio-rocket that’s about to launch: the show in a nutshell, really!
  • Next week we’ll be halfway through this excellent show. We figure it will be a relatively calm affair after all the action this week, but who knows.
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Golden Time – 11

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After being subjected to a torrent of advice from his seniors, Banri decides he wants to get a part-time job so he can pay for his beach trip with Kouko, but she’s against it, as it would mean spending less time with him. While thanking Nana for her help, she tells him a party waiter’s job is his if he wants it, and tells him to have Mitsuo come too. At the masquerade party, Banri dresses up as a maid and Mitsuo wears a speedo. While serving drinks, they come across two devil twins: Nana and Linda. Kouko, who has the photo of Banri and Linda, calls Banri, but it goes to voicemail.

Wethinks young Tada Banri may be getting a little too accustomed to lies and secrets. While on the train to his all-night job, having lied to Kouko about writing a paper, he tells Mitsuo he can put up with Kouko’s quirks because “he loves her”, but inside, he’s decided to endure whatever she can dish out because he’s guilty about being in love with Linda. He’s as awful as he thinks he is if that’s actually the case, but he’s awful anyway for the lies. At the cafe (the first one) Kouko laid out very clearly the consequences of being away from him too long. She’s not a girl you want to lie to.

While Banri couldn’t have predicted bumping into Linda at a swanky party, it would look far less compromising later on if he had simply told Kouko the truth about wanting a job. Instead he avoided a fight and decided to shield her from the truth (which never works) and now Mitsuo, Nana, and Linda all know he was working at that party while Kouko’s in the dark. We’ll take our Banri-scolding hats off long enough to say we enjoyed the party milieu, in which Nana yet again brings Banri and Linda together. It makes one wonder if she’s doing it on purpose!

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Rating: 8 
(Great)

Stray Observations:

  • There was something used car salesman-like about the Tea Club girls this week. Don’t sign anything!
  • We love the sinister way Nana says “party waiter.” We actually just love Nana, period.
  • he running gag of Banri being unable to recognize Nana in her various get-ups is coming along nicely.
  • Already armed with Chekhov’s photo, if Kouko ever finds out he was with her at that party when he was supposed to be writing a paper…well, “Hell hath no” and all that.
  • That being said, it would be even more brutal if she doesn’t react violently at all, but merely collapses in despair.
  • We wonder: how long would Banri and Linda have stared longingly at each other had the host not told them to get back to work? Probably forever!

Kyoukai no Kanata – 11

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Akihito wakes up after three months in a coma. Hiromi and Mitsuki tell him he’s no longer immortal, while Mirai has vanished and is likely dead. Izumi further explains why she had to recruit Mirai, and that she saved Akihito and the world of her own free will. Dejected, Akihito wanders around town, recalling his dream, and runs into a distraught Sakura. He returns home to find Mirai sent him a farewell text message.

Meanwhile, the weakened Kyoukai no Kanata fused with Mirai’s blood and created an isolated dimension above the town. Fujima amplifies its powers with his car, and it starts pulling youmu up toward it. Akihito’s mother Yayoi arrives to tell him Mirai is alive within the dimension, fighting to protect a puppet version of Akihito. Akihito uses his extracted youmu stone to rise up into the dimension, destroys the puppet, and finds Mirai.

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Our theory of a complex, multi-layered Kyoukai no Kanata is debunked, but who cares: this tour-de-force delved into the depths of despair while keeping kernal of hope dangling overhead. It proved that Akihito’s will to protect and save Mirai is just as strong as hers. She’s alive and close by; Akihito just has to break through all the fog and gain the means to rescue her. Fujima’s ridiculous “experiment” was the spark that led to Akihito gaining those means, so we can forgive him for his helpful but long-winded exposition.

Akihito has always complained about the apparent ineptness of his mother, but she comes through for him when it matters (and her reveal in the club room is one of the ages). Once he has what he needs the episode wastes no time flying him up to that dimension, breaking through, and plucking Mirai from the sky. In their constant back-and-forth struggle to prove how far they’d go for each other, Akihito gets a solid point in his favor this week. But they’re not out of the woods yet.

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Rating: 9 (Superior)

Stray Observations:

  • Akihito wisely addresses the fact he hasn’t eaten in three months. You can’t rescue a bespectacled beauty on an empty stomach!
  • Nice running jump kick by Sakura. “Sad Back” indeed!
  • Mirai’s text message was a tearjerker through and through, really showing how far she’s come; no longer seeing her ability as a curse, because she can use it to save people she loves. “Not unpleasant.”
  • Seriously, WTF did Fujima amplify Kyoukai no Kanata with his car? What is he, MacGyver?