As the Mirrored City continues to crumble, a portal opens and the Chief Priest of Koto and Inari’s organization arrives with his adjutant, declaring that the city, or “13th plane” was illegally created for Inari and Lady Koto’s own selfish purposes, and it must be destroyed to keep the other 12 planes from being destroyed. Aun and Inari’s familiars turn against him, and Lady Koto is wounded protecting him. Koto despairs at everything being her fault, but before the familiars can get to her Myoue shields her and snaps her out of it. With her hammer at the Chief Priest’s head, Koto demands he help her save her mom and the Mirrored City, or she’ll destroy all the planes herself.
“I feel no uncertainty. I know what’s most important to me.” So says Inari after smashing his fox mask, and with it the “observer” position he surpassed long ago. His boss isn’t moved and dismisses his speech as nonsense and stupidity, but then what he deems most important is far different than Inari. He seeks order and balance among the planes he looks over; the Mirrored City is an anomaly that threatens all that. But Family was what was most important to Inari, a family he was never meant to have but made anyway.
While out preserving the world he built for it, he and Lady Koto had a daughter, who inherited her mom’s not insignificant powers. Once Koto stops blaming herself for being born, it’s simply a matter of properly leveraging those powers to get what she wants: to save her family and preserve the city. There’s no shortage of people telling Koto how special she is, and the time has come to prove it. Is there a way to get what she wants without the rest of the universe suffering? Surely there must be.
Rating: 8 (Great)
Kaiki meets with Senjougahara at a Mister Donut to deliver his report. He informs her that Nadeko will be very easy to deceive, and he belives that by gradually gaining her trust, he’ll be able to save both Senjougahara and Koyomi by eventually telling Nadeko they died in a car accident. The next day Kaiki gets a visit from Ononoki, bearing message from Gaen to pull out of the town, enticing him with 3 million yen. He takes the money, but continues his job anyway, notifying Nadeko he’ll do the hundred times worship at her shrine. That night, Kaiki gets Nadeko’s parents out of their house and breaks in to inspect her forbidden closet.
Kaiki seems to be making good so far in solving Senjougahara’s problem. He’s taken a reliable measure of the godly Nadeko and determined that she is not only someone he could all too easily deceive, but someone quite insane to boot (Cat’s cradle with an ouroboros! We ask you!). Indeed, Nadeko is being presented as being even more naive, childlike, and airheaded as her past human self. But while Senjougahara only sees a threat to be neutralized so she and her lover can breathe easy (and Kaiki achieves this, relieving her to a rare bout of Senjougahara tears), Kaiki does not necessarily believe Nadeko cannot be a decent god someday, once she “calms down”.
But by hiring Kaiki, Senjougahara acted out of desperation, without regard to other considerations that, while peripheral to her, may well exceed the importance of just two lovers’ lives. Gaen uses Ononoki (whose character’s personality changed slightly) to tell him he’s sticking his false nose in places he shouldn’t; he’s actions may upset the balance of a “pretty stable” town; that for all her cute airheadedness, Nadeko is capable of destroying that town, and more, if he fails. Kaiki gives these concerns an audience, but presses on, keen to discover what it really was that made her what she is today. Is he merely being professional, or did Senjougahara’s tear-stained face perchance move him? (Probably not.)
Rating: 8 (Great)
- That OP…was one of the best OPs we’ve seen in a long time, capturing the old school anime OP look, sound and feel while remixing it with the contemporary aesthetic. It was also hilarious.
- If his huge hotel room is any indication, Kaiki isn’t sparing his expenses. Of course, the windfall he gets from Gaen ensures he’ll have the cash to complete his mission.
- This episode takes place in the winter after a snowfall, and it just happens to be snowing where we are as well.
- Between “Mister Donuts” and “Relax Coffee”, we could go for some breakfast about now…
- Considering the physical feats characters perform regularly in this series, Kaiki’s dramatic “action shot”—a running jump up to a window sash—was also quite comical.
- There must be something very interesting behind that door. Some kind of charm or spell? A shrine to Koyomi? A snake skeleton?…Nothing?
Learning Touma is going to move to Europe with her mother, Haruki meets with her at Narita airport, to her surprise, skipping out on Setsuna’s party. Haruki and Touma take the N’ex back to Tokyo, and Haruki chastises her for trying to disappear. Touma rebuts by stating how painful it is to see him with Setsuna, confirming her feelings for him; Haruki pleads ignorance. Flashback to when Touma first met Haruki and gradually developed feelings for him.
Both Haruki and Setsuna are using this party as a test. Setsuna wants to know if she and Haruki are meant to be together, and Haruki wants to know the same, but he can’t until he meets with Touma one last time. Somewhat unsurprisingly, he learns that while he may be an idiot when it comes to picking up on Touma’s feelings for him, he’s an idiot Touma happens to love, a reality he previously thought had only reside in his head. The reason for this is not that Touma hasn’t expressed her feelings for him, it’s that she does it in a totally different and far more cryptic way than the more upfront, direct Setsuna, who Haruki was more able to respond to.
Even though Touma knew Haruki longer, Setsuna beat her to it with that direct approach, which Touma simply isn’t capable of emulating. But just because one person is more successful in winning the heart of another doesn’t mean they’re the one that person is supposed to be with. The Touma-focused flashback almost reads like a testimonial for why she and not Setsuna could/should be with Haruki, if only she had been clearer. At this point we don’t envy Haruki’s predicament, but given the choice between the relative “ease” of a life with Setsuna and the more involved challenge of Touma, we’d have to pick the latter.
Rating:7 (Very Good)